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PL
Celem artykułu jest ukazanie znaczenia perspektywy feministycznej w nauce o polityce społecznej w kontekście teorii krytycznej. Autorka rozpoczynając od krótkiej charakterystyki założeń myśli feministycznej, rekonstruuje dorobek krytyki feministycznej z perspektywy głównego nurtu badań nad polityką społeczną. Osobne miejsce zajmuje analiza obecności – czy też raczej braku – perspektywy feministycznej w polskiej nauce o polityce społecznej. Artykuł kończy refleksja nad potrzebą włączenia i rozwijania „wrażliwości krytycznej” w ramach naukowych analiz polityki społecznej.
EN
The aim of the article is to show the signifi cance of a feminist paradigm in the science of social policy in the context of critical theory. Beginning with a short characteristic of a feminist thought, the author reconstructs the dimensions of a feminist critique output from the perspective of the mainstream social policy research. A separate place is reserved for the analysis of the presence – or rather the lack of presence – of a feminist perspective within the Polish refl ection on social policy. The article concludes with the refl ection on the need to include and develop “critical sensitivity” in the framework of the social policy analyses.
IT
L’articolo è un tentativo di reinterpretazione del romanzo di Kazimiera Alberti, Il ghetto condannato, attraverso nuovi strumenti teorici e metodologie, tra cui la Decostruzione di Derrida e la prospettiva femminista. La protagonista principale del racconto, Rosa Grünszpann, non solo si tormenta con il senso di colpa e con i propri pregiudizi nei confronti del gruppo etnico, dal quale ella stessa proviene e allo stesso tempo combatte con le questioni di genere. Questi tre elementi sono indissolubilmente collegati fra loro. Così, Rosa, aiutando le persone della sua casa famiglia, del ghetto, cerca di far fronte alle proprie paure, al disgusto ed ai problemi di identità.
EN
The paper is an attempt to analyse and interpret one of Kazimiera Alberti’s novel, The Decried Ghetto / Ghetto potępione, using new theoretical tools and methodology, i.a. Derrida’s deconstruction and feminist approach. The novel’s main character, Róża Grünszpann, not only torments herself with self-reproach and her own prejudices towards ethnic group, she came from – she also struggles with gender perception. These three factors are inseparably connected. Hence, Róża – by helping people from her childhood home, the ghetto – tries to manage her own fears, repulsion and identity issues.
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