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Muzyczne organizacje warstwy brzmieniowej w opowiadaniach Brunona Schulza

100%
Skrzypczyk A.
Przegląd Humanistyczny
|
2020
|
vol. 64(1 (468))
33-48
PL
The aim of the article is to analyse musical ways of creating a text. Based on the prose of Bruno Schulz, the author examines the organization of the sound layer in terms of sound techniques used in them (rhythm, lead motif, instrumentation, anagram, situational rhythm, polyphony). Describing the musical entanglements of the text not only shows Schulz’s ingenious writing technique, but also allows to read his work anew – including the modestly discussed perspective of his work.
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Raz jeszcze o literaturze i muzyce

99%
Walczak J.
Przestrzenie Teorii
|
2018
|
issue 29
EN
The article deals with the still relevant interdisciplinary research movement, which chose the relation between music and literature as the object of its analysis. The book by Libor Martinek and Małgorzata Gamrat, which is the result of cooperation between a literary scholar and a musicologist, is the main basis for and contribution to this discussion. Following the path set by P. Scher, these authors have found a methodological dimension, on which issues of literary text functioning in the music sphere are located, and on the other hand, attempts to define a so-called literary text’s musical aspects.
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