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1
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Когнитивные потенции новых словосочетаний и фразеологизмов

100%
Korzeniewska-Berczyńska J.
Acta Polono-Ruthenica
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2009
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vol. Tom 1 Nr XIV
415-421
EN
The issues mentioned above are examined on the basic of the content of the Russian journalistic discourse fom the years 1988-2000. The authores has singled out more than 20 key words around wchich new groups (also idioms) are formed. The analysis contained in the text only three groups of collocations wchich are being formed around the words: dukhovnost,tsennosti (and its derivates) and rynok (and int derivates). The artile reals with the assessment of a desperate search for the essence of spirituality and the essence of new values. Chronologically, the subsequent productivity of the key word rynok confirms the extremely difficult problem of making a choice wchich would be best for man. The source material subjected to semantic analysis containts a great deal of valuable information concerning not only the social reception of turbulent socio-political transformations but also the impact of those innovations on the way in wchich reality is perceived and interpreted.
2
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«Nez arraché, yeux brûlés»: expressions olfactives imagées en français et en hongrois

63%
Fekete G.
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia
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2014
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vol. 32
EN
Senses are the organs of perception which allow our body to contribute to the understanding of the external world. Many anthropologists and philosophers have already suggested that there are hierarchies between the senses in many different cultures. For example, the importance of the olfactory sense is often neglected in western societies. This issue can be confirmed by the lack of lexiconand linguistic forms related to the verbal representation of the olfaction.                                                                                 This study aims to detect the potential existence of productive syntactic and semantic patterns within the idiomatic olfactory expressions used in French and Hungarian. Our results indicate thatthere are syntactic and semantic patterns in the two languages under study. The semantic patterns entirely coincide, and the syntactic combinations, although the structure of both languages does notresemble each other, can be considered as equivalents.
FR
No abstracts
PL
Zmysły są narządami percepcji, które pozwalają ciału rozumieć świat zewnętrzny. Wielu antropologów i filozofów twierdziło, że istnieją hierarchie zmysłów w zależności od kultury. Dla przykładu,zmysł węchu jest zaniedbany w zachodnich społeczeństwach. Jest to potwierdzone brakiem słownictwa i innych form językowych odnoszących się do węchu.Niniejsze studium próbuje wykryć potencjalne wzory syntaktyczne i semantyczne w idiomach języka francuskiego oraz węgierskiego dotyczących węchu. Schematy takie istnieją, choć struktury języków nie są do siebie podobne.
3
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Využití korpusových metod v popisu češtiny: příklad kolostrukční analýzy

51%
Lehečková E.
Časopis pro moderní filologii (Journal for Modern Philology)
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2017
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vol. 99
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issue 2
167-180
EN
The paper presents a review of principles and applicability of collostructional analysis — a cluster of corpus methods developed by Anatol Stefanowitsch and Stefan Th. Gries since 2003. Collostructional analysis measures the strength of association by which lexemes are attracted to a particular position in a construction. It derives from the Construction Grammar concept of construction as conventionalized pairing of form and meaning. Collostructional analysis allows for systematic measurements of the degree of conventionalization of constructions. The paper introduces various types of collostructional analysis and provides an overview of research areas where collostructional analysis has been employed. It concludes with a case showing how collostructional analysis can be applied to the description of Czech.
4
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Varmt hjerte og kaldt blod. En kontrastiv analyse av uttrykk for følelser basert på indre organer og kroppsvæsker i polsk og norsk

51%
Horbowicz P.
Folia Scandinavica Posnaniensia
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2009
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vol. 10
169-180
EN
The following paper investigates the nature of idiomatic expressions for emotions and analyses them in Polish and Norwegian. Emotions are a phenomenon universal for all human beings, yet their perception and expression differs across cultures. It seems to be a tendency in all languages to ‘somatize’ emotions, that is to place them in the human body, the nearest reference point. However, explaining this tendency by physiology is not always plausible as shown in the conducted study on expressions using internal organs and bodily liquids in Polish and Norwegian. Expressions that bear most similarity between languages coming from the same culture circle are not those motivated by physiology, but by culture, as for example those originating from Hippocratic humoral doctrine. Metaphorical mechanisms, claimed by some linguists to be universal, for example the so called container metaphor, are also to be found in the analyzed material. It has been proven that culture can influence the construction and perception of emotions. The language of emotions, which by default is a part of culture, calls therefore for more attention from researchers in all fields dealing with this topic.
5
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«Над кем смеётесь?», или о специфике создания комического в украинском языке (на примере романа О. Черногуза «Аристократ из Вапнярки»)

51%
Savchenko A., Khmelevskiy M.
Językoznawstwo
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2017
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vol. 11
57-70
PL
Zjawisko humoru można badać na różnych poziomach jego manifestacji, zarówno w ujęciu jednostkowym, jak i globalnym. Jednocześnie indywidualny aspekt humoru nie zaprzecza swoistości jego narodowego kolorytu, ponieważ rozumienie humoru, śmieszność i komizm kształtuje się historycznie w ramach wyobrażenia osoby o konkretnym tle kulturowym, poglądzie świata, ideologii i faktach dotyczących rzeczywistości, które otaczają nie tylko jedną osobę, ale grupę jednostek, a szerzej - naród. W artykule omówiono lingwistyczną analizę specyfiki humoru narodowego. Zdefiniowane zjawisko jest uważane za indywidualne na ogólnopolskim przykładzie dwóch blisko spokrewnionych języków: ukraińskiego i rosyjskiego, w ujęciu porównawczym. Jako konkretny przykład przejawu takiej specyfiki narodowej została przytoczona powieść współczesnego ukraińskiego satyryka, pisarza O. Czornohuza. Liczne przykłady zaczerpnięte z tekstu (w większości stałe porównania), a także osobiste spostrzeżenia na temat mowy potocznej Ukraińców, opisywane są w sposób kontrastywny jako specyfika ukraińskiego humoru. Podkreślona została narodowa tożsamość ukraińskiego humoru, dokonano analizy narodowych obrazów związanych z tworzeniem komicznego efektu charakterystycznego dla ukraińskiej kultury śmiechu, zakorzenionej w specyfice sztuki ludowej.
EN
The phenomenon of humor can be examined at the different levels of its manifestation, both at the individual and at the universal. At the same time, the individual aspect of humor does not deny the fact of its nation color, as understanding of humorous, ridiculous, and comical is formed historically within the framework of a person‘s imagination of the concrete cultural background, world view, ideology and facts of reality which surround not only the one individual, but the group of individuals, and wider – a nation.Given article deals with linguistic analysis of specific of national humor. Marked phenomenon is regarded as individual one within the nationwide example of two closely related languages: Ukrainian and Russian, in their comparative analysis. As an concrete example of the manifestation of such national specific was taken the novel of modern Ukrainian satirist, writer O. Chornohuz. Numerous examples taken from the text (mostly stable comparisons), as well as personal observations on the colloquial speech of the Ukrainians, are described in a contrasting manner as the specific nature of Ukrainian humor. It is emphasized national identity of the Ukrainian humor, analyzes the national images involved in the creation of comic effect, characteristic for the Ukrainian laughter culture, rooted in the depth of folk art.
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