Search results

1

Temat muzyki we współczesnej literaturze litewskiej

100%

Peluritytė-Tikuišienė A.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2012

|

vol. 16

|

issue 2

68-76

EN

Music is not a very topical theme in contemporary Lithuanian literature. The Lithuanian literature saved its meditative and visual nature during the most difficult epoch of historical and social cataclysms, and only some romanticists and symbolists talked about an exceptional music effect on human organism (prosaist Šatrijos Ragana, poet Vincas Mykolaitis-Putinas). Only few auhtors invoke the tune and symbolism of music in contemporary Lithuanian literature. A. A. Jonynas, one of the most popular poets, created verses in the rythm of jazz, swing, hard rock, metal, rock‘n‘roll during the Soviet period. The idea of music lived the freedom of form, the idea of freedom in general in that creation. Postmodernist G. Grajauskas choosed the tune of music in his book Bone pipe (1999) in order to discuss difficult existential questions. Playing, whistling, singing means the rythm of breathing and existence in that creation. The sense of musical harmony is more likely to be associated with the experience of silence in contemporary Lithuanian literature (G. Cieškaitė, D. Kajokas, N. Miliauskaitė).

2

Jazzowe infiltracje w literaturze czeskiej w latach 20. XX wieku

88%

Novak R.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2012

|

vol. 16

|

issue 2

54-67

EN

The article is concentrated on jazz inspiration in the Czech culture of the 1920s, espe-cially its infiltration to the Czech poetry. Contemporary manifests, anthologies, essays and critics has been researched so as to detect the influence of this new musical phe-nomenon over the Czech avant-garde art. The inspiration by jazz music then have been discovered in concrete books of poetry by E. F. Burian, V. Nezval, J. Seifert, J. Voskovec and J. Werich. The jazz motives as ‘jazz-band, black, saxophone etc.’ as well as imitation of a blues form were found there. In conclusion, the author points to the fact that the jazz music has become the symbol of the new revolutionary art, identified with the left-wing avant-garde, and it has brought a new view of reality, methods and functions of art.

3

Muzyka w dramatach Tadeusza Micińskiego

88%

Nowak I.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2012

|

vol. 15

|

issue 1

45-57

XX

The article presents a wealth of musical phenomena in Tadeusz Miciński’s dramas. It attempts to characterize and systematize them on basis of such pieces as Kniaź Patiomkin, Noc rabinowa, W mrokach złotego pałacu, czyli Bazilissa Teofanu or Termopile polskie. Tadeusz Miciński predicted a significant share of the musical element in his dramas. He often precisely indicated, what kind of music should appear in them. The issue of music citations and references given by the Young Poland’s author directly or hidden, requir-ing identification is the main subject of discussion. Equally important seems to be the question of the function and importance of music in Miciński’s dramas as well as the problem of musical fascination and inspiration in the poet’s writing.

4

„Pokrzywione bemole” — o inspiracjach muzycznych w twórczości poetyckiej Brunona Jasieńskiego (jak również o autorach, dla których twórczość ta stała się muzyczną inspiracją) słów kilka

88%

Jaworski K.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2012

|

vol. 15

|

issue 1

114-120

EN

The article describes the importance of public performance for the image of the Futurists, mainly of Bruno Jasieński. The impressions that the artists gained from Helena Buczyń-ska’s ‘word-arts’ performance, and Scriabin’s idea of ‘Art Religion’ they were exposed to, inspired the young poets. The article finishes with enumeration of several inspira-tions that are being found in Jasieński’s texts by modern musicians adapting his poetry.

5

Muzyczne wyzwolenie z języka? Filozoficzne aspekty muzycznych inspiracji w poezji Mirona Białoszewskiego

75%

Bochyńska A.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

|

2012

|

vol. 15

|

issue 1

200-211

EN

Miron Bialoszewski is known for his untypical and idiosyncratic language of his poetry, as well as prose and drama that he has created. However, it is possible to find many connections between those linguistic experiments and the strategies used by polish avant-garde poets during the interwar years. It makes the works of Bialoszewski both innovative and dependent on the history of literature. Through the analysis of his specif-ic language and the content of his poetry, as well as the comparison to the works and statements of the polish avant-garde representatives, author of this paper tries to recre-ate the philosophical backgroud of Bialoszewski's poems and explain how is the concept of music present in them. The article is divided into two main parts. The first main prob-lem is a question about the philosophical condition of the language that we can encoun-ter in this poetry — are we free in using our language or maybe we are limited by the word? The negative response to the first question leads to the necessity of possible solu-tions. Here music appears. It seems to be for Bialoszewski as the possibility of escaping from the limitations of the language. At the same time, music in his poetry is a new way of describing the world and a form of expressing ones thoughts.

Refine search results

5 Acta Universitatis Lodziensis. Folia Litteraria Polonica

5 2012

1 Bochyńska A.

1 Jaworski K.

1 Novak R.

1 Nowak I.

1 Peluritytė-Tikuišienė A.

Temat muzyki we współczesnej literaturze litewskiej

Jazzowe infiltracje w literaturze czeskiej w latach 20. XX wieku

Muzyka w dramatach Tadeusza Micińskiego

„Pokrzywione bemole” — o inspiracjach muzycznych w twórczości poetyckiej Brunona Jasieńskiego (jak również o autorach, dla których twórczość ta stała się muzyczną inspiracją) słów kilka

Muzyczne wyzwolenie z języka? Filozoficzne aspekty muzycznych inspiracji w poezji Mirona Białoszewskiego