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О некоторых параллелях в «детском» и «взрослом» творчестве Анны Русс

100%

Алешка Т.

Acta Universitatis Lodziensis. Folia Litteraria Rossica

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2012

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issue 5

156-163

EN

This article is devoted to the features of Anna Russ's poems for children and their compliance to poetics of this genre and parallels with her poems for adults.

2

«Я ЧАСТО ЗАБЫВАЮ, КТО Я, РЕБЕНОК ИЛИ СТАРИК…»: МЕТАФОРЫ ВОЗРАСТА В ПОЭЗИИ ВЕНИАМИНА БЛАЖЕННОГО

86%

Верина У.

Conversatoria Litteraria

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2017

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vol. 11

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issue XI

243-255

RU

The poetry of Veniamin Blazhennyj (1921-1999) created bright image of the lyrical hero: an old man, a beggar, a tramp and Eternal Boy. This image is central in the book “Co-crucifix” (1995, 2009). We explored the archives of the poet (the first notebooks of 1940-1941, the last notebook of 1999), the book of poems of last years “Mine eyes” (2005) and noted the persistence of age of the hero. The image of an old man emerged in the early poems when the poet was young, and in final years Veniamin Blazhennyj identified lyrical “I” with the old man-child. Thus, his hero retained the signs of one age for more than half a century, the other stages of life were “missing”.

3

Образ коханої в любовній ліриці Спиридона Черкасенка

86%

Czuj A.

Studia Ucrainica Varsoviensia

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2018

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vol. 6

335-348

PL

Beloved woman’s character in Spyridon Cherkasenko’s love lyric This article focuses on the character of a lyrical hero’s beloved woman. The present study analyzes the features of her appearance and character. It reveals the fact that the author presents only some single details of the portrait with the main focus on the woman’s eyes and lips. To expand the portrait, the author compares her beauty with the beauty of nature. We learn that the character of the beloved woman is changeful but, at the same time, strong and attractive for the lyrical hero. A research shows the meaning of a number of associative images in which the girl appears to the loving man. A little less attention is paid to other personifi cated characters who are witnesses and accomplices of the love stories. The author of this article concludes that landscape is not a mere background, but also an important acting character, utterly depending on the lyrical hero’s mood.

4

Pанняя лирика Эдуарда Багрицкого 1910–1920-х гг. в контексте жизнетворческого проекта поэта

72%

Шевченко А. Г.

Studia Rossica Gedanensia

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2017

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issue 4

183-202

RU

В статье обобщаются результаты изучения ранней лирики Эдуарда Багрицкого в контексте его жизнетворческого проекта. Вошедший в литературу на излете Серебряного века, Багрицкий принадлежал к поколению постсимволистов, которое усвоило поэтический опыт прежних литературных течений, преломило его в своем творчестве и выразило в способе жизни, построенной по законам нового искусства. Лирика Багрицкого и его жизнетворческий проект «бродя- ги» и «птицелова», противостоящие жизнетворчеству художников первых десятилетий ХХ в., отвечали эстетике эпохи, в которой пересмотру подвергались не только прежние художественные искания, но также политические и социальные нормы, сочеталась энергия разрушения и пафос созидания. Багрицкий принимал активное участие в строительстве «нового» мира и формировании «нового» человека, что нашло отражение в его творчестве, связанном с традициями акмеизма и футуризма. Вместе с тем ход социального переустройства внес коррективы в его поведенческую стратегию, отразил кризис его мировоззрения.

EN

The article summarizes the results of research on Eduard Bagritsky’s early lyrics in the context of his life-creation (zhiznetvorchestvo) project. Entering literature at the end of the Silver Age, Bagritsky belonged to the generation of postsymbolists who mastered poetic experience of previous literary trends, interpreted it in their creative work and expressed it in the way of life structured according to the laws of the new art. E. Bagritsky’s lyrics and his life-creation (zhiznetvorchestvo) project of a «tramp» and a «fowler», opposed to the way of life of artists in first decades of the twentieth century, corresponded to the aesthetics of the era, in which not only former artistic searches, but also political and social standards were reviewed, the energy of destruction and the pathos of creation were combined. E. Bagritsky took an active part in creation of a «new» world and a «new» man, which was reflected in his creative work, connected with the traditions of Acmeism and Futurism. In addition to that, the way the course of social reorganization made some changes in his behavioral strategy, and reflected the crisis of his worldview.

5

Жанр трыялету ў паэзіі Гальяша Леўчыка і Алеся Петрашкевіча

58%

Флейта Г.

Białorutenistyka Białostocka

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2014

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vol. 6

XX

Ганна Флейта - Гродна

PL

Trudno przecenić rolę gazety „Nasza Niwa” w procesie kształtowania się literatury białoruskiej czasów najnowszych. Oprócz przyszłych klasyków na stronach gazety swoje teksty publikowało wielu autorów, których twórczość zasługuje na szczególną uwagę. Galiasz Lewczik nie tylko sam pisał triolety lecz także tłumaczył je z innych języków. gatunek ten zajmował też istotne miejsce w twórczości Alesia Pietraszkiewicza. W artykule omówiono triolety w poezji Galiasza Lewczika i Alesia Pietraszkiewicza. Wskazano na dydaktyczny charakter utworów G. Lewczika i zbliżenie do narodowych źródeł trioletów A. Pietraszkiewicza.

EN

The role of “Nasha Niva” newspaper in the development of Belarusian literature in modern time cannot be underestimated. In the newspaper texts of past and future authors are published. Galyash Lyevchik wrote triolets and translated them from other languages. The genre of triolet occupied an important place in Ales Pyetrashkyevich’s poetry. The article discusses Galyash Lyevchik’s and Ales Pyetrashkyevich’s triolets. Didactic character of Lyevchik’s poetry and national values of Pyetrashkyevich’s triolets are emphasized.

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Вытокі і функцыі паэзіі ў лірыцы Алеся Барскага

58%

Бароўка В.

Acta Albaruthenica

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2020

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issue 20

13-23

PL

Liryka A. Barskiego jest różnotematyczna. Zrozumienie zagadnień estetycznych jest jednym z ważnym aspektów interpretacyjnych. A. Barski źródła poezji upatruje w życiu, a swojej w pięknie otaczającej przyrody i zabytków kultury, które stymulują twórczość. Liryka A. Barskiego jest autopsychologiczna, podmiot liryczny to osoba bliska duchowo autorowi. A. Barski docenia prawdziwość i szczerość autora-twórcy. Zakres funkcji poezji z punktu widzenia A. Barskiego jest szeroki. Poeta wyróżnia takie funkcje, jak rozbudzanie ludzkiej wyobraźni, reprezentowanie rzeczywistości, ewaluacyjne, mnemoniczne i hermeneutyczne, a także funkcję oryginalną – funkcję zachowania młodości człowieka w procesie twórczym.

EN

A. Barski's lyrical works approach different themes. The understanding of aesthetic issues is not the least important among them. A. Barski sees the origins of poetry in general in life, and bases his own poetry on the beauty of the surrounding nature and the cultural monuments that stimulate his creative activity. A. Barski's poems are autopsychological, that is to say, the poet's lyrical hero is spiritually close to the author. A. Barski appreciates the truthfulness and sincerity of the author-creator. The range of functions of poetry, from the point of view of A. Barski, is wide. The poet singles out such functions as the function of awakening the human imagination, the representation of reality, evaluation, mnemonics and hermeneutics, as well as the original poetic function – the function of preserving youth in the creative process.

BE

Лірыка А. Барскага шматтэмная. Асэнсаванне эстэтычнай праблематыкі займае ў ёй не апошняе месца. Вытокі паэзіі ўвогуле А. Барскі бачыць у жыц-ці, а сваёй паэзіі – у прыгажосці навакольнай прыроды і ў помніках культу-ры, што стымулююць яго творчую актыўнасць. Лірыка А. Барскага аўтапсі-халагічная, лірычны герой паэта – асоба, духоўна блізкая аўтару. А. Барскі высока ацэньвае праўдзівасць і шчырасць аўтара-творцы. Спектр функцый паэзіі, з пункту гледжання А. Барскага, шырокі. Паэт вылучае сярод іх такія функцыі, як абуджэння чалавечай фантазіі, рэпрэзентацыі рэчаіснасці, ацэ-начную, мнеманічную і герменеўтычную, а таксама арыгінальную функцыю – функцыю захавання чалавекам маладосці ў працэсе творчасці.

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1 Acta Albaruthenica

1 Acta Universitatis Lodziensis. Folia Litteraria Rossica

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