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HERITAGE OF THE ANTI-COMMUNIST CIVIL RESISTANCE IN THE POLISH PEOPLE’S REPUBLIC OF THE YEARS 1968–1989. INTRODUCTION TO THE CLASSIFICATION OF COLLECTIONS

100%
Michalski A.
Muzealnictwo
|
2018
|
vol. 59
98-106
EN
2018 we are commemorating the hundredth anniversary of Polish independence regained after the years of partitions of Poland. Special celebrations are on all over the country; many events are planned to be continued up to 2021 in line with, inter alia, the programme of the Ministry of Culture and National Heritage named Niepodległa 2017– 2021. The article presents the results of research on the material artefacts left behind by the not easily defined historic formation of the years 1968–1989, which can be generally described as an anti-communist civil resistance in the Polish People’s Republic. The actions taken by the resistance started from the so-called March events as well as the foundation of the “Ruch” Organisation. It was followed by: the Workers’ Defence Committee, the Committee for Social Self-Defence “KOR”, the Movement for Defence of Human and Civic Rights, the Confederation of Independent Poland, the Movement of Young Poland; next came: the Independent Self-governing Labour Union “Solidarity”, the Independent Students’ Association, and many smaller organisations or parties, up to the negotiations of the so-called Round Table. The opposition to communist regime was a major factor in the process of regaining by Poland its full independence, restoration of market economy, and putting an end to censorship that had been affecting the freedom of speech. The huge amount of published prohibited materials from this historic period, the so-called second circulation, remained: books, periodicals, leaflets, photos, posters, stamps, badges, cassette tapes, as well as printing machines, duplicating machines, broadcasting equipment, and other material remains. They are presently collected by Polish museums, some of them still in the process of organisation; they are also in possession of associations and foundations as well as private owners who often create remarkable collections, e.g. Krzysztof Bronowski’s “Muzeum Wolnego Słowa” (Museum of Free Speech) containing 700 000 items that arouse interest of foreign museums. Information about the individual oppositionists, events, underground prints and organisations published in the Internet also adds to the legacy of anticommunist resistance; among the available sources are: mentioned above “Muzeum Wolnego Słowa”, Dictionary Niezależni dla Kultury 1976–1989 by the Association of Free Speech, or collection of the “Karta” Centre. The author of the article attempts to classify these collections after interviewing the representatives of relevant institutions and organisations or private owners.
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Władza turecka i strategie jej opisu w piśmiennictwie staroserbskim (na przykładzie krótkich form literackich – zapisów)

94%
Lis-Wielgosz I.
Balcanica Posnaniensia Acta et studia
|
2014
|
vol. 21
37-50
EN
In the article, a problem of conceiving and depicting the Turkish rule is taken into account, for my reflections concentrate on the patterns of presentation regarding the Ottoman Turks’ invasion of the Balkan territory, and their oppressive rule in the Balkans. The patterns mentioned above, present in the Old Serbian literature, were to commemorate all those tragic events. In the Old Serbian texts (pertaining to hagiography, historiography, hymnic literature, and also to the brief literary forms – notations), the Turkish rule was expressed in explicitly negative categories of illegality, violence, and godlessness, presented in the context of the “end of times”, the Christian community’s martyrdom, mentioned in the eschatological perspective of the definition of history and exegesis, the perspective so characteristic for the Middle Ages.
PL
In the article, a problem of conceiving and depicting of the Turkish authority is taken into account, for the considerations concentrate on the patterns of presentation regarding the Ottoman Turks’ invasion of the Balkan territory, together with their oppressive rule. The above mentioned patterns, present in the Old Serbian literature, were to commemorate all those tragic events. In the Old Serbian texts (pertaining to hagiography, historiography, hymnic literature, and also to the brief literary forms – notations), the Turkish authority was expressed in explicitly negative categories of illegality, violence, and godlessness, presented in the context of the “end of time”, Christian community’s martyrdom, maintained in the eschatological perspective of history’s definition and exegesis, the perspective so characteristic for the Middle Ages.
3

Zmysł uniżenia. O motywie twórczego wysiłku na przykładzie krótkich form literackich

84%
Lis-Wielgosz I.
Slavica Wratislaviensia
|
2015
|
vol. 161
321 - 329
EN
The paper tends to present the motif of creative effort that is defined as apeculiar flair of humility functioning in the short literary forms — notations wherein it occurs as abasic, obligatory manner of expressing the author’s conduct and depicting the world. The topos, integrated with the other ideal schemes and notional constructs, reveals itself as afunctional template of perception and exegesis of the creative reality that frequently refers also to history, politics, and religion. This template is areflection of Christ kenosis, presented by the style of author’s humility that is consolidated in the Old Church Slavonic literature. Thus the motif, typical of the notations, constitutes arealization of the universal idea and aprojection of the conventional literary formula. Furthermore, the very same motif of creative effort, linked with adefinite repertoire of ideas of which building material is aseries of biblical references, serves the presentation of the medieval world view, authorship conception, and the indication of writer’s status and role in the hierarchic system of communication.
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