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EN
This article intends to characterize the constructive function that the Indeterminate Duality may have played in Plato’s oral teaching. Far from being in itself – as some testimonia seem to suggest – the primary origin of evil, as origin of multiplicity the Indeterminate Duality can be perceived as intrinsically presupposed by Plato’s identification of the source of being with the supreme Good. The notion of good implicates for Plato namely an unconditioned impulse to relationality, which indicates that the supreme Good is to be considered as supreme origin not only of unity, but also of multiplicity (scil. non-unity) and alterity. In the absence of multiplicity and alterity, no real relation, and, therefore, no real manifestation of the Good could in fact take place. As a consequence (and in accord with the suggestions given by Simplicius), the Indeterminate Duality may be considered as source of that original differentiation as well as of that generativity without which the supreme Good would be discordant with its goodness.
IT
This article intends to characterize the constructive function that the Indeterminate Duality may have played in Plato’s oral teaching. Far from being in itself – as some testimonia seem to suggest – the primary origin of evil, as origin of multiplicity the Indeterminate Duality can be perceived as intrinsically presupposed by Plato’s identification of the source of being with the supreme Good. The notion of good implicates for Plato namely an unconditioned impulse to relationality, which indicates that the supreme Good is to be considered as supreme origin not only of unity, but also of multiplicity (scil. non-unity) and alterity. In the absence of multiplicity and alterity, no real relation, and, therefore, no real manifestation of the Good could in fact take place. As a consequence (and in accord with the suggestions given by Simplicius), the Indeterminate Duality may be considered as source of that original differentiation as well as of that generativity without which the supreme Good would be discordant with its goodness.
EN
The topic of presentation is life and teachings of three less known, but important, modern mystics: Russian Sufi Irina Tweedie (1907-1999), and two non-confessional mystics: Indian U.G. Krishnamurti (1918-2007), and Romanian Ilie Cioara (1916-2004). It shows that method of permanent, silent contemplation, being non-sectarian, is essence of spiritual life. It gives lively alternative for both religious and secular lives which divide people into different and for many reasons conflicting approaches. It shows that essence of spiritual life is what lies beyond words, in silence.
3
67%
Path of Science
|
2016
|
vol. 2
|
issue 11(16)
6.1-6.5
EN
Taoist thinkers interpret existence as a continuous process. The source of changes is not an external force, but a tendency for transformation inherent in the Universe. In the world limited by space, time, and causation, in the world of distinctions and oppositions, Taoist practitioners achieve freedom of the mind and go beyond such a distinction. A new worldview without preferences towards any binary opposition is formed. Taoists obtain true knowledge of the world and develop complete awareness of infinity and diversity of life. This paper aims to analyze the key concepts of Taoism.
RU
Даосские мыслители интерпретируют существование как непрерывный процесс. Источником изменений является не внешняя сила, а тенденция к трансформации, присущая Вселенной. В мире, ограниченном пространством, временем и причинно-следственными связями, в мире различий и оппозиций, даосские практики достигают свободы разума и выходят за рамки таких различий. Формируется новый взгляд на мир без преимуществ по отношению к любой бинарной оппозиции. Даосские мыслители получают истинное знание о мире и развивают полную осведомленность о бесконечности и разнообразии жизни. Целью данной статьи является анализ ключевых понятий даосизма.
Cahiers ERTA
|
2023
|
issue 33
95-117
EN
The Ultimate Paintings, a series of abstractions made by Ad Reinhardt during the 1960s, are coupled with writings with obvious affinities to the apophatic formulas of the commentaries of the Upanishads (the philosophical conclusions of the Vedas) known as the “nondual Vedānta” (Advaita Vedānta). The abstractions themselves refer to the model of the yantra, the geometrical diagram into which Brahmanic iconography is supposed to subside. In this instance, the apophasis defeats the attempt to signify through painting and language what constitutes itself in painting and language.
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