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EN
The paper presents hypertext as a matrix of contemporary forms of remembering. This text is a part of research focused on the representations of the Holocaust on the Internet. The main thesis of this article is: the ways of remembering of the Holocaust on Twitter imply and form also the ways of oblivion of the past. The article consists of four main parts. First part, titled Open cognitive categories, refers to methodological issues. Second part, titled Hypertext as a medium of postmemory, reveals relations between digital media and contemporary forms of remembering. Third part, titled Almost diary, shows examples of hypertextual representations of the Holocaust on Twitter. Fourth part, titled Two vectors, concerns confrontation between postmemory and postoblivion of the Holocaust.
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