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1

Bene nati w interpretacji plastycznej Piotra Stachiewicza

100%

Imperowicz-Jurczak M.

Przestrzenie Teorii

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2014

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issue 22

71-87

EN

The author describes the underappreciated, artistically innovative illustrations that Piotr Stachiewicz created for a jubilee edition of Bene Nati, which had been issued to commemorate the 25th anniversary of Eliza Orzeszkowa’s work as a writer in 1891. The author emphasizes the variety of Stachiewicz’s illustrations which portray the novel’s storyline, dramatic and genre scenes, characters and a winter landscape. These differ in format as well as the way in which they are integrated into the text and in which the images’ borders, which perform an interpretive function, are treated. When a border is interrupted and an illustration encroaches on the space that was intended for text, this means overstepping the boundaries of the fictional world and entering the real world. A reference to Andriolli’s illustrations brings to mind the world that was created in Pan Tadeusz [Sir Thaddeus] and constitutes a form of Aesopian language.

2

W labiryncie. Cenzorskie recenzje "Pamiętnika znalezionego w wannie" Stanisława Lema

63%

Mojsak K.

Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej

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2015

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issue 21: Sztuka tracenia, sztuka rezygnacji. Samoograniczenie i autocenzura

297-317

EN

The article presents censorship reviews of "Memoirs Found in a Bathtub" by Stanisław Lem written in censorship offices in Cracow and Warsaw. As a result of the reservations expressed by censors, the author added a new preface to the novel which was accepted for the publication of the book without further interference. Numerous censorship documents dealing only with one novel clarify the circumstances of writing the foreword and also provide some insight to the censors’ way of thinking, illustrate the most important control mechanisms and present formal evaluation criteria – both politically-ideological and aesthetic. The censors evaluating Lem ’s novel do not intend to go through the interpretative labyrinth of "Memoirs…"; they insist on author’s unambiguous comments which would allow to neutralise political vagueness by the 'appropriate' orientation of the novel. When accepting the new preface they seem to omit (yet it is not certain to what extant the omission is deliberate) the fact that the added foreword is another layer of the novel’s fiction and is not a meta-comment which could be considered as the voice of the author.

3

„Niewygodna dla władzy” twórczość poetycka Antoniego Goreckiego

45%

Kowal J.

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2014

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vol. 7

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issue 1(12)

9-30

PL

Twórczość literacka Antoniego Goreckiego sprowadza się w zasadniczej mierze do tzw. literatury okolicznościowej. Poeta wielokrotnie, przy użyciu pióra, komentował aktualne wydarzenia polityczne i społeczne. Ze szczególnym upodobaniem pisywał bajki polityczne, które przysporzyły mu największej popularności. Gatunek ten, poprzez częste wykorzystywanie tzw. języka ezopowego, stwarzał możliwość przemycania niewygodnych dla caratu treści. Nie zawsze jednak udawało się poecie uniknąć konfliktu z cenzurą, w wyniku czego znalazł się nawet w więzieniu. Co znamienne, twórczość Goreckiego była cenzurowana nawet po jego śmierci, na co przykłady odnajdujemy w lipskich wydaniach zbiorowych Pism z roku 1877 i 1886.

EN

Literary work of Antoni Gorecki essentially resembles so-called occasional literature. The poet repeatedly made comments about the current political and social events by the use of a pen. He wrote political fables which were his real predilection and brought him the most popularity. This genre, by the frequent use of the so-called Aesopian language, created the opportunity to smuggle content inconvenient for the tsarism. Not always, however, did the poet manage to avoid a conflict with the censorship. As a result, he was even imprisoned. Significantly, Gorecki’s work was censored even after his death, as the examples can be found in the Writings of Leipzig collected editions of 1877 and 1886.

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1 Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej

1 Przestrzenie Teorii

1 Toruńskie Studia Bibliologiczne

1 2015

2 2014

1 Imperowicz-Jurczak M.

1 Kowal J.

1 Mojsak K.

Bene nati w interpretacji plastycznej Piotra Stachiewicza

W labiryncie. Cenzorskie recenzje "Pamiętnika znalezionego w wannie" Stanisława Lema

„Niewygodna dla władzy” twórczość poetycka Antoniego Goreckiego