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1
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Partita na organy "Anioł pasterzom mówił"

100%
Czurlok G.
Folia Organologica. International yearbook of organ and organ music
|
2018
|
issue 1
158-168
PL
Partytura - nuty
2
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BRZMIENIA 2 NA FAGOT I ORGANY

63%
Szadejko A.
Folia Organologica. International yearbook of organ and organ music
|
2020
|
issue 3
181-193
EN
Organ music
3
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Sekcja Zbiorów Graficznych, Kartograficznych i Nut

51%
Gonczarow M.
Archiwa, Biblioteki i Muzea Kościelne
|
1971
|
vol. 23
159-169
EN
-
4
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Rerum patris Pii Hancke. O muzykaliach nyskiego dominikanina

38%
Hauptmn-Fischer E.
Hereditas Monasteriorium
|
2013
|
vol. 2
81-93
EN
The collection of Pius Hancke’s works includes numerous pieces written for the harp. Its outstanding repertoire and provenance distinguishes it from other monastic collections. The collection belonged to the monk who developed it during his whole life and carried it with him when changing places he lived in. Last 30 years of his life Pius Hancke spent in Dominican monastery in Nysa. Notes used during the liturgy (masses, litanies) certainly were used there and currently are the only testimony of the music culture of this monastery. Next to liturgical pieces Hancke’s collection includes a number of instrumental pieces for the harp with the accompaniment of other instruments and contrafacta of opera arias. The latter often include arrangements of harp parts, most probably made by Hancke himself. Scriptors’ names relate this collection to the unique manuscript containing Antonio Vivaldi’s Credo.
5
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Blade kłosy na odłogu… – an unknown poem by Norwid

38%
Chlebowska E., Chlebowski P.
Studia Norwidiana
|
2016
|
vol. 34 English Version
101-124
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
6

Blade kłosy na odłogu… – nieznany wiersz Norwida

38%
Chlebowska E., Chlebowski P.
Studia Norwidiana
|
2016
|
vol. 34
101-124
EN
This article is a republication of an unknown poem by Norwid, entitled Blade kłosy na odłogu [Pale ears on the fallow...]. The text is taken from the sheet music edition of two songs published by Kazimierz Lubomirski (the latter song is authored by Lucjan Siemieński), developed for voice and piano. Most probably, the score was published in the spring of 1851. The article attempts to unveil the circumstances of how the work came into being and it settles the problem of its unclear authorship and roots. Moreover, it shows a story of a musical piece that has for long remained unknown, and which was well-recognized in the realm of household musical culture at the turn of the 20th century.
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