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Kohl kit

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EN
Although rather distant from the Western Indian Ocean basin, Southern Levant can be considered fairly included into trading dynamics regulating the movement and use of exotic goods, especially luxury raw materials, frequently representing the final destination for this kind of items. During the Late Bronze Age, Southern Levantine jewelry enumerates a wide eclectic group of differentiated artifacts, witnessing a remarkable level of artistic talent and technical expertise. The most part of the products is manufactured in gold and silver, using the decorative shares of precious and semiprecious stones originating from eastern Africa and the Indus Valley. The wealth of jewelry’s arts, and in particular the large use of stones, has given rise to a number of hypothesis that will be briefly discussed in the paper, analyzing raw materials’ origins, finished products’ archaeological contexts, and specialized production of personal ornaments, with particular attention to the actors and the ultimate goal of their production.
EN
Although rather distant from the Western Indian Ocean basin, Southern Levant can be considered fairly included into trading dynamics regulating the movement and use of exotic goods, especially luxury raw materials, frequently representing the final destination for this kind of items.During the Late Bronze Age, Southern Levantine jewelry enumerates a wide eclectic group of differentiated artifacts, witnessing a remarkable level of artistic talent and technical expertise. The most part of the products is manufactured in gold and silver, using the decorative shares of precious and semiprecious stones originating from eastern Africa and the Indus Valley.The wealth of jewelry’s arts, and in particular the large use of stones, has given rise to a number of hypothesis that will be briefly discussed in the paper, analyzing raw materials’ origins, finished products’ archaeological contexts, and specialized production of personal ornaments, with particular attention to the actors and the ultimate goal of their production.
EN
After the fall of the Meroe kingdom, three entities – Nobadia, Early Makuria, and Alwa (Alodia) – emerged in northeast Africa between the 4th and the 6th centuries AD. Richly furnished elite cemeteries with tombs of the Nobadian kings are known from Qustul and Ballaña in Lower Nubia (Emery and Kirwan 1938), but until now no royal tombs of Early Makuria have been identified. A comparative analysis of some recently excavated adornments and ornaments from the tumulus cemetery of el-Zuma in Upper Nubia have now enabled the Early Makuria royal tombs (AD 450–550) to be placed there. The assemblages from three large tumuli are dominated by personal adornments (beads, pendants, earrings, chains, crosses, and a ring), royal regalia (cabochons and settings), and other decorated items (metal sheets, an intarsia and ivory gaming pieces). Apart from beads of various materials, like marine mollusk shell, ostrich eggshell, faience and stone, which were made probably in local workshops, the remaining items were imports from the Mediterranean and Sri Lanka/South India (glass beads in the latter case). Moreover, many of the decorated objects and the techniques used to make them find parallels in the elite Nobadian cemeteries of Qustul and Ballaña, hinting at the royal origin of some of the Early Makuria tomb owners at el-Zuma. These parallels induce the thought that there was a single workshop in late antique Nubia producing artifacts for the elite.
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