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The text contains an analysis of terms of colour and light impressions included in Henryk Sienkiewicz’s private letters. The examination takes into consideration a comprehensive collection - counting over 1400 letters and taking up nearly 3000 printed pages, from which 196 formally and semantically different terms of colour and light have been extracted. The lexis from the examined theme range is a relevant element of the language material of Henryk Sienkiewicz’s private letters. Apart from the stricte information function, which distinguishes and identifies colourfully described landscapes, natural phenomena, weather, objects or people, the names of colours and chiaroscuro, it emphasizes their exotic, singularity and beauty, cocreates the mood and scenery of the described realities as well as it increases the vividness and suggestiveness of the writer’s story.
EN
The article contains an analysis of linguistic and stylistic distinguishing marks of headlines and ending formulas in Henryk Sienkiewicz’s letters to his wives. Particularly, the main subject of this research are expressions to the addressees and other ways of addressing the receivers of this correspondence. The material excerpt covers over 600 letters written during almost 40 years. The dominant of the collected material is expressively characterised vocabulary and names. The most important expression indexes are e.g. diminutive vocabulary, neologisms comparative and superlative adjectives as well as metaphors, epithets and borrowed vocabulary. During the research some significant features of Henryk Sienkiewicz’s writing style and his preferences in the ways of addressing and describing his wives have been indicated.
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