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Intertekstualność i gatunkowość jako klucz interpretacyjny filmu. Trzy kolory. Biały Krzysztofa Kieślowskiego

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Fiołek-Lubczyńska B.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
|
2012
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vol. 17
|
issue 3
205-219
EN
The article defines notions such as intertextuality and film genre. These notions enable the interpretation of Kieslowski’s Three Colours. White. Its reception from an intertextual-ity perspective shows its affinities with Charlie Chaplin’s productions. The hero of Biały, Karol, is a counterpart of the Chaplinian heroes. Kieślowski merges genre conventions, which is why genre theory offers another interpretative key to Three Colours. White. Its plot’s structure is built on elements of comedy, crime story, as well as drama. Thanks to Kieślowski’s convention manipulations, White shows postmodernist features.
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