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1

The processing of textbook material by learners of English as a foreign language with and without dyslexia: a comparative eye-tracking study

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Andrychowicz-Trojanowska A., Grucza S., Andrychowicz-Trojanowska A., Grucza S.

Kwartalnik Neofilologiczny

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2020

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issue 1

2

MUSEUM EXHIBITION VERSUS COPYRIGHT

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Gwoździewicz-Matan P.

Muzealnictwo

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2019

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vol. 60

225-232

EN

Organisation of exhibitions from the point of view of copyright (Act on Copyright and Related Rights of 4 Feb. 1994, further copyright) is a multifaceted issue. The analysis conducted in the paper boils down to some selected aspects: beginning with the right to display, through exhibition as a separate copyrighted work, up to the exhibition author, namely curator. When purchasing items for collections or acquiring them on the ground of a loan contract, museums should make sure the work can be exploited through public display. Such agreement can be either expressed in the contract (rights or licence transfer) or can be implicit (it can be then assumed that non-exclusive licence with all its limitations has been transferred). Furthermore, the construction of fair use from Art. 32.1 of Act on Copyright can be applicable. An issue apart is the question of exhibition as a separate copyrighted work. It can be a co-authored work in the case when it combines creative efforts of e.g. curator and author of the exhibition layout. The article analyses exhibition understood as a collection of exhibits selected and arranged following a script or presented following a layout in order to fulfil the assumptions of a derivative work (Art. 2 Act on Copyright) or a collection (Art. 3 Act on Copyright). As a result of the assumption that exhibition is a work, the curator becomes an author, thus will have copyright to the created work. Depending on the formal curator-museum relationship, the author’s economic rights shall either be transferred to the museum (employee’s work, specific-task contract with rights transfer or licence granting), or shall exceptionally remain with the author.

3

„Український” дизайн „Українського Календаря” як візуалізація національної ідентичності українців Польщі

84%

Kosiw W.

Studia Ucrainica Varsoviensia

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2016

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vol. 4

393-411

PL

The article deals with the graphic design of the “Ukrainian Calendar” – an annual publication that was issued by the Ukrainian community in Poland in the period 1957–1988. Different communication and stylistic constructions were designed to represent national identity in a number of ways. Folk art patterns would illustrate a rich tradition, adding a ‘peasant’ connotation at the same time. Traditional costumes from Central Ukraine, Cossack in particular, would communicate the idea of national unity. Graphic quotations from manuscripts and early printed books as well as historical forms of the Cyrillic alphabet would describe Ukraine’s great history and cultural development through the centuries. Motifs from Kyiv Rus and Cossack art would remind viewers of the tradition of state-building. Concerning the overall style of the publication, there were symmetrically balanced and pattern-decorated layouts as well as the dynamic positioning of stylized elements. Several issues of the Calendar demonstrate attempts to modernize the national image. With ‘op-art’, ‘pop-art’ and ‘international style’ designs they shape Ukrainian identity as being contemporary and global. Generally, the publication illustrates the tensions between the traditional and modern; it is also a ‘hybrid’ between Diaspora and Soviet periodicals of the time.

4

Od wsi do miasta. Sobótka jako przykład rozplanowania średniowiecznego założenia targowego na Śląsku

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Nowaczyk W.

Architectus

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2019

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issue 1(57)

95-111

PL

Artykuł poświęcony jest rozplanowaniu jednej z wcześniejszych lokacji wiejskiej na Śląsku. Była to jedna ze wsi będących w uposażeniu klasztoru kanoników reguły św. Augustyna. Na odtworzenie jej planu pozwoliło prześledzenie dotychczasowych wyników badań historycznych, architektonicznych i archeologicznych. Istotna była analiza lokalizacji najstarszych zabudowań, dostępnych map i materiałów ilustracyjnych. Przedstawiony w pracy plan Sobótki odzwierciedla założenie z 1. ćwierci XIII w. Na jej układ miało wpływ również ukształtowanie terenu. Do wyznaczenia pierwotnych działek autorka wykorzystała ówczesne jednostki miary. W średniowieczu wieś ta miała kształt trapezu. Zastosowano w niej szczególny model parcelacji. Działki siedliskowe miały szerokość 1 sznura (47,1 m) i przypuszczalną długość 2 sznurów. Uzyskany schemat wskazuje na jednorazową akcję lokacyjną i pomaga w zrozumieniu kompozycji wsi tamtego okresu. Miejscowość ta należy do grupy założeń starszego typu z wydłużonym placem targowym. Uzyskanie przez Sobótkę praw miejskich w 1399 r. nie wpłynęło znacząco na zmianę jej zarysu i kierunku rozwoju.

EN

The article deals with the layout of one of the earlier village locations in Silesia. Sobótka was a settlement in endowment of the monastery of the Order of St Augustine. Examination of current results of historical, architectural and archaeological research enables reconstruction of its layout. Analysis of locations of the oldest buildings, available maps and illustrative materials is one of the crucial methods. A plan of Sobótka presented in the work reflects its arrangement in the 1st quarter of the 13th century. Landscape was one of the factors which influenced its layout. To determine the original plots, the author used old units of measurement. In the Middle Ages, the village had the shape of a trapezoid. A special parcelling model was applied there. Settlement plots were a cord (rope) (47.1 m) wide and 2 cords long. The obtained scheme indicates a single location campaign and helps us to understand arrangements of settlements of that period. The village belongs to locations of an older type with an elongated market place. The town charter obtained by Sobótka in 1399 did not influence significantly its layout and development direction.

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Od cudzysłowów ostrych do chorągiewki. Próby kształtowania uzusu typograficznego w polskich publikacjach

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Ucherek D.

Z Badań nad Książką i Księgozbiorami Historycznymi

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2022

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vol. 16

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issue 2

239-268

EN

The aim of the article is to answer the question in what situations and contexts departing from traditional typographic and editorial norms and conventions turns out tobefortunate, aswell as to present the mechanisms of introducing non-traditional solutions among readers and on the market, and thus shaping typographic and editorial usus. After defining thebasic terms for the article: typographic and editorial usus, typography itself and the concept ofacongenial book, traditional Polish typographic layouts and editorial solutions are presented on the example of the quarterly “Pamiętnik Literacki” (“Literary Memoir”) and the series Biblioteka Narodowa (National Library). Next, 11 representative publications on typography, prepared by the d2d.pl company, are analysed from this angle. The analysis covers such aspects of layout astheparameters of headings, text alignment, the function of highlights, the method ofi solating quotations, the use of margins, pagination, types of figures, the location of footnotes, the form of their numbers and references in the main text, the use of first and second degree quotation marks, as well as the appearance of ornaments. The analysis leads to the conclusion that inthe case ofbooks dealing with typography, preserving their original typographic form was the best possible choice, because this form, no less than the content of the text itself, conveys information about the views and recommendations of the authors. The introduction of such solutions tothe Polish publishing market and to the readers’ awareness by apublishing house respected intheeditorial environment undoubtedly influences the typographic and editorial usus, and it can beexpected that in time it will also transform the related norms.

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Traduire pour des collections pratiques

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Léchauguette S.

Translationes

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2010

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vol. 2

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issue 1

EN

This article analyses the translation of pragmatic texts within the publishing industry. It hopes to shed light on an overlooked area of translation that students find disorientating. In this context, the text becomes perfectible raw material. It is further defined by its inscription within a layout which disrupts its linearity; both facts are going to influence the phrasing of the translation. Their author’s status is discussed because it leads to a reassessment of the notion of fidelity. This article ends with advice for inexperienced translators and with an invitation to go beyond the traditional dualities inherited from literary translation to grasp pragmatic translation.

FR

Cet article analyse la traduction de textes pragmatiques dans le contexte de l’édition pour répondre aux questions d’étudiants désorientés par cet aspect du métier et jeter quelques lumières sur une pratique méconnue. Devenus simple matière première perfectible, ces textes se caractérisent par leur inscription dans une maquette qui va influer sur le travail de traduction d’un ensemble de pavés de textes hiérarchisés. L’examen du statut de leur auteur amène à réévaluer la notion de fidélité. Quelques conseils, invitant à dépasser les clivages traditionnels hérités de la traduction littéraire pour aborder la « traduction pragmatique » viennent clore la discussion.

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Geneza, rozwój i zanik Wiączynia. Próba rekonstrukcji geograficzno-historycznej osadnictwa w aspekcie przemian zagospodarowania przestrzennego i rozplanowania wsi

51%

Figlus T.

Studia z Geografii Politycznej i Historycznej

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2017

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vol. 6

183-208

EN

The paper presents the results of research concerning the currently non-existing villages of Wiączyń Polny and Leśny, where new Prussian colonies were created in the early 19th century. The development of settlements in the Middle Ages was studied, and the modern-period development was analysed against the legal and ownership relations. Both villages first appeared in historical sources in the 14th century and were part of the royal estate. For most of their history, they were leased by the nobility, with the longest-lasting being the Lasocki family. These were relatively small settlements, inhabited by serfs. Wiączyń had an inn and a grange, which included a mansion and farm buildings, including a brewery. The paper also attempts to reconstruct the layout of the village and to study the process of succession of settlement. Wiączyń Polny was an irregular roadand- square village, while Wiączyń Leśny was a multi-road village. As a result of Prussian colonisation, new villages were established in their place: Nowosolna, Wiączyń Dolny, Górny and Nowy. They were laid out in the form of regular linear villages, while Nowosolna took the form of a unique structure consisting of eight radial roads emerging from the centre.

PL

Artykuł przedstawia wyniki badań dotyczących nieistniejących współcześnie wsi Wiączyń Polny i Leśny, na terenie których na początku XIX w. powstały nowe kolonie pruskie. Zbadano rozwój osadnictwa w średniowieczu i dokonano analizy zagospodarowania w okresie nowożytnym na tle stosunków prawno-własnościowych. Obie wsie pojawiły się w źródłach historycznych w XIV w. i wchodziły w skład dóbr królewskich. Przez większość czasu swego funkcjonowania były dzierżawione przez przedstawicieli szlachty, przy czym najdłużej były w posiadaniu rodu Lasockich. Były to stosunkowo niewielkie osady, zamieszkane przez chłopów pańszczyźnianych. W Wiączyniu były zlokalizowane: karczma i folwark, obejmujący dwór i zabudowania gospodarcze, w tym budynek browaru. W pracy dokonano również próby rekonstrukcji rozplanowania wsi i zbadano proces sukcesji osadnictwa. Wiączyń Polny miał formę nieregularnej wsi drogowo-placowej, a Wiączyń Leśny miał charakter wsi wielodrogowej. W wyniku kolonizacji pruskiej na ich miejscu powstały nowe wsie: Nowosolna, Wiączyń Dolny, Górny i Nowy. Były rozplanowane w postaci regularnych wsi liniowych, przy czym Nowosolna przyjęła formę unikatowej struktury, składającej się z ośmiu promienistych dróg wychodzących z centrum układu.

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