Search results

1

Ponowoczesny wymiar subkultur młodzieżowych w Rosji

100%

Kowalska M.

Politeja : Pismo Wydziału Studiów Miedzynarodowych i Politycznych Uniwersytetu Jagiellońskiego

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2013

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issue 3(25)

627-645

EN

This paper aims to present contemporary characteristics of youth subcultures which result from the concept of postmodern era. With this end in view, in the introduction some selected research positions have been analysed for which the reference point is the theory of postmodernism and contemporary changes within the culture. In the first place, the characteristics of postmodern period have been put forward which help to describe macrosocial and microsocial structures such as fragmentation, a loss in continuity in terms of time and space, a negation of tradition and authority, the information chaos, a multitude of behaviour patterns as well as moral systems. The systematization of selective distinctive features of postmodernity made it possible to analyse changes within the contemporary cultural movements of the youth in the further part of this paper. To some very crucial characteristics of postsubculture belong: the precedence of personal identity of man over the collective one, political indifference, the heterogeneity of style, and the lack of being authentic and original. The essential part of this study is to depict the Russian cultural specificity in relation to contemporary movements of the young having a cultural nature. The main presupposition is to treat the Russian subcultures as borrowed patterns the West through the process of “culture staging”, for which the influence of the media and globalization is of great importance. On the other hand, changes in the contemporary environment of the young in Russia have been shown in such a way as to take into consideration the fact of dissimilarity arising from the eastern cultural impact and the domination of a monolithic culture in the period of the Soviet Union. Furthermore, the fact of the existence of the Russian “crisis awareness” in relation to social and political changes in the period of political system transformation has great weight.

2

Diplomacy in the postmodernity

100%

Łoś-Nowak T.

Polish Political Science Yearbook

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2010

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vol. 39

7-29

EN

Considerations devoted to postmodern diplomacy should be preceded by reflection on the phenomenon of postmodernity, because everything, what it expresses, creates some kind of depth of causative powers of changes, which affect diplomacy, traditionally connected with state, its foreign policy, raison d’état, reasons and interests, to realisation of which it should serve. The diplomat’s mandate is still a mandate coming from state, which they represent and on behalf of which they act. However, on the other hand, diplomatic functions are more and more often attributed to non-state subjects, which have different objectives and tasks to accomplish.

3

Wartościowanie leksemu fajnie w odczuciu współczesnego użytkownika języka

89%

Jastrzębska-Golonka D.

Poznańskie Spotkania Językoznawcze

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2016

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issue 31

EN

The lexem ‘cool’ and the discussion connected with its flow in the Polish language comes back to the columns of the language guides and scientific studies. The surveys reveal that ‘cool’ – in spite of the linguists’ negative classifications – is treated as accepted phenomenon by the young people. The afternovelties and colloquials played the important roles here. They introduced this lexem to politics and other official styles of Polish, for instance, media language, the language of commentary and the Internet, the language of contemporary literature (prose, poetry and film) and the language of science

PL

Abstrakt Leksem fajnie oraz dyskusja związana z jego dystrybucją w języku polskim od lat powraca na łamy poradników językowych i opracowań naukowych. Ankietowe badania pokazują, że fajny – mimo negatywnych klasyfikacji językoznawców – przez młodych ludzi jest traktowany jako zjawisko akceptowane. Dużą rolę odegrały tu trendy ponowoczesności i potoczności, które wprowadziły ten leksem do języka polityki i innych oficjalnych stylów polszczyzny, np. języka mediów, języka publicystycznego, języka Internetu, współczesnego stylu literackiego (proza, poezja, film) i naukowego.

4

Contemporary artistic practices of cultural communication: problematization of co-creation opportunities

88%

Zhyvohliadova I.

International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture

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2019

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vol. 1

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issue 1

122-132

EN

Modern individuals face a relatively new for themselves problem of communicating with the art. The desire to get joy from "co - creation", the desire to use it as a way of asserting and self – realization faces the problem of self - determination in the world of total artistic and aesthetic relativism. The viewer falls into the situation of the potential impossibility of perceiving information. "Freedom" of the author turns into "non-freedom" of the subject of perception. The advocacy of the sovereignty of certain creative worlds in the modern cultural space, the awareness of creativity as an individual way of self-realization, that is so acutely today, in itself, can turn the state-of-art in any direction. Modern artistic space can give a person an exciting feeling of freedom, open prospects, but can also become a fact of voluntary deindividualization of a person, to give birth to a sense of loneliness, self-negligence. The liberation pathos of "emancipated" art can turn out to be a direct violation of the sovereignty and freedom of the subjects of "co-creation," or their spiritual consolidation, the "breakthrough" of alienation and loneliness.

5

Liszt and Mahler in the postmodern filmic visions of Ken Russell

88%

Golianek R. D.

Interdisciplinary Studies in Musicology

|

2014

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issue 13

171-182

PL

The British film and television director Ken Russell is esteemed principally for creating filmic biographies of composers of classical music. In the 70s, he shot his most original films on musical subjects: fictionalised, highly individual composer biographies of Mahler (Mahler) and Liszt (Lisztomania), which are the subject of the article. Neither of the films is in the least a realistic documentary biography, since Russell’s principal intention was to place historical biographical facts in cultural contexts that were different from the times in which Mahler and Liszt lived and worked. This gave rise to a characteristically postmodern collision of different narrative and expressive categories. Russell’s pictures remain quite specific commercial works, exceptional tragifarces, in which the depiction of serious problems is at once accompanied by their subjection to grotesque deformation and the demonstration of their absurdities or denaturalisation. The approach proposed by this British director, in which serious issues are accompanied by elements of triteness, is a hallmark of his style. The director’s musical interests are reflected by the fundamental role of music in the structure of his cinematographic works. The choice of musical works also denotes a kind of aesthetic choice on the director’s part, especially when the composers’ biography comes into play.

6

ПОНЯТІЙНИЙ АПАРАТ СЕМІОТИКИ НОВІТНЬОЇ ЄВРОПЕЙСЬКОЇ ІСТОРІЇ

88%

Martynov A.

Міжнародні зв’язки України: наукові пошуки і знахідки

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2022

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issue 31

168-182

EN

The article analyses the conceptual apparatus of semiotics of modern European history. The social sciences, unlike the natural sciences, which deal with realities that do not call themselves, deal with the phenomena of human life. Names change in time and space without any connection to the immanent changes of things themselves, which indicates a persistent search for an adequate name for many things and signs. Historical meanings become the main subject of semiotic analysis. History becomes a way of scientific reconstruction of the past. In historical science, facts, signs and symbols come through individual and collective memory. Various narratives are a treasure trove of semiotic meanings. Texts in different contexts give different semantics. Everyone is a participant in this exciting process, the end result of which, in principle, is not. Under these circumstances, the analysis of instability becomes more important than finding a "fulcrum". This thesis is especially important for the mosaic history of the peoples of Europe. Communism and fascism are united not only by totalitarian practices but also by political "syntax", while liberalism in general is a different political language. Every event starts at the information level. Postmodernism leads to anti-intellectual pre-modern thinking. Semantic boundaries between categories are blurred; they are flexible, open to change and constant socio-economic transformation. The self-consciousness of the modern era was based on the achievements of economics and classical sociology, which promoted the values of a single universal progress for all mankind. Postmodern self-consciousness is based on the principles of cultural anthropology and ethnology, of sciences that emphasize the heterogeneity of the socio-cultural field of mankind. Historical semiotics works with stereotypes of perception of signs and symbols, decodes them and adapts them for scientific use

7

Obraz współczesnej Polski w refleksji literackiej Wiktora Jerofiejewa

88%

Popiel-Machnicki W.

Acta Polono-Ruthenica

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2015

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issue 20

113-119

EN

For Russian writer Victor Erofeyev Poland has always played a great role, which is visible in his private life as well as his works. The picture of Poland can be found in his novels, essay writing and interviews, which this Russian postmodern writer often willingly gives to Polish newspapers. The writer has lately overestimated his positive attitude towards our country. It has been especially visible after joining NATO and the European Union by Poland or after Smolensk catastrophe.

8

Postmodernizm jako kryzys mentalny

87%

Igoriewicz T. W.

Przestrzenie Teorii

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2020

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issue 33

409-417

EN

The article is devoted to the crisis situation of postmodernism. The author assumes that the crisis of postmodernism is a historical process phenomenon and therefore inevitable. The postmodernism of the last decades of the 20th century is presented as most probably the last crisis of the post-rhetoric formation in its culture-creating productivity. The author believes that the recessive reconstruction of the dominant role of authority’s discourse with its imperative, legislative and regulatory competencies, or neo-rhetorical breakthrough of the convergent mentality leading to the domination in people’s spiritual lives as more or less likely scenarios for the further development of the historical situation together with the surging globalism of the human civilization may prove to be universally significant. Moreover, the author focuses on the media tools used to carry out each discursive formation. Those tools open up unique possibilities for executing the neo-rhetorical impulse towards the universal solidarization of life.

9

Интермедијалноста во македонскиот театар

75%

Петровска-Кузманова К.

Poznańskie Studia Slawistyczne

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2012

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issue 2

EN

In the text Intermediality in Macedonian theatre, which uses the play Macedonian bloody wedding by Vojdan Chernodrinski, directed by Ljupco Gorgievski, as an example, an attempt is made at representing intermediality in theatrical performance. It is achieved through a ready-made technique in which a significant role is played by the music group Foltin and their performance. They use various props, which they turn into their instruments. This leads to their actualization through dedication to their essence. In this way, the old forms and elements of the traditional folk culture cross the bounds of time, reading the folklore signs in the style of the postmodern scene expressions.

MK

In the text Intermediality in Macedonian theatre, which uses the play Macedonian bloody wedding by Vojdan Chernodrinski, directed by Ljupco Gorgievski, as an example, an attempt is made at representing intermediality in theatrical performance. It is achieved through a ready-made technique in which a significant role is played by the music group Foltin and their performance. They use various props, which they turn into their instruments. This leads to their actualization through dedication to their essence. In this way, the old forms and elements of the traditional folk culture cross the bounds of time, reading the folklore signs in the style of the postmodern scene expressions.

10

Автономадизм постмодерна в российских мегаполисах

75%

Shlyakov A.

Przegląd Wschodnioeuropejski

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2019

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vol. 1

315-224

EN

Nomadism in postmodern stands as a principle of diffusion, allocation of bodies on social plane, implying a disruption with any fixedness: with Homeland, Home, family, identity. This principle is based on the constant movement, changes of the body. The following strategy forms a special chronotopy: space is constructed rhysomically (astructurally, acentered with equality of all possible directions of movement), and time is read a a cyclic present or as deplyment of past-future (Chronos and Eon in the concept of G. Deleuze). With transition to postmodern not only a man became a carrier of nomadic features, but also the bodies of an objective world became nomadic. Miniaturization of objects , which is accompanied by their intellectual filling, allows them to not only dive in an act of movement, but also incite movememnt and form space for realization of their own movement. A car, which in modern performed the function of subjugation of space with speed, in postmodern changed its functionality to comfort, and seriously influenced the formation of the map of the city. In this article a phenomenon of autonomadism is explored (embodiment of nomadism as a social strategy of mobility) through automobilization of society. Theoretical basis of the study is nomadological project of Deleuze – Guattari and concept of paradygm of mobility J. Urry. Among indicators which allow to talk about autonomadism are chronotopical metamorphosis in the reading of ambient landscape of motorists and the loss of identity, which led to the occurence of a hybrid “driver – car”. The following study showed that in postmodern Russian cities – metropolis a quiescence is seen as deviation and is socially excluded, spaces of quiet ar colonized by cars, sedentary places are exiled from the city or demand high economical expenses, which makes the settled way of life unprofitable.

11

The Problem of Sociological Research of the Game as a Social Phenomenon

75%

Kutianin O.

Krakowskie Studia Małopolskie

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2021

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vol. 3(31)

134-147

EN

In studying the game as a social phenomenon, it is often difficult to leave the sociological approach within the scope of scientific knowledge. This happens due to the multiparadigmality of sociology and, therefore, a range of oppositions in the definition of the game. The role of consciousness in the game, the relationship between the concepts of game and freedom, a whole series of scientific categories (language game, wordplay, political game), which were introduced in the conceptual and categorical framework of some scientific disciplines, pose a difficult task for sociologists to conceptualize and study the game phenomenon. In terms of the article, the author puts forward the category “game attribute” as an element of game interaction. It is suggested that an attribute of game interaction to be included, systematized and classified in such a category. This approach to the theoretical development of the game phenomenon allows researchers to set a wide variety of applied problems, stimulates the advancement of an interdisciplinary paradigm in the sociology of games, and potentially can contribute to its institutionalization.

12

Музична творчість і суб’єктивований світ митця: контекст культуротворення

63%

Morshchakova N.

Path of Science

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2016

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vol. 2

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issue 10(15)

2.17-2.28

UK

Проблема музикотворення в світлі наслідування постмодерністських мистецьких ідей харак-теризується спрямованістю композиторської уваги до вираження суб’єктивованих смислів, ідей, що актуалізує можливості інтенціонального світу митця, оригінальність художнього мислення, здатність до конкретизації та поглиблення образно-смислової сфери твору. Персоніфікація мистецьких смислів в рамках суб’єктивної реальності є пов’язаною з процесами об’єктивації художньо-естетичних парадигм, сформованих в рамках культури; визначаючи внутрішній зміст культури контекстуально, творча особистість здатна осягнути глибинну, концентровану сутність культурної епохи, або культурну форму. Людина-творець, що усвідомлює або відчуває внутрішній імпульс культури, контекстуально мислить, створюючи нові сюжети, образи, які переростають межі суб’єктивного змісту автора, об’єктивуючись у смислах інтерпретуючих концепцій.

EN

The problem of creating music in the light of postmodern artistic imitation of ideas is characterised by the compositional focus of attention to the expression of subjective meanings and ideas that actualizes the possibility of an intentional world of the artist, originality of creative thinking, the ability to specify and deepen semantic sphere-shaped piece. The personification of artistic meanings within subjective reality is related to the processes of objectification of artistic and aesthetic paradigms prevailing within the culture; defining the inner meaning of culture contextually, a creative person is able to understand the deep, concentrated essence of the cultural epoch or cultural form. A creator-man, who feels or is conscious of an internal impulse of culture, thinks contextually, creating new stories, images that outgrow the limits of the author’s subjective content, finding expression in interpreting the meanings of concepts.

13

Toward postmodern social work

63%

Niesporek A.

Problemy Polityki Społecznej. Studia i Dyskusje

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2019

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issue 44(1)

31-45

EN

This scientific article is based on the analysis of socio-economic conditions of the formation of social work as a constituent element of modernity and its hidden controlling functions. Publication shows social work changes in the epoch of disorganized capitalism, and raises a question of the future of social work and its relations with postmodernity.

PL

W artykule są omawiane społeczno-ekonomiczne uwarunkowania kształtowania się pracy socjalnej jako składowej nowoczesności oraz jej ukryte funkcje kontrolne. Analizie są poddawane zmiany, jakim podlega praca socjalna w epoce dezorganizowanego kapitalizmu. Stawiane jest pytanie o przyszłość pracy socjalnej i jej związki z ponowoczesnością.

14

Poland as a Great Borderland in a Post-Soviet World: Poetical Point of View

63%

Vorontsova K.

Colloquia Humanistica

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2019

|

issue 8

EN

Poland as a Great Borderland in a Post-Soviet World: Poetical Point of ViewThis paper seeks to examine the characteristics of the literary space of Poland, which occupied a middle position between the West and the USSR, with particular attention to the mechanisms of representation of Poland as a great borderland in light of the catastrophes of the 20th century. Since the dissolution of the Soviet Union, narratives have changed but the main concept of “Poland as a Great Borderland” still remains. While absorbing traditional elements, poetry in the post Soviet world uses new tools like “camp” to depict the liminality and carnival nature of the country. Alexander Anashevich’s poems are analysed as a vivid example of contemporary perceptions of this centuries-long intercultural practice. Польша как «большая граница» в постсоветском мире: поэтический взглядВ данной статье анализируются устойчивые характеристики художественного пространства Польши, которая занимала позицию медиатора между Западом и СССР. Особое внимание уделяется механизмам репрезентации Польши как пограничной территории в свете катастроф ХХ века. С распадом Советского Союза изменились нарративы, однако главный концепт «Польша как Большая граница» всё ещё остаётся неизменным. Ориентируясь на традиционные элементы, поэзия в постсоветском мире использует новые инструменты, такие как Камп, чтобы адекватно отражать лиминальную и карнавальную природу страны. Стихи Александра Анашевича в данном контексте анализируются как яркий пример современного понимания многовековых межкультурных практик. Polska jako „Wielkie Pogranicze” w przestrzeni postradzieckiej. Poetycki punkt widzenia.Artykuł ma na celu zbadanie cech przestrzeni kulturowej Polski, która swego czasu odbierana była jako ta, zajmująca pozycję mediatora pomiędzy Zachodem a ZSRR. W artykule przede wszystkim kładzie się nacisk na zbadanie mechanizmów reprezentacji Polski jako „Wielkiego Pogranicza” w świetle katastrof XX wieku. Od czasu rozpadu Związku Radzieckiego narracje uległy zmianie, ale koncepcja „Polski jako Wielkiego Pogranicza” nadal pozostaje aktualna. Choć poezja w przestrzeni postradzieckiej wciąż zwrócona jest przede wszystkim w stronę tradycyjnych dla niej form, to coraz częściej sięga ona po nowe estetyczne rozwiązania, takie jak np. Kamp, aby wskazać na liminalny i karnawałowy charakter polskiej przestrzeni kulturowej. Wiersze Aleksandra Anaszkiewicza są w artykule analizowane jako żywy przykład współczesnej percepcji tych wielowiekowych interkulturowych praktyk.

15

Hranice, možnosti a úlohy komentáře (Jiří Kratochvil, Ludvík Vaculík)

63%

Kotásek M.

Bohemistyka

|

2020

|

issue 1

55-71

EN

The article focuses generally on the functioning of commentary or metacommentary within postmodern narrative texts. Two Czech authors from the second half of the 20th century have been chosen to illustrate the theory outlined in the introductory part of the article: Ludvík Vaculík and Jiří Kratochvil. From the point of view of interpretation the structure that is being opened by commentary inside some narratives is called posthermeneutic. The article argues that posthermeneutic situation can be found in the perverse situation of samizdat publishing in Czechoslovakia in the 1970s (as depicted by Vaculík’s Český snář) and in the role played by women in Kratochvil’s short story Příběh krále Kandaula. The article concludes that the postmodern might stand the reader in front of an ethical choice as far as the function of literature and art is concerned.

CS

Na obecné úrovni se článek zabývá fungováním komentáře či metakomentáře v postmoderních prozaických textech. K doložení a rozpracování teoretických východisek využívá článek texty Jiřího Kratochvila a Ludvíka Vaculíka. Z pohledu hermeneutiky je struktura, která se odhaluje uvnitř literárních textů právě prostřednictvím komentáře, nazvána posthermeneutickou. Článek ukazuje, že tato posthermeneutická struktura je pevně spojena s perverzní situací ineditního publikování v Československu 70. let jak ji zachycuje Vaculíkův Český snář, stejně jako se situací ženského subjektu zobrazené v Kratochvilově povídce Příběh krále Kandaula. Článek dochází k závěru, že postmoderna staví čtenáře či recipienta před etickou volbu co se role literatury a obecně umění týče.

16

Fikční světy české postmoderní prózy

51%

Fořt B.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

|

2016

|

vol. 53

|

issue 26

13-18

EN

The study primarily deals with Lubomír Doležel‘s latest book, Heterocosmica II: Fictional Worlds of Postmodern Czech Prose — its main aim is not only to analyse and describe Doležel‘s newest contribution to the investigation of the theory of postmodern literature but also to compare the methodological preconditions of his approach to this type of literature with other crucial approaches. Therefore, the crucial theses of his system of postmodern literature are critically compared with those of the approaches of Linda Hutcheon, Brian McHale, and David Lodge.

17

Remake w najnowszej dramaturgii rosyjskiej (próba syntezy)

51%

Tyka A.

Przegląd Rusycystyczny

|

2020

|

vol. 170

|

issue 2

RU

Целью статьи является обсуждение популярного в постмодернистской культуре приема римейка, который все чаще используется авторами новейшей русской драматургии. Автор пытается охарактеризовать и классифицировать этого явления, ссылаясь на работы русских и зарубежных исследователей. Выводы обосновываются примерами реинтерпретации классических произведений (Антона Чехова, Николая Гоголя, Федора Достоевского, Ивана Гончарова, Льва Толстого и др.) современными русскими драматургами.

EN

The purpose of this paper is to discuss the remake tool, popular in postmodern culture, which is increasingly used by the authors of the new Russian dramaturgy. The author attempts to characterize and classify this phenomenon, citing the work of Russian and foreign academics. The author supports her conclusions with examples of reinterpretation of classical works (Anton Chekhov, Nikolai Gogol, Fyodor Dostoyevsky, Ivan Goncharov, Leo Tolstoy and others) by contemporary playwrights.

PL

Celem artykułu jest omówienie popularnego w kulturze postmodernistycznej chwytu remake’u, który jest coraz częściej wykorzystywany przez autorów najnowszej dramaturgii rosyjskiej. Autorka podejmuje próbę scharakteryzowania i sklasyfikowania tego zjawiska, powołując się na prace rosyjskich oraz zagranicznych badaczy. Swoje wnioski autorka podpiera przykładami reinterpretacji utworów klasycznych (Antona Czechowa, Nikołaja Gogola, Fiodora Dostojewskiego, Iwana Gonczarowa, Lwa Tołstoja i in.) przez współczesnych dramaturgów.

18

Hermeneutyka i egzegeza biblijna w dobie ponowoczesności

51%

Kręcidło J.

Scriptura Sacra

|

2012

|

issue 16

47-60

EN

The article aims to analyze the present status quo of the biblical hermeneutics and exegesis in the frame of the postmodern culture. The author first defines the meaning of the terms included in the title of the article. Then postmodernism as a cultural and a philosophical currant is analyzed. On this background the author shows the threads and benefits of biblical hermeneutics and exegesis related to theories and practical implements of the postmodern ideas in the contemporary culture. Finally the answer to the question "Is it possible to reconcile the historical-critical and postmodern interpretation of the Bible?" is sought.

19

O "polityczności" andragogiki

51%

Malewski M.

Edukacja Dorosłych

|

2013

|

issue 1(68)

PL

Polityczne uwikłania nauk społecznych sprawiają, że również badania nad edukacją dorosłych są nasycone ideologicznie. Autor udowadnia tę tezę, analizując treść dwóch idei przewodnich, które zdominowały nasze myślenie o sektorze edukacji dorosłych w ostatnich kilkudziesięciu latach. Są to: idea kształcenia ustawicznego i koncepcja całożyciowego uczenia się. Są one kognitywnymi instrumentami sprawowania władzy politycznej i osiąganiu w społeczeństwach rozwiniętych demokracji stanu rządomyślności (governmentality).

EN

Due to the political entanglements of social studies, research on adult education is also ideologically driven. The author proves this thesis by analysing the contents of two leading concepts which have dominated our thinking on the adult education sector in the last several decades. These ideas are: continuing education and lifelong learning. They are cognitive instruments of governing and achieving the state of governmentality in the societies of developed democratic countries.

20

Fighting With No One: Reflections on Education, Aikido, and Peace

51%

Bryant S. R.

Ido Movement for Culture. Journal of Martial Arts Anthropology

|

2019

|

vol. 19

|

issue 2

21-28

EN

Background. This paper is a reflection on aikido as a tool for teaching about elicitive conflict transformation and the larger field of peace and conflict studies. Problem and aim. One of the central difficulties of teaching elicitive conflict transformation is that, as an adaptive and emergent method, it is non-prescriptive and therefore conventional didactics are inappropriate. The aim is to add to the existing corpus of literature on aikido and elicitve conflict transformation by combining the philosophical perspectives presented in this paper. Method. The reflection builds on a comparison of Canadian First Nation’s philosophy, the Japanese martial art aikido, and the Heideggerian term Verwindung as complementary philosophical approaches that can potentially deepen the understanding of elicitive conflict transformation. From the starting point of the Indigenous Canadian perspective from the Hesquiaht Nation, the term wiwikink’api’ is introduced, which means ‘fighting with no one.’ From there, aikido is presented as both a physical and spiritual practice that teaches non-aggression and balancing forces and it is compared to Verwindung. Results. The three philosophical approaches have notable similarities that emphasize the core principles of elicitive conflict transformation: non-dualistic perception, self-awareness, and perpetual twisting. Conclusions. The final remarks draw parallels between these reflections and the state of the art of elicitive conflict transformation.

PL

Tło. Niniejszy artykuł jest refleksją nad aikido jako narzędziem nauczania o transformacji wywołanego konfliktu/sporu oraz jest częścia większego pola badań nad pokojem i konfliktem. Problem i cel. Jedną z głównych trudności nauczania transformacji wywołanego sporu jest to, że jako metoda adaptacyjna i emergentna nie ma charakteru normatywnego, a zatem konwencjonalna dydaktyka jest niewłaściwa. Celem pracy jest poszerzenie istniejącego korpusu literatury na temat aikido i transformacji wywołanego sporu poprzez połączenie perspektyw filozoficznych przedstawionych w niniejszym artykule. Metoda. Refleksja opiera się na porównaniu kanadyjskiej filozofii First Nation, japońskiej sztuki walki aikido i heideggerowskim określeniem Verwindung jako komplementarnych podejść filozoficznych, które mogą potencjalnie pogłębić zrozumienie ewolucyjnej transformacji wywołanego sporu. Wychodząc z punktu początkowego perspektywy rdzennych mieszkańców Kanady- Narodu Hesquiaht, wprowadzony został termin wiwikink’api, co oznacza “walczyć z nikim”. Stąd aikido jest przedstawiane, jako praktyka fizyczna i duchowa, która uczy nieagresji i sił balansowania i jest porównywana do filozofii Verwindung. Wyniki. Te trzy filozoficzne podejścia mają znaczące podobieństwa, które podkreślają podstawowe zasady transformacji wywołanego sporu: niedualistyczną percepcję, samoświadomość i ciągłe poruszanie się dookoła. Wnioski. Końcowe uwagi wskazują na podobieństwa między tymi refleksjami a stanem sztuki transformacji wywołanego sporu.

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