Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 2 Česká literatura (Czech Literature)

Years help

  1. 1 2020

  2. 1 2017

Authors help

  1. 2 Říhová Z.

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  pásmo
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Content available remote

Příběh kmene: pásmové skladby jako archiv české meziválečné avantgardy

100%
Říhová Z.
Česká literatura (Czech Literature)
|
2020
|
vol. 68
|
issue 6
677-696
EN
In the history of the European avant-garde, zone compositions have appeared along the seams between entities. Likewise Czech avant-gardists saw Apollinaire’s Zone as a poem of transition, and it is essential to identify whence and whither, and to subsequently correct the established explanation of the Czech historical avantgarde’s attitude towards memory and the past. The early Czech avant-garde saw itself as a movement without a history, emerging from point zero, but zone compositions are substantially oriented towards the past. Memory, past and myth form an integral part of zone compositions — the forms of the modern-age epic. Within the context of the long compositions of European modernism, this study analyses Czech zone compositions as a special form of the epic, as an alternative pole of the Czech historical avant-garde.
2
Content available remote

Velká eliotovská báseň : k Mluvícímu pásmu Milady Součkové

80%
Říhová Z.
Česká literatura (Czech Literature)
|
2017
|
vol. 65
|
issue 2
213-234
EN
The core of this article is a long poem Mluvící pásmo [Talking Zone], published in 1939 by Czech Modernist poet Milada Součková (1899-1983). Through Součková’s writing, the abyss between Czech avant-garde and Czech Modernism with its references to English modernism is revealed here. This article offers a contextualization of the genre of zone within Czech Modernism while analysing Součková’s large poem as a specific form of English modernism. Through a detailed examination of Součková’s poem Talking Zone and Eliot’s The Waste Land this article reveals the parallels between her writings and the writings of the leading modernists. The first section examines the influence on the poem of radio, both in terms of its thematic register and its form. It then goes on to analyse the dominant thematic discourses of the poem which are also key themes of the genre of zone in the 1930s in the Czech context (these are defined in the article as museum, memory, encyclopaedia and apocalypse). An examination of Talking Zone reveals the process of exhaustion of the genre of zone as a leading genre of the Czech avant-garde poetry and the exhaustion of the avant-garde projects of the new world. The archaeology of modernism (of an era), as conveyed in Součková’s writing is determined by space (Europe), person (writer) and action (modernism). In Součková’s Talking Zone each of these three elements is depicted as extinct.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.