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Beyond Textiles: Alternative Uses of Twisted Fibres and Evidence from Akrotiri, Thera

100%
Vakirtzi S., Georma F., Karnava A.
Światowit
|
2017
|
vol. 56(1)
75-88
EN
Fibre crafts are among the oldest technological practices of mankind. Although commonly associated with textile manufacture, twisted fibres in the form of threads have always had a wider range of use in everyday life. Strings and ropes constitute a humble but essential category of fibre products deriving from the same technology and organic matter as threads. Due to their organic nature, however, they are rarely preserved in the archaeological record, unless special environmental conditions occur. This paper explores the research potential of the imprints of threads and strings in a study focusing on the alternative uses of fibre-spun artefacts. The focus is on the Bronze Age Aegean imprints of threads and strings preserved on objects made of clay and on wall paintings recovered at Akrotiri on Thera. The technical properties of the original threads and strings are evaluated through observation of their imprints, and the fibre technology used for their production is assessed. The methodologies of spindle whorl metrology and experimental spinning are also integrated in the discussion. Ultimately, the use of threads and strings for a variety of purposes, including but not limited to textile production, is discussed.
2
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Disappearing Objects in Georges Didi‑Huberman’s Curatorial Practices

100%
Doroszuk H.
Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione
|
2018
|
vol. 13
56-65
EN
In this essay, I undertake an analysis of the first exhibition curated by Didi‑ Huberman, L’Empreinte (Imprint), which took place in Centre Pompidou in 1997. In this project, the French philosopher and art historian intentionally bypassed the usual products of artmaking, instead choosing to focus on what is left alongside this process. The project in Centre Pompidou transferred the technique of imprinting into the context of art of the 20th-century, investigating the tactile transmission of form from one surface to another. I will examine how Didi‑ Huberman’s attempt was influenced by the notion of survivance of forms, formulated by Aby Warburg, and how it offers an alternative to traditional approaches to original/ copy issue.
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L’empreinte de Roland Barthes sur l’univers frontalier hustonien

67%
Alves A. M.
Quêtes littéraires
|
2019
|
issue 9
138-145
EN
We intend to demonstrate Roland Barthes’ influence of on the work of Nancy Huston. Barthes, a theorist who led the academic work of Nancy Huston, fascinated his Canadian student who chose French as the language of her writings, because she assigned to it the function of liberation. Our intention is to ascertain whether Nancy Huston's career is, in fact, contained within her mentor’s structuralist framework, or whether it can be interpreted as an insubordinate act of criticism for the structuralist wave. We will try to understand Huston's attitude towards the master whose rigidity paralyzed all her attempts at writing, and also the fact that after Huston all romantic constructions seemed inaccessible.
FR
Nous nous proposons de démontrer l'influence de Roland Barthes sur le travail de Nancy Huston. Ce théoricien, qui dirigea les travaux universitaires de Nancy Huston, avait façonné l’univers de cette étudiante canadienne qui adopte la langue française qui est pour elle une langue étrangère comme objet d'écriture, car elle lui attribuait une fonction de libération. Notre intention est de vérifier si le parcours de Nancy Huston est, en effet, inscrit sous l’empreinte structuraliste de son mentor ou bien s’il peut être interprété comme acte insubordonné et critique de la vague structuraliste. Nous essayerons de comprendre l’attitude de Huston face à un maître dont la rigidité paralysait toutes tentatives d’écriture, et où, d’après elle, toutes constructions romancières paraissaient inaccessibles.
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