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Ke každodennosti dvorního hudebníka ve druhé polovině 18. století : (život a smrt Antonína Jünglinga, schwarzenberského hudebníka a úředníka)

100%
Voříšek M.
Hudební věda (Musicology)
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2018
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vol. 55
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issue 3-4
265-298
EN
The article deals in detail with the life and career of Anton Johann Jüngling (1743, Protivín – 1798, Český Krumlov), who served as a violinist, music director, and highly placed official to the princely Schwarzenberg family during the last third of the eighteenth century, when that court saw its greatest flourishing of musical activities. Jüngling also seems to have had a relatively successful career in Vienna as a performer. The documentation connected with the settling of his estate provides unusually detailed insights into a number of the circumstances of his life, including his professional and personal relationships, his personal finances, the furnishing of his home, a fragmentary inventory of his music and books, and the medical treatment he received near the end of his life.
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Rukopisy děl Johanna Josepha Röslera v archivu Pražské konzervatoře

80%
Hönigová A.
Hudební věda (Musicology)
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2018
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vol. 55
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issue 3-4
299-320
XX
The archives of the Prague Conservatoire hold a valuable collection of autographs, copies, and early prints of music by the composer Johann Joseph Rösler (1771-1812), active in Prague and Vienna and later in the service of Franz Joseph Lobkowitz. This study is devoted to the manuscripts contained in this collection. Together with their digitisation, the new editions and CD recordings of some pieces realised in 2018 should be an inducement for further research on and presentation of the music of this fine composer.
3
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Cecilská jednota a Antonín Dvořák

80%
Vídenová M.
Hudební věda (Musicology)
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2018
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vol. 55
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issue 3-4
321-334
XX
Whilst studying at the Organ School, Antonín Dvořák was also playing viola for the Cecilia Society, an important musical organisation in Prague. So far, musicologists have paid relatively little attention to this area of the composer’s activity as a performer. The Cecilia Society played a part in the emergence of the newly developing phenomenon of public concerts, and it was one of the first societies in this country that was oriented towards the performance of larger-scale works for choir, choir and orchestra, and orchestra alone. Primarily on the basis of source material on the matter in question that has not yet been studied or, in some cases, that was previously unknown, the study provides an overview of the development, organisational structure, and membership base of the Cecilia Society with an emphasis on the period when Dvořák was active in the organisation.
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Karel Bendl and his friendship with Antonín Dvořák : an overview including presentation of an unknown letter

80%
Beveridge D.
Hudební věda (Musicology)
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2018
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vol. 55
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issue 3-4
335-366
XX
The composer and conductor Karel Bendl (1838-1897) was a prominent figure in Czech musical life and a close friend of Antonín Dvořák, helping him greatly in his early days of struggle. Today Bendl is largely forgotten, and he has never been the topic of any substantial study. The impetus for the present article is discovery of a letter Dvořák wrote to Bendl which is here published complete for the first time within a survey of Bendl’s life and work, including much information that is not widely known and in several cases (not only the mentioned letter) has never been published.
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Premiéra Sukova Zrání a Nejedlého kritika Sukova díla a osobnosti

80%
Charypar J.
Hudební věda (Musicology)
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2018
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vol. 55
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issue 3-4
367-389
XX
This study concerns the premiere of the symphonic poem Zrání (Ripening) by Josef Suk, Zdeněk Nejedlý’s opinions about Suk, and the so-called “Suk affair”, stirred up when Nejedlý accused Suk of having accepted an Austrian medal. The first chapter tells of the premiere of Zrání and the reactions to it including Nejedlý’s negative reviews. A separate chapter deals with Nejedlý’s opinions about Suk’s music and about the historical background of those opinions. There is also discussion of the personal relationship between Nejedlý and Suk. Special attention is devoted to how the so-called “Suk affair” has been viewed by scholars since Suk’s death up until the present.
6
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At the Crossroads od European Violin Heritage : The Migration of Prague Violinists throughout Europe from the beginning of the nineteenth century up to the 1880s

61%
Zupančič M.
Hudební věda (Musicology)
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2018
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vol. 55
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issue 1
5-40
EN
The phenomenon of extensive migrations of Bohemian musicians across Europe began at the end of the seventeenth century. With the establishment of the Prague Conservatory in 1811, a new and major wave of emigration of Prague violinists emerged. Thus, most of the talented and promising Prague violinists in the first half of the nineteenth century emigrated throughout Europe, mostly within the Habsburg monarchy. They became members of the Estates theater orchestras in Linz, Graz, and Budapest, the Theater on the Vienna River, Leopoldstadt and Josefstadt theaters in Vienna, the Königsstadt Theater in Berlin, and the prestigious Vienna Imperial Opera and Vienna Imperial Music Chapel. In the second half of the nineteenth century the Prague violinists’ roles and their migration routes changed. They still mostly emigrated to the cities within the Austro-Hungarian Monarchy and German Empire, but some of them also settled in the regions of Galicia and Bukovina and in the neighboring Russian Empire and Slovene lands. They were active as concertmasters, violin pedagogues, virtuosos, chamber music promotors and performers, and organizers of musical and cultural life in numerous European cities. They markedly influenced the violin in particular, as well as music development in general, in the second half of the nineteenth century.
CS
Studie Maruši Zupančič je věnována fenoménu pražské houslové školy v uvedeném časovém období. Autorka se zaměřuje houslisty, kteří působili v zahraničí. Vedle konkrétních osobností včetně sledování jejich životních osudů a působišť však věnuje pozornost rovněž vlivům, které vedly k odchodu těchto hráčů mimo české země do ostatních zemí. Stranou nezůstává ani dobová reflexe, díky které se dozvídáme o velkém věhlasu, jemuž se mnozí z českých houslistů těšili.
7
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Hudba na českokrumlovském zámku v létě roku 1780 : (den v životě Antonína Jünglinga, schwarzenberského hudebníka a úředníka)

61%
Voříšek M.
Hudební věda (Musicology)
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2018
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vol. 55
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issue 2
117-142
XX
The article is based on a lengthy report by Anton Johann Jüngling on his own activities on 12 August 1780; Jüngling was at the time the Schwarzenbergs’ music director and also a highly placed official. This unique historical source affords a very detailed look at Jüngling’s daily life as a person and a professional, and in combination with other sources, it also enables the creating of a quite detailed picture of the musical events at the Schwarzenberg court over a period of just under two weeks, when the Schwarzenbergs were staying in Český Krumlov with their guests. The musical activities included theatrical performances, a ball, a private concert with repertoire consisting of orchestral arrangements of music from singspiels currently being performed (Die schöne Schusterin and Die abgeredte Zauberey), and accompaniment for worship services. The study documents that the musicians at the princely court were able to secure the music for most of these occasions, and that they were supplemented or substituted for as needed by hired musicians from the town or the military.
8
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The Organists of Leipzig's Royal Catholic Chapel: 1719-1756

51%
Stockigt J. B.
Hudební věda (Musicology)
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2016
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vol. 53
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issue 2-3
161-176
XX
Studie Janice B Stockigt se zabývá hudebníky, kteří působili na postu varhaníků v královské kapli v Lipsku během uvedeného časového období. Na jejich příkladu dokumentuje, že takové působiště bylo jednou z cest k vzestupu v hierarchii drážďanské dvorní hudby i pro hudebníky, přicházející z Čech.
9
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Nové poznatky o životě varhaníka Rytířského řádu Křižovníků s červenou hvězdou Františka Josefa Dollhopfa (1695-1743)

51%
Veverka K.
Hudební věda (Musicology)
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2015
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vol. 52
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issue 2
158-162
XX
Studie Karla Veverky se zabývá osobností varhaníka Franitška Josefa Dollhopfa, který působil na významném hudebním kůru kostela sv. Františka u pražských křižovníků na Starém Městě, a podstatně doplňuje novými informacemi pohled na jeho životní osudy.
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