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Filozofia dramatu jako filozoficzna tradycja badawcza

100%
Sierotowicz T.
Zagadnienia Filozoficzne w Nauce
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2018
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issue 64
59-92
PL
This paper presents an attempt to describe Józef Tischner’s philosophy of drama from the point of view of Larry Laudan’s philosophy of science. That is achieved with the help of the concept of Philosophical Research Traditions developed in the paper. A~certain conceptual problem of Tischner’s philosophy, and some future research topics are also presented.
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Komunikacja interpersonalna w świetle filozofii dramatu Józefa Tischnera. Studium wybranych zagadnień

84%
Guzdek P., Petryk A.
Studia Socialia Cracoviensia
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2012
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vol. 4
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issue 2
EN
The question of what it means to be a dramatic being is synonymous with a question who is the man of the media and what his existence is based on. The act of communication is a dramatic act rooted in human existence. Opening up to another person, to the drama scene and the passing time forms the essence of dramatic existence. Each act of communication with reference to others is an opportunity to rediscover human deposit inscribed in his nature. The article analyses the act of communication of a person in the philosophical perspective of Joseph Tischner’s drama. This analysis reveals the philosophical dimension of the process of communication.
3
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Problem sceny w Tischnerowskiej filozofii dramatu

84%
Glinkowski W. P.
Analiza i Egzystencja. Czasopismo Filozoficzne
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2016
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vol. 34
71-90
EN
The paper aims to pinpoint one of the main interpretational problems of Józef Tischner’s philosophy – the dispute around the notion of scene, which is the basic concept in Tischner’s ‘philosophy of drama’. It is as well strongly connected with theatre studies. That is why it is common to regard Tischner’s philosophy in a theatrical context. On the other hand, Tischner’s scene is also referred to world of entities, which in traditional philosophy was a field of ontological investigates. Both abovementioned tendencies are a result of misunderstanding Tischner’s thought and they lead to the wrong interpretation of his philosophy of man. Yet according to Tischnerman does not play in a drama as an actor on the scene, but rather he is a dramatical being. Proper understanding of Tischner’s notion of scene is essential to understand his philosophical project and to recognize its value and novelty.
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Dramaturgia artykułu 17. kodeksu etyki lekarskiej. Ujęcie sytuacji niepomyślnych rokowań z wykorzystaniem aksjologii Józefa Tischnera

84%
Jaranowski M.
Logos i Ethos
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2022
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vol. 59
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issue 1
193-212
EN
The text presents an interpretation of the axiological background of Article 17 of the Polish Code of Medical Ethics. The interpretation uses elements of Józef Tischner’s philosophy of values. The author employs the concepts of axiology to describe the special dynamics of deontology contained in Article 17, which refers to the situation of informing the patient about an unfavorable prognosis regarding his health. Instead of descriptions of everyday situations of this type, the reader receives a reconstruction of the system of values and demands in which the doctor resides, inspired by Tischner’s philosophy.
PL
Tekst prezentuje interpretację aksjologicznego tła artykułu 17. kodeksu etyki lekarskiej, w której wykorzystane są przede wszystkim elementy filozofii wartości Józefa Tischnera. Autor posługuje się pojęciami aksjologii, by opisać szczególną dynamikę deontologii zawartej w artykule dotyczącym sytuacji informowania pacjenta o niepomyślnych rokowaniach co do jego stanu zdrowia. Zamiast opisów powszednich sytuacji tego typu, czytelnik otrzymuje inspirowaną przede wszystkim filozofią Tischnera rekonstrukcję układu wartości i roszczeń, w którym znajduje się lekarz.
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