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Antonín Sova a básníci korejského modernismu : Několik srovnávacích poznámek k problému modernity

100%
Kim K.-č.
Česká literatura (Czech Literature)
|
2014
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vol. 62
|
issue 4
572-591
EN
This article refers to the possible connections between the poetry of Antonín Sova and some modern Korean poets. It uses the concept of orientalism (particularly from E. W. Said) and especially the thinking of Věra Linhartová on modern art and philosophy in the Orient. On this basis it compares several features of poetics that are geographically widely separated. Attention is focused on the poetry of Antonín Sova and its femininity and symbolic visuality, which comes specifically close to the poetry of the Korean modernists. From the Korean perspective an affinity is also primarily signalled by the subject of a national upsurge and a protest against the power of the oppressors during the Czech and Korean political and wartime cataclysms.
CS
Článek ukazuje možné souvislosti mezi poezií Antonína Sovy a korejskými moderními básníky. Využívá koncepci orientalismu (hlavně E. W. Saida) a zvláště úvah Věry Linhartové o moderním umění a filozofii v Orientu. Na tomto základě srovnává některé rysy geograficky si vzdálených poetik. V centru pozornosti je poezie A. Sovy s jeho ženskostí a symbolickou vizuálností, která se specificky blíží poezii korejských modernistů. Blízkost také signalizuje hlavně z korejského hlediska téma národního vzepětí a protestu proti moci utlačovatelů v období českých a korejských válečných a politických kataklyzmat.
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Funkce cestopisných prvků v kronice Johanna Marignoly

100%
Bažant V.
Česká literatura (Czech Literature)
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2023
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vol. 71
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issue 1
3-23
EN
Medievalists frequently approach Johannes Marignola’s Chronicle of Bohemia (Cronica Boemorum) from two distinct angles, as a travelogue and as a historiographical work, and tend to separate these two aspects.This study focuses on an analysis of the functions of the travelogue elements in the chronicle as a whole. Marignola associates the historical narrative of the first and second ages of the world with reflections on his own journey to the East. However, the stylized narrator is in evidence throughout the chronicle, both as a historian and as a witness. With the aid of Old Testament and Gospel quotations, Marignola witnesses the reality of an earthly paradise in the East and the miracle at the court of Charles IV, connecting the narrative of Czech and of world history.
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