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Przypowieść o dziesięciu pannach (Mt 25, 1–13) w żywej tradycji Kościoła. Studium egzegetyczno-teologiczne

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Zawadzki A.
Łódzkie Studia Teologiczne
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2019
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vol. 28
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issue 4
83-120
EN
The main objective of this article is to confront a complex exegesis history of the parable of ten virgins (Matt 25:1–13) with contemporary attempts to understand it with the application of historicalcritical method. The historical-critical method presents a number of issues from the area of text criticism and editorial process, which have influenced the understanding of the parable throughout the ages. The most important questions concerns the identity of the Bridegroom: is this Jesus or a personalization of social injustice?
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Kim jest oblubieniec w przypowieści o dziesięciu pannach (Mt 25,1-13)? Między tradycyjnymi i współczesnymi próbami zrozumienia

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Zawadzki A.
The Biblical Annals
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2019
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vol. 9
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issue 2
355-396
EN
The main aim of the article is to compare carefully the intricated history of the exegesis of the Parable of the Ten Virgins (Mt 25:1-13) with the modern attempts to understand it, using the historical criticism. In fact, the historical criticism shows a number of problems concerning the critica textus, as well as the difficult process of edition, which influenced the understanding of the parable over the centuries. But the most important question, that resonates with the article, is the identity of the bridegroom: is he Jesus himself or the personification of the social injustice?
PL
Głównym celem artykułu jest skonfrontowanie skomplikowanej historii egzegezy przypowieści o dziesięciu pannach (Mt 25,1-13) ze współczesnymi próbami jej zrozumienia przy zastosowaniu metody historyczno-krytycznej. Metoda historyczno-krytyczna ukazuje bowiem szereg problemów z zakresu krytyki tekstu jak i procesu redakcji, który rzutował na zrozumienie przypowieści na przestrzeni wieków. Najważniejszym pytaniem jest pytanie o tożsamość oblubieńca: czy jest to Jezus czy raczej uosobienie niesprawiedliwości społecznej?
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Conexiones culturales entre Roma y Barcino: una visión a través de la iconografía de las lucernas

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de Frutos Manzanares L.
Collectanea Philologica
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2022
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issue 25
203-214
EN
Roman lamps were one of the few daily-use objects that could have been usually decorated, thanks to the free space they had on their central discuses, offering a wide variety of figurative motifs. Such richness of elements and details permits to study their iconography as a reflection of Roman imaginary and daily life. About Iberian Peninsula, it is possible to observe how the Roman culture and traditions arrived and started to be introduced in this area through the analysis of their decorations. This paper will regard the specific situation of ancient Barcino (Barcelona), a paradigmatic case in respect of the application of that kind of analysis in order to better understand the Roman society that lived there.
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