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„Paru słówek igraszką unieśmiertelnić wroga” – o pamfletach Juliana Tuwima

100%
Stępień T., Katedra Teorii i Praktyk Komunikacji W. H.-S., Tomasz Stępień – prof. dr hab. k. K. T. i. P. K. n. W. H.-S. A. T.-H. w. B.-B. S. i. p. n. U. Ś., tomaszdear@gmail.com
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2014
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vol. 26
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issue 4
EN
The article presents both the formal aspects of the poetics of Tuwim’s pamphlets (enumeration, hyperbole, grotesque, irony) and the figures of those who are the targets of his satirical addresses. Tuwim used verse satires to create polemical and ironic portraits of individual people (the main figure being a nationalist journalist and literary critic Stanisław Pieńkowski) as well as to ridicule state institutions, ideologies and political parties. The author also analyses pamphlet-like lyrical poems, columns and literary criticism by Julian Tuwim. In conclusion the author describes some elements of the cultural milieu which the poet refers to in his satirical writing (popular culture and the media, totalitarian ideologies, mass-society).
2
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'To Make the Enemy Immortal by the Sheer Play on Words' – on Julian Tuwim’s Pamphlets

100%
Stępień T.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 36
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issue 6
129-140
EN
The article presents both the formal aspects of the poetics of Tuwim’s pamphlets (enumeration, hyperbole, grotesque, irony) and the figures of those who are the targets of his satirical addresses. Tuwim used verse satires to create polemical and ironic portraits of individual people (the main figure being a nationalist journalist and literary critic Stanisław Pieńkowski) as well as to ridicule state institutions, ideologies and political parties. The author also analyses pamphlet-like lyrical poems, columns and literary criticism by Julian Tuwim. In conclusion the author describes some elements of the cultural milieu which the poet refers to in his satirical writing (popular culture and the media, totalitarian ideologies, mass-society).
3
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'To Make the Enemy Immortal by the Sheer Play on Words' – on Julian Tuwim’s Pamphlets

100%
Stępień T., The University of Bielsko Biala D. o. C. T. a. P., tomaszdear@gmail.com
Acta Universitatis Lodziensis. Folia Litteraria Polonica
|
2016
|
vol. 36
|
issue 6
EN
The article presents both the formal aspects of the poetics of Tuwim’s pamphlets (enumeration, hyperbole, grotesque, irony) and the figures of those who are the targets of his satirical addresses. Tuwim used verse satires to create polemical and ironic portraits of individual people (the main figure being a nationalist journalist and literary critic Stanisław Pieńkowski) as well as to ridicule state institutions, ideologies and political parties. The author also analyses pamphlet-like lyrical poems, columns and literary criticism by Julian Tuwim. In conclusion the author describes some elements of the cultural milieu which the poet refers to in his satirical writing (popular culture and the media, totalitarian ideologies, mass-society).
4
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„Перед зарей вас родила земля, погибнете вы раньше звезд вечерних”. Роман-памфлет Юрия Домбровского Обезьяна приходит за своим черепом

88%
Knurowska M.
Studia Rossica Posnaniensia
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2021
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vol. 46
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issue 2
135-146
EN
This article presents the thesis that the novel The ape is coming to pick up its skull (1943) by Yuri Dombrovsky bears the genre features of a pamphlet and the structure of the novel, which is subordinated to a didactic purpose – the work contains a warning against the dehumanization and degradation of culture. The novel aims to ridicule the fascists and their ideology. The narrator’s attitude towards all the fascist protagonists is dominated by irony and sarcasm. The character construction of the fascists is ruled by schematism. The narrator emphasizes the animal element in them. They are compared to an ape who is a caricature hybrid of a human and a monkey. The “monkey” traits and behaviours are highlighted in their portraits. In the novel, the dialogues and disputes of the main opponents serve to expose the cynical demagogy of fascism and its inability to create any universal values.
5
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The Battle of the Skamander

88%
Kącka E.
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
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2019
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issue 8
211-221
EN
The article offers a reconstruction of the text-based fight between Adolf Nowaczyński and Antoni Słonimski. It was not, as it is argued here, only a contest of styles and temperaments – though this exchange proved one of the most impressive, powerful, and dramatic polemics of that time in terms of articulation. However, it stemmed from a long history of tumultuous contacts which offered an amplified view of the problems of identity (Jewishness), politics, and community. A comprehensive view of the combat between Nowaczyński and Słonimski requires both an analysis of the rhetorics of the texts and an investigation into the context and dynamics of publication.
6
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Les cas des fi gures. L’analyse stylistique du texte dramatique au XVII siècle

75%
Bajer M.
Annales Neophilologiarum
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2010
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issue 4
5-25
EN
The article deals with stylistic aspects in the analysis of 17th-century drama in France. In their critique of dramatic elocutio, pamphlet and poetic authors ascribe an expressive function to fi gures of discourse. This concept has strong roots in rhetorical theory, in whose development in the 17th century may be observed a characteristic evolution: from the initial valorisation of concepts of thought (such as hypotyposis), authors confer basic expressive functions to fi gures of construction (syllepse, ellipse, pléonasme, hyperbate). Also founded on poetics, the stylistic analysis of texts valorises only certain types of fi gure: the strictly dramatic function is ascribed above all to fi gures of thought, and sense. It is interesting that 17th-century poetics does not ascribe dramatic functions to fi gures of construction, which allows the limits of the infl uence of rhetorical theory on stylistics in poetics to be defi ned.
PL
Przedmiotem artykułu są aspekty stylistycznej analizy dramatu w XVII wieku we Francji. W swojej krytyce dramatycznego elocutio autorzy poetyk i pamfl etów przypisują figurom dyskursu funkcję ekspresywną. Ta koncepcja jest silnie osadzona w teorii retoryki, w której rozwoju w XVII wieku można zaobserwować znamienną ewolucję: po początkowej waloryzacji fi gur myśli (np. hipotypoza), autorzy przyznają podstawowe funkcje ekspresywne fi gurom konstrukcji (syllepse, ellipse, pléonasme, hyperbate). Również prowadzona na gruncie poetyki analiza stylistyczna tekstów waloryzuje tylko pewne typy figur: ściśle dramatyczna funkcja przyznawana jest przede wszystkim figurom myśli oraz sensu. Interesujący jest fakt, iż poetyka XVII wieku nie przypisuje funkcji dramatycznych figurom konstrukcji, co pozwala uchwycić granice wpływu teorii retoryki na stylistykę uprawianą w ramach poetyki.
7
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Sąsiedzkie wizyty Mikołaja Reja w Wereszczynie i ich historycznoliterackie reperkusje

63%
Sitkowa A.
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
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2023
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issue 12
13-28
EN
In 1585, five works by Józef Wereszczyński (after 1531–1598) were published in Kraków in the printing house of Andrzej Piotrkowczyk (deceased 1620). They were assembled into a single fascicle and featured common pagination, although they were typographically independent. One of these was Gościniec pewny niepomiernym moczygębom a omierzłym wydmikuflom świata tego do prawdziwego obaczenia a zbytków swych pohamowania z Pisma świętego i z rozmaitych autorów zebrany i wydany, containing the work Żywot Rejów, an account of the visits paid by Mikołaj Rej (1505–1569) to the author’s ‘father’s nest’. This Żywot Rejów, a pamphlet on the citizen of Nagłowice – depicted as a drunkard and a glutton – is currently the best known piece in the whole of Wereszczyński’s literary oeuvre. It is the paper’s objective to recover the history of the ‘discovery’ of the above-mentioned passage, to show the role it played in shaping the moral evaluation of Rej as a person and his literary heritage in the nineteenth century and to trace the enduring popularity of Żywot Rejowy in the twentieth and twenty-first centuries.
PL
W 1585 roku w Krakowie z drukarni Andrzeja Piotrkowczyka (zm. 1620) wyszło pięć utworów Józefa Wereszczyńskiego (po 1531–1598), złożonych w jeden fascykuł i objętych wspólną paginacją, acz samodzielnych typograficznie. Jednym z nich był Gościniec pewny niepomiernym moczygębom a omierzłym wydmikuflom świata tego do prawdziwego obaczenia a zbytków swych pohamowania z Pisma świętego i z rozmaitych autorów zebrany i wydany, w którym został zawarty Żywot Rejów, czyli opis wizyt Mikołaja Reja (1505–1569) w „ojczystym gnieździe” autora. Ów Żywot Rejów, będący karykaturą Nagłowiczanina – pijaka i obżartucha – jest obecnie najbardziej znanym fragmentem z całego piśmienniczego dorobku Wereszczyńskiego. W artykule podjęto próbę odtworzenia dziejów „odkrycia” wspomnianego passusu, wskazania roli, jaką odegrał on w sposobie wartościowania postawy moralnej i literackiego dorobku Reja w stuleciu XIX, oraz prześledzenia nieustającej popularności Żywota Rejowego w wiekach XX i XXI.
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