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Studia Slavica
|
2014
|
vol. 18
|
issue 2
209-216
EN
The analysis of the chosen Polish magazines for women makes one reflect on the one of the leading stereotype typical for woman – to be attractive, fashion and beautiful in every time and every age. We work on the presumption that the stereotypical image of woman has influence on media creation of woman, especially in individual articles of the analyzed magazines for women. The most of authors are creating and describing the image of woman with the aid of distinctive words concerning to typical characterization of physical appearance and visual aspects woman’s look. Authors of particular pieces of writing use language constructions to show woman as beautiful, stylish and trendy person, they frequently use special words (not typical for standard Polish), e.g. sexy, seksy, trendy, megakobieca, supertrendy, superkobieca and the like. In the text we also refer to overusing the above mentioned expressions. Next we present uncommon options and kinds of language using to show how we can perceive and describe the fashionable and luscious woman in media world.
EN
Wanda Malecka’s literary work remains a proof of her gradual acknowledgment of woman role in society. In the 1810’s and 1820’s she was experimenting with different Enlightment era literary genres, such as dialogue, fable and anecdote. The representation of femininity portrayed in those works was consequently mocking. The romantic poem “Wyjątek z historycznego poematu Wanda” marks the second phase, as it brings heroic lead female character, attributed with male features and desires. In the 1830’s the author focused on short sentimental novels, where the issues concerning gender inequalities were most visible.
PL
Twórczość literacka Wandy Maleckiej poświadcza jej stopniową emancypację intelektualną i uwrażliwienie na kwestie dotyczące pozycji kobiet. Przełom drugiej i trzeciej dekady XIX w. był dla niej okresem poszukiwań formalnych wśród gatunków oświeceniowych: dialogu, bajki, anegdoty. Prezentowany w nich obraz kobiecości pozostawał stereotypowo prześmiewczy. Drugi etap łączy się z powstaniem Wyjątku z historycznego poematu Wanda, tekstu poetyckiego, wystylizowanego zgodnie z estetyką romantyczną i przynoszącego kreację silnej, niemal androginicznej postaci kobiecej. Wreszcie lata 30. zostały zdominowane przez sentymentalną nowelę, najodważniej dotykającą kwestii nierówności płci.
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