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Co dokáže náš hlas? Fonetický pohled na variabilitu řečové produkce

100%

Skarnitzl R.

Slovo a smysl - Word & Sense

2016

vol. 13

issue 26

97-115

The paper surveys the plasticity of the speech production mechanism. At the level of phonatory behaviour, a distinction is made between the frequency of vocal fold vibration, which is reflected in the pitch of the voice, and the manner in which the vocal folds vibrate, which lends our voice different qualities. The main types of phonatory modifications are described and some of their uses in everyday communication, as well as their perceptual effects, are documented from literature. Modifications of the primary makeup of speech sounds in the supraglottal vocal tract, such as rounding or spreading of the lips, hyper- or hyponasality, and palatalization, are discussed in the following section. The two levels of description — phonatory and articulatory — are formally anchored in Nolan’s model of the sources of variability in speech. The final part of the paper examines speech variability from the perspective of the listener, regarding one’s speech as their auditory face which signals biologically, psychologically, and socially conditioned information about the speaker.

Rytmus řeči a verše v češtině

61%

Palková Z.

Česká literatura (Czech Literature)

2012

vol. 60

issue 3

338-354

The author of the article takes as her starting point the premise that verse as a particular speech form is seen against the background of everyday use of language. A close examination of the suprasegmental prosodic structure of language and the study of the perceptual effect of individal acoustic features can contribute to the transparency of the debate on the implementation or modification of the verse system in a given language. The article picks out several features of the acoustic structure of languages, whose presence necessarily influences the possibilities of the rhythmic organization of a text. The author considers in particular the properties of the syllable and their consequences in the emergence and perception of linear acoustic units at the lexical level. Addressing the specific qualities of Czech, the author follows on from Miroslav Červenka´s essays on the nature of Czech syllabotonic verse. She then concludes by confirming that the indisputable predominance of syllabicity is demonstrated by the characteristic of the language. The main influences are the stable from of the syllable, the potentiality of the word´s accent, and the close link of the stress group to the word.

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Co dokáže náš hlas? Fonetický pohled na variabilitu řečové produkce

Rytmus řeči a verše v češtině