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1

Canto fratto Repertoire of Benedicamus Domino in the Manuscript Cantionales from the Convent of Bernardine Nuns in Kraków

100%
Godek A. E.
Kwartalnik Młodych Muzykologów UJ
|
2018
|
issue 1(36) Eng
33-52
EN
The Archive of St Joseph’s Convent in Kraków contains a collection of musical manuscripts, which have not been studied before. Among books of liturgical use, such as graduals and antiphonaries, there are also small cantionales, full of canto fratto repertoire. The majority of these sources originate from the Convent of Bernardine Nuns in Kraków; however, there are also at least two manuscripts from the Convent in Wilno. The aim of this paper is to present canto fratto repertoire of Benedicamus Domino found in the 18th and 19th century liturgical manuscripts from the Convent of Bernardine Nuns in Kraków. The author indicates sources of studied melodies based on the wide range of liturgical manuscripts from the 18th and 19th centuries—especially from convents of Bernardine Nuns in Poland, as well as from the Convent of Benedictine Friars in Staniątki—and compares it to the dispersal of canto fratto settings of ordinarium missae. Finally, the paper presents complete index of Benedicamus Domino melodies in the annex.
2

Pseudochorałowe śpiewy Benedicamus Domino w rękopiśmiennych kancjonałach krakowskich ss. bernardynek

100%
Godek A. E.
Kwartalnik Młodych Muzykologów UJ
|
2018
|
issue 1(36)
33-52
EN
The Archive of St Joseph’s Convent in Kraków contains a collection of musical manuscripts, which have not been studied before. Among books of liturgical use, such as graduals and antiphonaries, there are also small cantionals, full of canto fratto repertoire. The majority of these sources originate from the Convent of Bernardine Nuns in Kraków; however, there are also at least two manuscripts from the Convent in Wilno. The aim of this paper is to present canto fratto repertoire of Benedicamus Domino found in the 18th and 19th century liturgical manuscripts from the Convent of Bernardine Nuns in Kraków. The author indicates sources of studied melodies based on the wide range of liturgical manuscripts from the 18th and 19th centuries – especially from convents of Bernardine Nuns in Poland, as well as from the Convent of Benedictine Friars in Staniątki – and compares it to the dispersal of canto fratto settings of ordinarium missae. Finally, the paper presents complete index of Benedicamus Domino melodies in the annex.
3
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Oficjum nosalistów

71%
Fedorowicz S.
Ruch Biblijny i Liturgiczny
|
2012
|
vol. 65
|
issue 2
EN
King Kazimierz Jagiellończyk and his wife Elizabeth founded a priest college in 1473. Its task was to spread the cult of Lord’s Passion. The college was attached to the Świętokrzyska Chapel at the Wawel Cathedral and his members were obliged to sing daily office of the Holy Cross, and to say a votive mass of the Holy Cross as well. The Chapter Archive of the Cathedral possesses the XVth century manuscript containing the Divine office prayer of the Holy Cross alone which then belonged to the college. In the text we quote the content of the office which was especially drew up for the college’s needs.
PL
Król Kazimierz Jagiellończyk i jego żona Elżbieta założyli w 1773 roku kolegium dla księży. Jego zadaniem było szerzenie kultu Męki Pańskiej. Kolegium przylegało do kaplicy świętokrzyskiej w katedrze wawelskiej i jego członkowie byli zobowiązani do codziennego śpiewania oficjum o świętym krzyżu, jak również do odprawiania wotywnej mszy o świętym krzyżu. Archiwum kapitulne przy katedrze posiada XV-wieczny rękopis zawierający jedynie oficjum o świętym krzyżu, które było specjalnie ułożone na potrzeby tego kolegium i należało do niego. Artykuł podaje tekst tego oficjum.
4
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Oficjum o świętym Florianie w średniowiecznych brewiarzach krakowskich

51%
Fedorowicz S.
Ruch Biblijny i Liturgiczny
|
2008
|
vol. 61
|
issue 4
EN
The liturgical cult of Saint Florian in the Cracow Church was developing rapidly in medieval times. A few dozen years after his relics had been brought to Cracow , a native patron – Saint Stanislaus- became a saint. Since then the cult of a foreign and unknown martyr deteriorated. The revival of Saint Florian’s cult was possible under the influence of Zbigniew Oleśnicki, a bishop who appointed him as patron saint of the whole Polish Kingdom, thus making him equally important as Saint Adalbert, Saint Stanislaus and Saint Wacław. Since that time the liturgical cult of Saint Florian was of high significance, which can be certified by liturgical texts and formulas found in Cracow medieval breviaries. The analysis of their content leads to the conclusion that the older the breviaries, the fewer texts mentioning Saint Florian. The oldest breviaries contain only the liturgical collect referring to him. The newer ones are gradually enriched with the elements of choral liturgy and lessons originating from the legend about Saint Florian. Between the 15th and 16th centuries the liturgy in honor of Saint Florian culminates in the rhymed office.
5
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Rękopisy muzyczne w Bibliotece OO. Cystersów w Szczyrzycu

51%
Nir R.
Archiwa, Biblioteki i Muzea Kościelne
|
1978
|
vol. 37
233-248
EN
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