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Paul Hindemith a idea postępu, tradycja i neoklasycyzm

100%

Księska-Koszałka J.

Kwartalnik Młodych Muzykologów UJ

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2017

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issue 4(35)

111-122

EN

Paul Hindemith is one of the most famous composers of the 20th century as well as the most important thinkers in the field of music. His aesthetic beliefs are inspired mainly by Boethius and Saint Augustine. He raises an issue of ideas of tradition and progress, which seemed quite disputable in the music of the 20th century. Hindemith believes that in the world exist some universal spiritual principles, which must be integrated by composers in the process of creating music. He criticises the approaches in which the technique itself appears to be predominant, therefore he negates such techniques as the twelve-tone chromatic scale. According to Hindemith, the development of music must be based on traditional fundaments, which, however, can be linked to modern styles and ideas. That seems crucial not only in the process of composing, but also in teaching music, both in theory and in practice.

2

Paul Hindemith and the Idea of Progress, Tradition and Neoclassicism

100%

Księska-Koszałka J.

Kwartalnik Młodych Muzykologów UJ

|

2017

|

issue 4(35) Eng

112-124

EN

Paul Hindemith is one of the most famous composers of the 20th century as well as the most important thinkers in the field of music. His aesthetic beliefs are inspired mainly by Boethius and Saint Augustine. He raises an issue of ideas of tradition and progress, which seemed quite disputable in the music of the 20th century. Hindemith believes that in the world exist some universal spiritual principles, which must be integrated by composers in the process of creating music. He criticises the approaches in which the technique itself appears to be predominant, therefore he negates such techniques as the twelve-tone chromatic scale. According to Hindemith, the development of music must be based on traditional fundaments, which, however, can be linked to modern styles and ideas. That seems crucial not only in the process of composing, but also in teaching music, both in theory and in practice.

3

The epistemic status of propositions of future events

100%

Ukagba G., Odia S. I.

IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych

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2014

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vol. 26

393-405

EN

The advent of society with its built in idea of progress by collective effort has led to tremendous human growth and development. Our today is more of our planned yesterday rather than by accident of nature. In spite of the vast unknown future before us, our today is largely as planned yesterday. To this extent we can say we know tomorrow taken as our planned and determined-to-achieve future. We know when to guess and make predictions of the future. We also know what we want our future to be and how to work towards realizing it. As humans we keep learning and broadening our horizons. Though today is to a large extent as we planned of it yesterday, we will still find room for improvement. This should not be taken to mean that we did not know today as planned from yesterday. It is human to want something better. So we have knowledge of our planned and determined-to-achieve future events in so far as we do not have at the moment any reason to think otherwise.

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2 Kwartalnik Młodych Muzykologów UJ

1 IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych

2 Księska-Koszałka J.

1 Odia S. I.

1 Ukagba G.

1 2018

1 2017

1 2014

Paul Hindemith a idea postępu, tradycja i neoklasycyzm

Paul Hindemith and the Idea of Progress, Tradition and Neoclassicism

The epistemic status of propositions of future events