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Langage violent dans le rap français: caractéristique ou cliché ?

100%
Zubčeková H.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2015
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vol. Special Issue: Le monde de la litérrature
293-303
EN
The paper treats the role of the vocabulary connected to violence in the French rap. We will verify the hypothesis that this kind of vocabulary (vulgarisms and words semantically associated with violence) in our corpus is predominantly accentuated in the lyrics by the means of homophonies. This hypothesis is based on the premise that words with some kind of homophony are naturally emphasized in the flow of the rapper (Barret 2008). We are going to use the corpus of 97 songs by three interprets — Diam’s, MC Solaar and Rohff. We will use three marks : first mark concerns the vulgarisms, the second words semantically associated with violence and the third all the homophonies in the corpus. If the hypothesis is confirmed, the conclusion, that violent aspects are objectively highlighted and therefore more prominent in French rap, follows.
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Slovnědruhová a morfologická homonymie, homofonie a homografie v současné češtině

80%
Petkevič V.
Časopis pro moderní filologii (Journal for Modern Philology)
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2015
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vol. 97
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issue 2
127-135
EN
The paper presents a classification of the types of morphological ambiguity and the types of homophony and homography in contemporary Czech occurring in the material of the SYN and SYN2013PUB corpora of the Czech National Corpus. The classification of homonymy and homography constitutes a data base for the rule-based automatic morphological disambiguation of written Czech performed in the Institute of Theoretical and Computational Linguistics at the Faculty of Arts, Charles University. As for homophony, the types presented in the paper and mainly the sets of word forms associated with these types, can be used for the disambiguation of spoken texts.
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