Results found: 2

Search results

Search:
in the keywords: polish music

Sort By:

Limit search:

Piosenki Jacka Kaczmarskiego w aspekcie zagadnienia melosemii

100%

Dźwinel K.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2012

vol. 16

issue 2

110-120

The article presents the phenomenon named by the author melosemy. Melosemy is a sensible additions of the poetic text by the connection of his semantic structures with the melody or with vocal and instrumental techniques. The exemplary material for the presentation of this phenomenon from the borderline of music and text are songs of a contemporary polish poet singing own texts with the accompaniment of a guitar — Jacek Kaczmarski (1957—2004). Melosemy is treated as an important aesthetic catego-ry in the creativeness of the bard. The conclusion of the text opens a wider research area: it is possible to find melosemy both in the creative output of other authors from the range of the poetic song, as well as in soundtracks and folk music.

„Kocham cię, życie”. O darze łgania i opowiadania oraz o budowaniu własnego wizerunku w pamiętnikach Artura Rubinsteina

86%

Cuber M.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2012

vol. 16

issue 2

164-172

In comparison to other classical music players (such as Fiodor Szalapin’s Memories from my life), Arthur Rubinstein’s My early years seem to be a work of a thriller-like fabular layer and an elementary non-fiction value. In my sketch, instead of evaluating this pro-portion, I suggest making a more useful move — a rhetorical analysis of the auto-creatrional pose which is adopted by the memoir’s subject. By means of this I present the memoir I (which easily embodies roles such as a liar, joker, raconteur and sage), as well as point and decipher the mechanisms of popular prose, which the author activates. Thanks to this approach Rubinstein uncovers his unknown face — a conscious writer and amusement culture hothead. Uncovering its codes in My early years with the evolu-tionary biography construction of the main character basically means retelling the musi-cian’s diary — this time as well composed, popular literature. By means of this proce-dure the author’s mistakes and slips of memory become softened, for playing with the reader to persuade him to believe in the maker’s unfailing memory seems to be more important. A separate matter in this sketch is the reflection on the anecdotal-narcisistic layer of the memoir. To open it I use not the rhetorical key, but psychotherapeutic tools, revealing a considerable amount of autotherapy potential in Rubinstein’s memories. Thus, this sketch discloses and exposes the mystifying mechanisms in the work of the great pianist, leveling them with the consoling inclinations of popular biographies.

Refine search results

2 Acta Universitatis Lodziensis. Folia Litteraria Polonica

2 2012

1 Cuber M.

1 Dźwinel K.

Search results

Piosenki Jacka Kaczmarskiego w aspekcie zagadnienia melosemii

„Kocham cię, życie”. O darze łgania i opowiadania oraz o budowaniu własnego wizerunku w pamiętnikach Artura Rubinsteina