Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 11

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  hypertextuality
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

Bartosz Adamczewski, The Gospel of Luke. A Hypertextual Commentary (European Studies in Theology, Philosophy and History of Religions 13) (Frankfurt am Main: Peter Lang Edition 2016)

100%
Mielcarek K. W.
The Biblical Annals
|
2019
|
vol. 9
|
issue 4
749-754
EN
Book Review: B. Adamczewski, The Gospel of Luke. A Hypertextual Commentary (European Studies in Theology, Philosophy and History of Religions 13), (Frankfurt am Main: Peter Lang Edition 2016). 
PL
Book Review: Bartosz Adamczewski, The Gospel of Luke. A Hypertextual Commentary (European Studies in Theology, Philosophy and History of Religions 13) (Frankfurt am Main: Peter Lang Edition 2016). 
2
Publication available in full text mode
Content available

Hypertextuality in Internet reporting

100%
Urbaniak P.
Academic Journal of Modern Philology
|
2020
|
vol. 10
247-254
EN
The transfer of so-called traditional journalistic genres to the Internet usually results in significant changes to their distinctive features. A good example is the Internet report, which simultaneously uses various forms of communication with recipients (e.g. text, film, image) and becomes both multimedia and intertextual material, which results in its hypertextual character. Similarly to any hypertext, because it often has a multimodal structure, it is also a kind of semi-finished product, as it only becomes a carrier of meanings and a complete work during its reception. As a result, extra tasks are set for the recipients. They must even more fully than in the case of classic literature or literary works participate in the process of decoding the meaning and become even more co-creators of the sense of the work that is being read. This article aims to demonstrate the essential features of how reports function on the Internet by referring to two specific materials that fall within the definition of the Internet report. Apart from this, the text attempts to confront the new variety of reporting with selected literary theories, such as the concept of “the death of the author” by Roland Barthes. Lastly, the article aims to cover the characteristics of the different types of recipients of hypertext forms of reporting functioning in an Internet environment.
3
Publication available in full text mode
Content available

Sind Aphorismen hypertextuell? Zur konzeptionellen Hypertextualität analoger Texte

88%
Szczepaniak J.
Linguistica Copernicana
|
2015
|
issue 12
271-286
EN
The following article is an attempt to point out the conceptional similarities between two medially distinct kinds of text - the aphorism and the hypertext. The basis for achieving this aim is the concept of coherence. This article supports a broader, process-oriented concept of coherence, which involves the reader as the creator of coherence. The analysis concetrates on the aphorism, with its fragmentary structure, which demandrs participation in constructiong the sense of the text. An attempt is made to exemplify the conceptional hypertextuality of such texts with some aphorisms of K. Kraus, E. Canetti and S. J. Lec.
4
Publication available in full text mode
Content available

Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda

88%
Mir C.
Studia Romanica Posnaniensia
|
2021
|
vol. 48
|
issue 3
61-72
EN
This paper proposes a reinterpretation of plot parallelisms between El collar de la Núria (1927), by C. A. Jordana, and Crim (1936), by Mercè Rodoreda. The comparative analysis aims to show how Crim, in addition to working as a parody of the principles of the detective story, can be read as a parody of an earlier parody of the same genre – that is, the text by Jordana. This rewriting exercise strengthens the hypertextual link between these two novels and results in what we may call, following the terminology by Gérard Genette, a hyperparody.
5
Publication available in full text mode
Content available

La recepció del teatre espanyol a Catalunya. Un cas d’estudi: El último mono (1926) de Carlos Arniches i la seva adaptació catalana (L’adroguer del carrer Nou, 1929)

88%
Orazi V.
Studia Romanica Posnaniensia
|
2021
|
vol. 48
|
issue 3
103-117
EN
Study of the reception of Carlos Arniches’ play El último mono in Catalonia, through the analysis of its Catalan translation. Starting from the identification of the characteristic features of the author’s theatre, as presented in the work under examination, the strategy of transposition into the resulting hypertext will be defined, according to the different types of treatment (preservation, adaptation, replacement, elimination, etc.) of the key elements, both in terms of content as well as of language and style.
6
Publication available in full text mode
Content available

Relacions hipertextuals en Judit (1929), de Josep Maria de Sagarra

75%
Rosselló R. X.
Studia Romanica Posnaniensia
|
2021
|
vol. 48
|
issue 3
89-101
EN
This article is a monograph focusing on an analysis of the play Judit by Josep M. de Sagarra. The author’s only tragedy, and unique among his works, was first performed in Barcelona in 1929. It is a little-studied work, doubtless due to its lack of success with theatre audiences, although Sagarra himself had a high opinion of it. To carry out our analysis, we will make use of the analytic tools introduced by Gérard Genette in his Palimpsestes (1982) around hypertextuality and, more specifically, we will consider this work as a transformation of the biblical story, paying special attention to the new material Segarra brought to this text.
7
Content available remote

Live-Ticker: zu der neuen multimodal-hypertextuellen Form der Live-Berichterstattung

63%
Smułczyński M.
Folia Scandinavica Posnaniensia
|
2019
|
vol. 27
14-34
EN
The live broadcast of different, socially important events is nowadays no longer reserved only for radio and television. The live-ticker, a result of various media convergence processes, is a multimodal and interactive set of institutional reports, journalists’ and politicians’ opinions, pictures, short films and social media posts, that 24/7 provides the most up-to-date information on a specific topic. The article is an investigation into the media genre live-ticker with a focus on its multimodal structure, the language-image relations, as well as aspects of hypertextuality. Finally, I want to show what the live ticker differs from similar forms of online broadcasting. The corpus are three Danish live-tickers that provided the most detailed report on the trial of the Danish entrepreneur and designer Peter Madsen: bt.dk, ekstrabladet.dk and jyllands-posten.dk. Madsen murdered in 2017 a Swedish journalist Kim Wall, for which he was sentenced in April 2018 to life imprisonment.
8
Publication available in full text mode
Content available

La grammatica del linguaggio giuridico. Analisi comparativa di alcune varianti di una legge regionale

63%
Maniowska K.
Italica Wratislaviensia
|
2018
|
issue 9.2
143-160
EN
According to the Italian legal system, Regions may intervene on social and administrative questions with their own laws. The aim of this paper is to analyse varieties of the same law in different Italian regions and cities. The quantitative and qualitative approach is aimed to show the efficiency of each text, taking into consideration linguistic factors and their use in legal writing, such as syntax and lexis as well as intertextuality and relations between hyper- and hypotext (European directives and national norms vs. local norms). The comparison between five similar texts on the same subject will show how the interpretation of a norm may deeply differ one from another and how the quality of a norm may negatively influence it’s comprehension.
IT
Secondo l’ordinamento italiano le regioni possono intervenire sulle questioni sociali e amministrative approvando leggi locali. Nel presente articolo vogliamo analizzare varietà della stessa legge promulgata in diverse regioni e città italiane. L’approccio qualitativo e quantitativo dell’analisi è stato adottato per dimostrare l’efficacia del singolo testo, considerando inoltre fattori linguistici e le modalità della scrittura legale, tra cui la sintassi e il lessico adoperato, nonché l’intertestualità e le relazioni tra l’ipo- e l’ipertesto (si pensi alle direttive europee in materia, alla legge nazionale e alle norme locali). Il confronto tra cinque testi affini dedicati allo stesso argomento dimostrerà quanto sia differente l’interpretazione tra un testo e l’altro e quanto la qualità della norma scritta possa compromettere la sua comprensione.
9
Publication available in full text mode
Content available

L’analyse hypertextuelle de L’Empreinte à Crusoé de Patrick Chamoiseau

51%
Masłowski D. P.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
|
2015
|
vol. Special Issue: Le monde de la litérrature
157-166
EN
Over centuries, the subject of robinsonade does not seem to be a thoroughly investigated field in literary criticism. In this context, the role of Defoe’s work is still considered as the fundamental hypotext for every future robinsonade. Nevertheless, the twentieth century brings writers such as Michel Tournier, Patrick Chamoiseau or Yann Martel who began to transvalorize their robinsonades. This postmodern and sometimes postcolonial approach questions the topicality of modern and colonial masterpiece. In his recent novel, Patrick Chamoiseau explores the literary myth of Robinson Crusoe. He indicates the equiponderant influence of Daniel Defoe’s Robinson Crusoe and Michel Tournier’s Friday, or, the Other Island. The purpose of this paper is to analyze said hypertextuality in Crusoe’s footprint. It attempts to focus notably on the dialogue between Chamoiseau and Tournier and to see Michel Tournier’s impact not only as the primordial hypotext in case of Crusoe’s footprint but also as the basic reference for robinsonades reversing the ideological message of Daniel Defoe’s text in the XXth and XXIth centuries.
10
Publication available in full text mode
Content available

Autorskie (od)tworzenie. O intertekstualnych wątkach w twórczości Tima Burtona

51%
Żakieta K.
Ogrody Nauk i Sztuk
|
2013
|
issue 3
PL
Artykuł skupia się na analizie gier z konwencją, wykorzystaniu gatunków, symboli, schematów oraz klisz kulturowych w wybranych fi lmach Tima Burtona. Ważny aspekt rozważań stanowi dialogiczność między innymi takich fi lmów jak Edward Nożycoręki czy Jeździec bez głowy, bowiem właśnie żywioł intertekstualny czyni twórczość Burtona na tyle oryginalną, by móc ją określać mianem kina autorskiego.
EN
This article is focused on playing with convention, genre, symbols and cultural clichés in selected Tim Burton’s fi lms. The most important aspect of this work is the dialogism in such fi lms as Edward Scissorhands or Sleepy Hollow, because intertextuality is exactly what makes Burton’s work original enough to be considered an auteur cinema.
11
Publication available in full text mode
Content available

Noah’s Ark and the Ark of the Covenant

51%
Adamczewski B.
Collectanea Theologica
|
2021
|
vol. 91
|
issue 2
5-19
PL
Podobieństwa pomiędzy arką Noego a ratującą łodzią w mezopotamskich opowiadaniach o potopie są szeroko znane. Podobnie znane są powiązania między arką Noego a szkatułą Mojżesza (Wj 2,3). Jednakże powiązania między „skrzynią” Noego a „skrzynią” Świadectwa nie przyciągnęły dotąd adekwatnej uwagi badaczy. Artykuł analizuje te powiązania na poziomach lingwistycznym i konceptualnym. Stara się ponadto prześledzić ich funkcję w hipertekstualnych powiązaniach opowiadania o potopie z Księgi Rodzaju z wcześniejszymi izraelskimi dziełami literackimi, szczególnie z Księgą Powtórzonego Prawa i Księgą Jozuego.
EN
The similarities between Noah’s ark and the saving boat in Mesopotamian flood accounts are widely known. Likewise known are the links between Noah’s ark and the chest of Moses (Exod 2:3). However, the connections between the “chest” of Noah and the “chest” of the testimony have not hitherto drawn adequate scholarly attention. The article explores these connections on both the linguistic and the conceptual level. Moreover, it investigates their function in hypertextual links of the Genesis flood account to earlier Israelite literary works, especially the book of Deuteronomy and the book of Joshua.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.