Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  praktyki artystyczne
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Art squats, artistic critique and resistance: Between recuperation and obliteration

100%
Drake M. S.
Prace Kulturoznawcze
|
2016
|
vol. 19
41-58
EN
Art squats have been a characteristic form of the development and diffusion of counter­culture since the 1960s. Their function is twofold, engaging in both art and social critique, and as a form of direct action in each field, resisting both capitalist property relations and the institutions of the art market. However, those functions may be displaced by others as a result of the effects of art squats themselves, such as neighbourhood gentrification. The changing cultural politics of the embodied critical practice of art squats are traced through three European examples. This paper follows Critical Cultural Studies in reading cultural practice as text to engage critically with Boltanski and Chiapello’s dismissal of artistic critique, and also problematising the alternative autonomist assumption that art squats unify the projects of art and social revolution by showing how their strategies can be subject to recuperation, while linking the strategies developed in art squats to contemporary practices of resistance.
2
Publication available in full text mode
Content available

Demolition. (Nie)słyszalne głosy i praktyki dyskursywne anglosaskich artystek hardrockowych

100%
Kosek J.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
|
2021
|
vol. 114
|
issue 2
61-73
EN
This article focuses on female hard rock and (heavy) metal artists largely marginalised in previous national research on the anthropology of popular music. The current state of research is presented in a context. Selected topics are discussed related to the artistic practices and image, the multidimensionality of the voice, the category of the body, and the aesthetics of the aging of female artists. The (heavy) metal culture is analysed in the context of exhibitionism defined in a non-reductionist manner not only as a kind of sexual paraphilia, but more broadly as a tendency (at times excessive) to reveal personal and intimate details to others, expose one’s self, and in some cases also one’s body. The text focuses on Girlschool, the British longest-running all-female rock band whose career can be viewed from the perspective of longue durée, and Otep, an American band synthetically characterised through its leader’s political manifestations represented on the album Kult 45 (2018). The careers of the both bands are analysed in terms of the dominant metal masculinist paradigm, as well as from the perspective of ideological discourses and the (trans)media logic of convergence culture.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.