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Der indirekten Translation auf der Spur – Koelie von Madelon Székely-Lulofs in polnischer Übersetzung

100%
Gąska M.
Studia Translatorica
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2020
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issue 11
9-26
EN
The present article deals with the indirect translation, which is conceived by many translation theoreticians as an inadvisable practice. The aim of the paper is to prove that the Polish rendering of the novel “Koelie” by the Dutch writer Madelon Székely-Lulofs is in fact an indirect translation. The case study draws on a triangulation method consisting of peritextual, epitextual and comparative analysis. The epitextual analysis enabled to advance a hypothesis, that the translator of the novel into Polish – Herminia Bukowska – might have rendered indirect either via the German or English version. On the basis of the comparative analysis of the source text with its renderings into German, English and Polish carried out with regard to the so-called third culture elements, was it possible to verify this hypothesis. The comparison revealed quite a few unambiguous similarities between the Polish and German rendering in the translators’ approach in relation to the mentioned translation units, which in turn differ from the source text.
2
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De periferia a periferia: constantes e variações na história externa da tradução da literatura polaca em Portugal

100%
Pięta H.
Studia Iberystyczne
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2014
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vol. 13
445-459
EN
This article aims at exploring (ir)regularities in the external history of Portuguese translations of Polish literature published in Portugal between 1855 and 2010. Firstly, the state of the art of research on the Portuguese translations of Polish literature is elucidated. Secondly, the results of analysis, guided by six main questions (what is translated, when, by whom, where, how and why?), are presented. Lastly, future research avenues are indicated.
3
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Niemieckie ścieżki Piotrusia Pana. O niemieckim pośrednictwie w pierwszym polskim przekładzie powieści Peter Pan in Kensington Gardens J.M. Barriego

72%
Wieczorkiewicz A.
Porównania
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2023
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vol. 33
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issue 1
331-349
EN
The article presents the results of the analysis of the first Polish translation of J.M. Barrie’s Peter Pan in Kensington Gardens authored by Zofia Rogoszówna (Przygody Piotrusia Pana, 1913) as a mediated translation. Based on a method inspired by textual criticism, inside the framework of indirect translation studies, I argue that Rogoszówna’s version was based on the German translation Peter Pan im Waldpark (1911) by Irmgard Funcke. The article also addresses the questions of how, due to the multistage transmission of the text, the profile of its projected addressee changes; how, by means of translational shifts, translators “adjust” the original to the sensibilities of the readers (by domestication or cultural universalisation); how, therefore-through the prism of linguistic transfer-thinking about the child and the role of juvenile literature in England, Germany and Poland of the early twentieth century can be characterised.
PL
Artykuł prezentuje wyniki analizy pierwszego polskiego tłumaczenia powieści Peter Pan in Kensington Gardens J.M. Barriego autorstwa Zofii Rogoszówny pt. Przygody Piotrusia Pana (1913) jako przekładu zapośredniczonego. W oparciu o metodę zainspirowaną krytyką tekstów, wewnątrz ramy badań nad przekładem niebezpośrednim, dowiedzione zostaje, że wersja Rogoszówny opierała się na niemieckim tłumaczeniu pt. Peter Pan im Waldpark (1911) autorstwa Irmgard Funcke. Artykuł jest również próbą udzielenia odpowiedzi na pytania o to, jak w wyniku wieloetapowej transmisji tekstu zmienia się profil jego projektowanego odbiorcy; jak za pomocą translatorskich przesunięć tłumaczki „przystosowały” tekst wyjściowy do wrażliwości czytelników (stosując domestykację lub uniwersalizację kulturową); jak zatem – przez pryzmat transferu językowego – scharakteryzować można myślenie o dziecku oraz rolę literatury dla młodych w Anglii, Niemczech i Polsce w początkach XX wieku.
4

La traduction des noms propres dans deux romans de langue afrikaans

58%
Steyn J.
Translationes
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2011
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vol. 3
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issue 1
FR
Cet article se propose de résumer les opinions concernant la traduction des noms propres dans la littérature et d’analyser à travers des exemples des textes les méthodes appliquées par les traducteurs dans la traduction anglaise et les deux traductions françaises de deux romans afrikaans. Une des traductions a été faite directement du texte source afrikaans, tandis que l’autre a été faite de la traduction anglaise du texte source. L’article se concentrera sur la traduction des patronymes, des prénoms, des surnoms, des appellatifs et des toponymes.
EN
This article presents a short summary of opinions related to the translation of proper names in literary translation as well as analyses using textual examples that illustrate the methods applied by the translators into English and French of two Afrikaans novels. One of the translations was done directly from the Afrikaans source text, while the other was done from the English translation of the source text. The article will focus on the translation of patronyms, first names, nicknames, appellatives and toponyms
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