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PL
Artykuł przedstawia cechy charakterystyczne mistyki oblubieńczej Bernarda z Clairvaux. Zwraca zaś szczególną uwagę na mało dotąd eksponowaną przez badaczy jej cechę jaką jest jej zuchwałość i w konsekwencji transgresyjność. To w jej imię oblubienica z Pieśni nad pieśniami przekracza normy społeczne odgradzające ją od Oblubieńca, dusza w swym dążeniu do jedności z Bogiem przekracza granice swej stworzonej natury, a mistyk podważa zasady klasycznej metafizyki.
EN
The essay presents a characteristic of Bernard of Clairvaux’s nuptial mysticism. It addresses especially its audacity and resulting transgressiveness, a feature rarely exposed by scholars. It is for the sake of her Bridegroom that he bride in the Song of Songs transgresses social norms that separate her from the Bridegroom, the soul in its pursuit of unity with God transcends the boundaries of her created nature, and the mystic defies the principles of classical metaphysics.
EN
Christian life rests predominantly upon experiencing communion with God. This communion becomes a matter of fact thanks to the redemptive mysterium of Jesus Christ manifesting itself through Church. Christian mystics are peculiar witnesses to this truth. This paper presents how Sister Roberta Babiak’s mystical life started, developed and manifested itself. In the spiritual itinerary of this Polish mystic of the early 20th century, one can find evidence of a continuous growth in her intimate communion with Christ as her Beloved. Her texts show progression in spiritual life and her experiencing the particular stages of mysticism: from expurgation through partial union up to transforming deifying union. Although not well-known, the spiritual legacy of Sister Babiak is a tremendous example of nuptial mysticism in the Polish history of spirituality.
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