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Psałterz poznański. Prolegomena lingwistyczne

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Nowak-Barcińska M.

Poznańskie Studia Polonistyczne. Seria Językoznawcza

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2018

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vol. 25

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issue 2

221-242

EN

This article discusses a collection of fifty psalms published as The Poznań Psalter. A Collection of Psalms for Common Singing at Home and in Church (Poznań 2017). As a text genre, the publication represents a song book, which – according to its dictionary definition – is: ‘a collection of songs (solemn or popular) with their lyrics and notes’. The publication can alternatively be classified as a hymnal. The authors of the paraphrased psalter intended to underscore the musical character of the Biblical texts. This musical character is underscored by giving the particular psalms their regular rhythmic pattern, partly supported with a rhyming pattern. As far as the musical layer of the Poznań Psalter is concerned, the authors make a conscious reference to tradition, since the melodic lines are transferred from the Geneva Psalter (1563 edition). The language layer, on the other hand, departs from tradition, since it does not exhibit the historically marked lexical or grammatical structures. Analysing the text of the Poznań Psalter, composed by the Protestant (Reformed Evangelical Church) authors in the context of the Polish tradition of Biblical translation, one can conclude that this tradition retains its vital interdenominational nature, which – as in the case in point – is capable of using the Warsaw Bible and the Millennium Bible as sources of textual adaptation.

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Exhortatio ad paenitentiam Dominika z Prus (kartuza, 1382–1460) i dwie parafrazy tego dzieła w literaturze polskiej XVII wieku. Trzy nieznane utwory ze zbiorów Biblioteki Jagiellońskiej

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Wichowa M.

Biuletyn Biblioteki Jagiellońskiej

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2016

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vol. 66

155-175

PL

Dominik z Prus (1382–1460) jest autorem nieznanym polskim historykom literatury. Jednak jego wierszowany utwór Exhortatio ad paenitentiam cieszył się znaczną popularnością w Polsce w wieku XVII. Jego recepcja miała miejsce w środowisku franciszkańskim. Napomnienie […] rozpoznawalne było w obiegu rękopiśmiennym, w wersji skróconej w stosunku do oryginału. W pełnej redakcji wiersz liczy 158 strof, w polskiej wersji tylko 42. Najpierw zostały opublikowane dwa przekłady tego utworu na język polski: Augustyna Kochańskiego w 1611 roku i Aleksego Piotrkowczyka w 1654 roku, a dopiero w roku 1731 opublikowany został tekst łaciński. Wszystkie podawane tu do druku teksty przechowywane są w zbiorach Biblioteki Jagiellońskiej.

EN

Dominic of Prusy (1382–1460) is an author who has hitherto been unknown to Polish literary historians. However, his poetic work entitled Exhortatio ad paenitentiam enjoyed considerable popularity in seventeenth-century Poland – mainly with Franciscan Friars, among whom an abridged version was circulated in manuscript form. The full text is 158 stanzas long, while the Polish version – entitled Napomnienie – had only 42 stanzas. The Latin original was published as late as 1731 – many years after the two translations by Augustyn Kochański and Aleksy Piotrkowczyk, which came out in 1611 and 1654 respectively. The original copies of all the texts published here are to be found in the Jagiellonian Library.

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Псалтирь царя Давида Симеона Полоцкого в контексте паралитургической и парафрастической традиции XVI–XVII вв.

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Niekraszewicz-Karotkaja Ż.

Studia Rossica Posnaniensia

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2022

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vol. 47

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issue 2

9-25

EN

The collection of poetic translations of King David’s Psalms, compiled by Symeon of Polatsk, is usually used in the scientific discourse under the descriptive title Psaltir’ rifmotvornaya. In this article, King David’s Psalter (1680) of Symeon is considered not in the context of the poet’s entire creative heritage, but in terms of the evolution of the European book tradition of paraliturgical discursive psalmic practices and the poetic paraphrase of the psalms, beginning with the German poets of the Renaissance Helius Eobanus Hessus and Ioannes Mylius Libenrodensis. Not only the artistic experience of Western and Central Europe but also of the Grand Duchy of Lithuania is taken into account. Addressing the broader historical context allows us to move away from traditional scientific discussions about the degree of influence of Jan Kochanowski’s poetic paraphrases of psalms (Psałterz Dawidów, 1578) and to more adequately appreciate Symeon’s merits in the field of cultural transfer. The King David’s Psalter of Symeon is evaluated as a result of the interaction of the European book tradition of creating poetic paraphrases of biblical texts and the East Slavic singing culture. The functioning of this culture from the end of the 16th century and especially in the 17th century was greatly influenced by Polish spiritual songs (first of all, the poetic paraphrases of the psalms of Jan Kochanowski), as well as by the increased interest in polyphonic singing thanks to Nikolai Diletsky.

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Psałterz poznański. Prolegomena lingwistyczne

Exhortatio ad paenitentiam Dominika z Prus (kartuza, 1382–1460) i dwie parafrazy tego dzieła w literaturze polskiej XVII wieku. Trzy nieznane utwory ze zbiorów Biblioteki Jagiellońskiej

Псалтирь царя Давида Симеона Полоцкого в контексте паралитургической и парафрастической традиции XVI–XVII вв.