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Semiotics of Tobacco: the Case of Runeberg’s Pipe

100%
Hallila M.
Journal of Applied Cultural Studies
|
2015
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vol. 1
EN
The essay introduces an approach called the semiotics of tobacco by analyzing one narrative poem. The analyzed poem is Fänrik Stål (1848) by Johan Ludvig Runeberg, the national poet of Finland. Fänrik Stål is traditionally considered nationalistic and patriotic. When analyzed in the context of semiotic of tobacco, the traditional way to interpret it is challenged. In the end, this case analysis of Finnish literature is used as an example of broader problems in representing tobacco in literature in order to establish the approach of the semiotics of tobacco.
2
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Płaczcie – umarł Pan… Nazwy własne we wczesno-barokowym poemacie pasyjnym (na przykładzie Pamiątki krwawej ofiary Pana Zbawiciela naszego Jezusa Chrystusa Abrahama Rożniatowskiego)

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Rejter A.
Poznańskie Studia Polonistyczne. Seria Językoznawcza
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2017
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vol. 24
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issue 1
129-144
PL
The article is dedicated to description of proper names functions in chosen narrative poem of Passion literature of Polish Baroque. Analyzed proper names in Pamiątka krwawej ofiary Pana Zbawiciela naszego Jezusa Chrystusa (1610) by Abraham Rożniatowski are mainly connected with metaphysical sphere of culture, majority of them is conventional, primarily drawn from Bible. The main function of proper names is to describe the Passion in influential way and to show the people how grievous and savage it was. The onomastic field of the narrative poem is strictly related to religious cult of Kalwaria Zebrzydowska popular in Poland in Baroque times.
3
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Literacki kontekst dzieła muzycznego. Chopinowska ballada versus Skriabinowski poemat

100%
Sozańska-Ławniczak A.
Kwartalnik Młodych Muzykologów UJ
|
2016
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issue 1(28)
68-79
EN
The following article describes a phenomenon of the correspondence of arts using the works of Frederic Chopin and Alexander Scriabin as an example. The author is interested in the relations between music and literature and Chopin’s ballads and Scriabin’s piano poems, the genres, which are an effect of such relations. The analysis of those works shows that both composers have a different understanding of the essence of music and literature but there are also similarities. The ballads and poems do not convey a literary programme or music il¬lustration but their sound matter is additionally complemented by the genre category, title or commentary instead.
4
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Mit o sądzie Parysa w optyce masońskiej myśli filozoficznej. Poemat Wasyla Majkowa „Суд Паридов”

72%
Orłowska A., UMCS w Lublinie I. F. S.
Acta Universitatis Lodziensis. Folia Litteraria Rossica
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2015
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vol. Zeszyt specjalny 2015
PL
Mit, pojmowanym jako alegoria lub wyraz emocji człowieka, w zmieniającym się kontekście kulturowym ciągle na nowo aktualizuje zawarte w sobie treści. W analizowanym poemacie symboliczny, motywowany wolnomularskim światopoglądem podtekst opowieści o rywalizacji mieszkanek Olimpu o miano najpiękniejszej, objaśnia istotę masońskiej koncepcji złotego wieku, opartej na wszechpotędze piękna (miłości) harmonii siły (władzy) i mądrości. Parys, przyjmując dar Wenus, ulega ułomnej zmysłowości, niweczy harmonię świata i pogrąża go w chaosie.
EN
Myth, understood as allegory or an expression of human emotions, continuously redefines its content in the changing cultural context. In the poem analyzed here, the subtext of the narrative about the contest among the three goddesses of Olympus for the title of ‘the fairest’ is motivated by the Masonic worldview and serves explaining the Masonic concept of the Golden Age, based on the prevailing power of beauty (love), and harmony of force (power) and wisdom. Paris, by accepting the gift from Venus, yields to the imperfect sensuality and thus destroys the harmony of the world and engulfs it in chaos.
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