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1

Dwa przecinki i jeden dywiz Krystyny Miłobędzkiej

100%

Żurek Ł.

Forum Poetyki

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2017

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issue 8-9

126-135

EN

This interpretative essayistic article is devoted to a detailed micrological analysis of Krystyna Miłobędzka’s poems in her book Imiesłowy (Participles). The author attempts to show how three punctuation signs – two commas and one hyphen – can diametrically alter the surface interpretation of a work in the event of such seemingly minor details being omitted. In his conclusion, the author raises the question of whether it is possible, within a micrological analysis, to speak of separating interpretation from the philologist-collector’s pure overinterpretation.

PL

Artykuł-szkic interpretacyjny poświęcony jest szczegółowej, mikrologicznej analizie dwóch wierszy Krystyny Miłobędzkiej z tomiku Imiesłowy. Autor stara się pokazać, jak trzy znaki interpunkcyjne – dwa przecinki oraz jeden dywiz – potrafią diametralnie zmienić powierzchowną interpretację utworów, w której obecność wspomnianych detali zostałaby pominięta. W zakończeniu autor stawia pytanie o to, czy w ramach analizy mikrologicznej możliwe jest mówienie o oddzieleniu od siebie interpretacji od czystej nadinterpretacji filologa-kolekcjonera.

2

O „rodzeniu się” poezji w twórczości Joanny Mueller

98%

Witczak K.

Poznańskie Studia Polonistyczne. Seria Literacka

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2018

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issue 33

127-138

EN

The essay concerns the work of Joanna Mueller, who is one of the main representatives of polish linguistic poetry. Her project combines the tradition of linguistic poetry and body experience. This strategy requires the development of a new understanding of the language, which will no longer be conceived as a trap references, but rather as one of many elements of reality. The best way to describe the work of the poet’s imagery is stratification, both in terms of the attitudes adopted by Mueller, by the subjects, to the construction of the poem. Equally important it seems to be the prospect of motherhood, both in terms of artistic activity, as well as the practices of life.

3

Awangardowy wnuk Leśmiana

98%

Stankowska A.

Poznańskie Studia Polonistyczne. Seria Literacka

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2009

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issue 16

71-94

EN

The sketch discusses the “relations and interdependencies of impossibilities” connecting the discursive poetry of Bieńkowski with the lyrical poetics of Leśmian. This formula, coined by the author of Sprawy wyobraźni, perfectly expresses these kind of references that exceed just a simple juxtaposition of similarities in subject matters or poetical figures. In terms of this plane, there seem to be are more differences between the two poems than conceivable similarities. However, within the plane of creative philosophy, the awareness of the language status in modern poetry, the abiding concept of reality and the attitude towards civilizational and social transformations, the similarities are particularly striking. The avant-garde poet does not shun from employing early modernist individualistic, idealistic, regressive and aesthetic (formalistic) tendencies so characteristic for Leśmian. If Przyboś, as Łapiński put it, “rehabilitated” Leśmian’s programme, Bieńkowski makes the Przyboś’ programme back again more like Leśmian-like, creating a programme not so much avant-garde in character but rather a one that relates to decadent aspirations of modernism in its narrowest sense. Not surprisingly then, he makes the lyrics of the author of Łąka his particular tertium comparationis of the phenomena in Polish postwar poetry, linguistic poetry in particular. This way, unusual power of modernity of Leśmian poetry is testified and well proven.

4

„I razem sobie zmyślamy różne bajeczki i bzdurki”. Lingwizm w poezji Danuty Wawiłow

98%

Kwiatkowska A.

Poznańskie Studia Polonistyczne. Seria Literacka

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2018

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issue 32

327-343

EN

Danuta Wawiłow’s poems for children were created in the second half of the 20th century. The poems classify as the language poetry, employing in the compositions the mechanisms and figures of speech characteristic of this aesthetic current. The poet uses stylization, she reconstructs the creative attitude to language typical of kindergarteners, which is based on experimentation and abounding in similar-sounding words. Wawiłow implements the particularly strongly individualized variation of linguism. She tests the language potential with regards to the needs of an individual – a child who attempts to express their feelings, thoughts, and emotions. Wawiłow’s poetry is not only focused on the language, but also explores the subjectivism of the lyrical subject and new ways of its expression.

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3 Poznańskie Studia Polonistyczne. Seria Literacka

1 Forum Poetyki

2 2018

1 2017

1 2009

1 Kwiatkowska A.

1 Stankowska A.

1 Witczak K.

1 Żurek Ł.

Dwa przecinki i jeden dywiz Krystyny Miłobędzkiej

O „rodzeniu się” poezji w twórczości Joanny Mueller

Awangardowy wnuk Leśmiana

„I razem sobie zmyślamy różne bajeczki i bzdurki”. Lingwizm w poezji Danuty Wawiłow