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EN
The journalistic part of Emile Zola’s work is often neglected by critics who usually focus on the writer’s novels and other texts of fiction. Nonetheless, these writings worth readers’ and critics’ attention because of their originality based on their hybrid character. This hybridism concerns their narrative forms, including ‘classical’ press chronicles, causeries (a kind of chat with the potential reader) and confidences of real or fictive persons. The identity of their author is also hybrid, combining some traits of a romantic, a positivist and a materialist. The outcome of such a mix of various attitudes towards the reality is a set of uncomparable texts of both anthropological and documentary value.
XX
This paper addresses language practices in the German urbanised environment, or, more strictly, practices of language variants blending and crossing and their symbolic meaning in contemporary Germany. The authors and performers of mixed codes are the German incoming and native youth. The paper emphasises and depicts the specific character of jargon, and draws attention to it being strongly rooted in the language of ancestors; primarily, however, it concentrates on theories describ­ing this language phenomenon.
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