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Pamięć Holocaustu w twórczości Josepha Beuysa

100%

Nieczyporowski R.

Estetyka i Krytyka

2012

issue 1(24)

91-99

The memory of the Holocaust was one of essential problems in the post-war art of Europe. The social and political situation of post-war Germany caused the aspect of the memory of the Extermination had belonged and still is belonged to the most sensitive topics in the history of this nation. Nothing so strange, that references to Auschwitz we could find in the artistic work of one of the most important contemporary German artists – Joseph Beuys. A fact is, that this references has been noticed by few academics and critics only.

All Paths Lead to Rome. Establishing an Italian American Archive of the Visual Arts of the late 1950s and early 1960s

63%

Blandino L.

Review of International American Studies

2017

vol. 10

issue 2

Laura BlandinoUniversity of TurinItalyAll Paths Lead to Rome. Establishing an Italian American Archive of the Visual Arts of the late 1950s and early 1960sThis paper examines the role Rome played in the 1950s as an important outpost for the development of a distinct art scene, where the American and the Italian experience had the opportunity to blend with the artists gathering and sharing innovative ideas. It is a part of an ongoing research and it presents and sums up the early stage of the project which focuses mostly on archival sources and interviews with the central figures of this period. This paper, in particular, follows some of the members of this tran-Atlantic community, focusing in particular on the art galleries that fostered an international dialogue. Above all, this paper addresses the fundamental questions concerning whether this period could be considered as an “archive” of Italian and American art. It aims at demonstrating that, though not altogether free from contradictions and misconceptions, the period under study was very fertile in terms of the results of cross-cultural experience.

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Pamięć Holocaustu w twórczości Josepha Beuysa

All Paths Lead to Rome. Establishing an Italian American Archive of the Visual Arts of the late 1950s and early 1960s