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Neologism construction in Amharic by compounding various parts of speech

100%
Kozicki M.
Studies in African Languages and Cultures
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2017
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issue 51
53-68
EN
The Amharic language is the second most widely spoken Semitic language in the world, used by around 25 million speakers. Even though the Amharic language is successfully used in many domains, it still needs appropriate neologisms to give name to notions typical for Western European culture which increasingly influences not only the language but also the culture of Ethiopia. Even though loanwords from European languages were ubiquitous in Amharic for many decades, in recent years the lexicon of the extinct Geʿez language is partially used to coin a number of neologisms by means of metaphors or different juxtaposed parts of speech. In the beginning, the compounds in the form of the Amharic and Geʿez construct state (status constructus) are discussed; this is followed by an analysis of adjective-noun compounds, constructions with the nouns derived from verbs and verb and noun compounds. In the next part of the article the compounds with Geʿez prefixes are considered. The analysis of hybridised compounds and loan translations is the final point of the paper.
2
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Zestawienie jako narzędzie dowodzenia w sportowych komentarzach prasowych

100%
Siekiera R., Uniwersytet Łódzki W. F., Rafał Siekiera – jego zainteresowania badawcze skupiają się wokół dziennikarstwa sportowego z. h. i. r. p. g. w. c. d. t. o. d. Z. s. r. z. s., rafal.siekiera@onet.eu
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 31
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issue 1
EN
The article describes juxtaposition as a tool of argumentatio, used by sports journalists. As a powerful means of persuasion, juxtaposition can play different roles in a text. Sports journalists use juxtaposition to strengthen their arguments. As the research shows, it can form a part of various types of argument: ethical, pathetic (referring to the reader’s emotions), logical and referring to modality and value judgments. Juxtaposition can also be a part of the elocutio, thus improving the effectiveness of arguments. In some examples it also plays the role of the connector between the argumentatio and refutatio.
3
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On the Verge of the (Un)Known: Zero Hour by Ray Bradbury and the Paintings of René Magritte

75%
Kwiatkowska A.
Zagadnienia Rodzajów Literackich
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2016
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vol. 59/118 z. 2
9-29
EN
The article discusses the correlation of ambience in Ray Bradbury’s science fiction short story Zero Hour and the paintings by a well-known Belgian Surrealist René Magritte. It specifies first the influences of Scuola Metaphysica on creating the specific poignant atmosphere visible in the works of the painter and then focuses on pointing out similar notions in the short story by Bradbury. Next, the article analyses the techniques, employed by both the artist and the writer, that help to create the above-mentioned mood. The focus is predominantly on Bradbury’s narrative where the linguistic level as well as the visual one are considered and then the analysis follows in relation to such mechanisms as contrast, juxtaposition, non sequitur or dépaysement.
4
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Деякі аспекти термінологічної деривації (на основі термінології залізничного транспорту)

75%
Жукова [ZHukova] О. O. h. Т. T.
Studia z Filologii Polskiej i Słowiańskiej
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2019
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vol. 54
EN
Selected Aspects of Terminological Derivation: A Study of Railway Transport TerminologyThis article offers an analysis of patterns of compound term formation in Ukrainian railway transport terminology. The study identifies different types of derivatives according to the nature of syntactic relations between their elements, parts of speech to which they belong, and structural composition. It also provides an outline of productive derivational patterns of such compounds.Wybrane aspekty derywacji terminów na przykładzie terminologii z dziedziny transportu kolejowegoArtykuł przedstawia analizę modeli formowania terminów złożonych na przykładzie ukraińskiej terminologii z dziedziny transportu kolejowego. Autorka klasyfikuje omawiane przykłady pod względem relacji syntaktycznych pomiędzy ich elementami, przynależności elementów do określonych części mowy i kompozycji strukturalnej oraz przedstawia zarys modeli derywacyjnych terminów złożonych.
5
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Рэалізацыя сэнсавых апазіцый у паэтычным дыскурсе Eўдакіі Лось

63%
Старасценка Т.
Acta Universitatis Lodziensis. Folia Linguistica Rossica
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2022
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issue 21
121-129
EN
The purpose of this study is to analyse the lexical and grammatical means employed in the semantic oppositions of Jeŭdakija Loś’s poetry as the basis of parallelism with relations of comparison and opposition. The article deals with the linguistic representation of the semantic oppositions life – death, light – darkness, heat – cold as basic universal categories in the discourse of the Belarusian poetess Jeŭdakija Loś. When exploring the research material, the scientific approaches of Roman Yakobson and Yuri Lotman were taken into account, who studied the role of various grammatical categories in the formation of meaning. The relevance of the study lies in deepening the understanding of the communicative aspect of the poetic text as a dialogue between the author and the reader. The article shows the feature of decoding of meaning on the basis of not only lexical but also grammatical representatives. This makes it possible to expand the possibility of analysing poetry as an original language system in which words, interacting with each other, show combinatorial increments of meaning. As a result of this approach, the reader’s role in co-creation along with the poet becomes evident. The functional-stylistic and structural-descriptive methods of analysis used in the study make it possible to characterize the role of linguistic means in modelling the poet’s style. The conclusions of the article confirm the explication of the reader’s meaning through philosophical oppositions and their linguistic expression. The results of the study show the importance of further study of communicative style in creating a dialogue between the poet and the reader.
RU
Мэтай дадзенага даследавання з’яўляецца аналіз лексіка-граматычных сродкаў сэнсавых апазіцый паэзіі Еўдакіі Лось як асновы паралелізму з адносінамі супастаўлення і супрацьпастаўлення. У артыкуле разглядаецца моўная рэпрэзентацыя сэнсавых апазіцый жыццё – смерць, святло – цемра, цяпло – холад як базавых універсальных катэгорый у дыскурсе беларускай паэткі Еўдакіі Лось. Пры характарыстыцы фактычнага матэрыялу ўлічваліся навуковыя падыходы Рамана Якабсона і Юрыя Лотмана, якія разглядалі ролю розных граматычных катэгорый у фарміраванні сэнсу. Актуальнасць даследавання заключаецца ў паглыбленні разумення камунікатыўнага аспекту паэтычнага тэксту як дыялогу паміж аўтарам і чытачом. У артыкуле паказана асаблівасць дэкадавання сэнсу на аснове не толькі лексічных, але і граматычных рэпрэзентантаў. Гэта дазваляе пашырыць магчымасць аналізу паэзіі як арыгінальнай моўнай сістэмы, у якой словы, узаемадзейнічаючы адзін з адным, праяўляюць камбінаторныя прырашчэнні сэнсу. У выніку такога падыходу становіцца відавочнай роля чытача ў сутворчасці з паэтам. Выкарыстаныя ў даследаванні функцыянальна-стылістычны і структурна-апісальны метады аналізу дазваляюць ахарактарызаваць ролю моўных сродкаў у мадэляванні стылю паэта. Вывады артыкула пацвярджаюць эксплікацыю чытацкага сэнсу праз філасофскія апазіцыі і іх моўнае выражэнне. Вынікі праведзенага даследавання сведчаць аб важнасці далейшага вывучэння камунікатыўнай стылістыкі ў стварэнні дыялогу паміж паэтам і чытачом.
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