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EN
The aim of this article is to present an overview of changes which have taken place in Visual Arts in South Africa after the abolition of apartheid in 1994. The artistic issues are shown in a broader perspective of grave alterations which ocurred in South African society and culture after the termination of apartheid. One of the most important aspects concerning contemporary South African Art is the problem of dealing with South Africa’s traumatic past (this problem is the dominating theme of an artistic output of such diverse artists as Minnette Vári, William Kentridge, Sue Williamson, Judith Mason and Kendell Geers). Another extraordinary problem faced by South African present-day art is to find paths in order to construct links between South African art and modern and classical art from Europe. In order to analyze these problems, we take under scrutinous consideration such 21st century artists as Johannes Phokela, Wim Botha, Andrew Putter.
FR
L'article présente un aperçu général des changements qui sont intervenus dans le domaine des beaux-arts dans la République de l'Afrique du Sud, après l'abolition de l'apartheid en 1994. Plus de détails a été présenté dans l'affabulation concernant l'utilisation par les créateurs modernes des chefs-d'œuvre de l'art européen ancien (par exemple Rubens et Michel-Ange). Les oeuvres naissants à ce cours montrent des rapports clairs à une nouvelle et compliqué réalité de l'Afrique du Sud au cours des dernières décennies. Cette problème entreprend les artistes du XXIe siècle tels que Johannes Phokela, Wim Botha, Andrew Putter.
EN
The paper deals with news linguistic tendencies in the creation of modern names of retail and service. It is described not only transonymisation, onymisation, but also morphological constituents of modern names of retail and service. Units created by suffixes and references to another names are considered as a fashionable. The first are neologisms and one creates them by means of morphemes -nia (-ownia) oraz -arnia, -ernia, -eria, -teka. The latter are created for free form using of proper or common name that they allow for finding their initial structure (Szmatrix < Matrix).
PL
The article makes an attempt to characterize, possibly comprehensively, the selected personal names of the name Irena as well as the surnames Sarnowska and Giefing. Linguistic considerations, especially onomastic, are deeply rooted in the historical-cultural and geographical sphere, supported by a frequency factor. 
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