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EN
The sepulchral chapel in Nowa Wieś was erected in 1828 by the then owner o f the local estate — Tomasz Gąsiorowski. In contrast to other Classicistic sepulchral family chapels and fashionable park pavilions, it does not emulate ancient distilos, prostylos or monopteros temples. Its form was inspired by the classical funeral urn or sarcophagus. In Poland, a similar form appeared for the first time in 1793 when the renowned architect Szymon В. Zug designed a garden pavilion — the Tomb o f Illusions — for the residence o f Halina Radziwiłł in Arkadia, near Łowicz. Its project was never realised and was probably employed for the chapel in Now a Wieś by the architect Wilhelm Henryk Minter, who after the death o f Zug purchased the majority o f his designs. The similarity between the Tomb o f Illusions and the sepulchral chapel in Now a Wieś is not accidental. Minter, the author o f primarily monumental and austere military buildings, referred to the stylistic o f the French avantgarde such as David Gilly and J ean-Nicolaus-Louis Durand. He also built o f a small Classicistic palace in Falęcin, close to N ow a Wieś. Much seems to indicate that he could have been the author o f the unique object. The rank o f the chapel is enhanced by an illusionistic architectonic polychromy covering the walls and ceiling, and modelled on classical patterns. The state o f the preservation o f the chapel and, predominantly, the polychromy is highly disturbing and requires urgent conservation intervention.
EN
Within the borders of the modern Lodz voivodship we can find traces of multi-religious society. Lodz, which is described as a multicultural city, is the best example of coexisting communities which differ in their religious believes. Orthodox Christians began to arrive in the Lodz voivodship territory due to the Russian administrative system. The percentage of the Orthodox Christians was not as prominent as the Evangelicals or the Jewish population, however, certain remnants of their presence are still noticeable in the cultural landscape. Their cultural heritage is largely preserved in the form of tombstones but also buildings and history of settlement. The city of Uniejów plays a prominent part when it comes to the history of settlement. The history of the city is connected to the Toll family because of their legacy which is an important testimony of the past
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EN
This article is devoted to the burial chapel of the Donimirski family in Czernin (ger. Hohendorf). From the sources researched, it is known that it was built in the second half of the nineteenth century on the order of Piotr Alkantara Marcin Donimirski. The author takes a closer look at the stages of construction of this chapel, its furnishings, the renovations carried out, as well as its condition before, during and after the Second World War. The following are buried in this place: Piotr, Wacław, Zygmunt and Czesław Donimirski. The chapel was also the place where the baptism and first communion of Witold Donimirski’s children were celebrated (after 1900). During the communist regime it was devastated and the remains of the deceased insulted.
PL
Artykuł poświęcony został kaplicy grobowej rodziny Donimirskich w Czerninie (niem. Hohendorf). Z przebadanych źródeł wiadomo, że została ona wybudowana w II połowie XIX w. na polecenie Piotra Alkantarego Marcina Donimirskiego. Autor przybliża etapy budowy tego obiektu, jego wyposażenie, prowadzone remonty, a także stan przed, w trakcie oraz po II wojnie światowej. W kaplicy pochowano: Piotra, Wacława, Zygmunta i Czesława Donimirskich. Była ona także miejscem celebracji chrztu oraz Pierwszej Komunii św. dzieci Witolda Donimirskiego (po 1900 r.). W czasach komunistycznej władzy ludowej została zdewastowana, a szczątki zmarłych znieważone.
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