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EN
Ivan Kotlyarevsky’s Eneyida is a poem rich in paremic elements. The poem was considered a breakthrough in Ukrainian literature, not only because it was written in lively Ukrainian language, but, thanks to the author’s fascination with the folk culture and artistic traditions of previous eras, it also constituted a link between old and new Ukrainian literature. The aim of this article is to investigate the types of translation strategies used by Piotr Kupryś in the translation of Eneyida, especially those concerning paremic elements that are heavily influenced by cultural connotations. The analysis shows that Kotlarewski introduced existing proverbs, and also introduced new ones by processing others. In the Polish translation, Kupryś was not only obliged to preserve the content of the proverbs, but also to reproduce the plasticity of the images on which they were built. The techniques most widely used in his translation include domestication, exotication and tracing. It seems that the translator did manage to extract the meaning of the proverbs; he did not, however, always preserve their expressive and stylistic value, which was the basic element of building the satirical effect of the poem.
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