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This study deals with the transformation that Czech literature and literary culture have undergone as new media and communications technologies (particularly the internet) have come onto the scene and proliferated since the latter half of the 1990s. The study comes together with a contrasting analysis of the relations between the 1920s Czech literary avant-garde and film, the new media of its era. The methodological framework for the study is the concept of remediation as presented by Jay David Bolter and adapted by the author of the study for the requirements of literary history research. The material that is reviewed is structured in terms of two key spheres, the first being formed by the Czech internet environment itself, giving rise to new possibilities and opportunities for creative work, as well as the presentation and reflection of literary texts (hypertexts structures, literary forums and blogs), while the second refer at the compositional, genre and thematic levels to the new digital technologies and media (the blog novel, e-mail novel and text-message poems). In conclusion the study defines three basic ways in which Czech literature interacts with the internet (for artistic, distributive and marketing use).
EN
The “indistinguished space” helps to develop the literary representation of women in Elizabethan and Jacobean culture, forming an integral part of female authorship during this period. However, instead of taking aim at the male poetic tradition, the genius of Wroth is to absorb it and use it for her own ends. Reclaiming the virtues of the woman through constancy, she upends the conventional views of the woman. Thus, Wroth strengthens the autonomy of the woman by allowing her to make the decision to accept a role subordinate to man. Wroth’s narrative foregrounds the constancy of love as personified in the character of Pamphilia. “This testament of me”, as Pamphilia puts it, becomes a story of her own journey of finding solace through consolation, sharing and communication with other women, an act of self-fashioning that reasserts female power through the fulfilment of both real and fictional destinies.
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