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Etnografický film: průnik vědeckého a uměleckého zakoušení světa

100%
Petráň T.
Národopisná revue (Journal of Ethnology)
|
2014
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vol. 24
|
issue 1
15 - 31
EN
This study is focused on the area of ethnographic film and video in the process of interdisciplinary interaction between ethnographers and filmmakers. In past creation of image required considerable effort, based on technical mastering of visual techniques and on individual dispositions of the filmmaker. This has changed dramatically by means of industrialization of production as well as distribution of consumer images. The amount of images is constantly growing, they are omnipresent and instant. In the first decade of new millennium, the role of film within the framework of anthropological research is being redefined. New roles of visual anthropology are occurring together with the development of experimental methods in social sciences and with the newly recognized role of Art in the research itself. The requirement of professionalism of audiovisual record, which burdened the ethnographic film with established visual processes and conventions, is disappearing under the influence of massive transmission of personal and private images. Democratization of the creative process and almost unlimited possibilities of distribution lay new questions about the definition of the genre.
2

O powiązaniu analizy źródłoznawczej i stylistycznej. Znad Rozmyślania przemyskiego

100%
Rojszczak-Robińska D.
Slavia Occidentalis
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2014
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issue 71/1
123-143
PL
The aim of the present article is to show the process of creation, an attempt to catch the Old Polish author “red-handed”. The analysis of the source focuses on one thread of Rozmyślania przemyskie – the episode of St. Peter denouncing Jesus. Only during the study of the entire thematic thread, the episode, we can see, for example, the mechanisms of selection/selections. The choice of words is not accidental; also, it is not the result of slavish following the source. The text of Rozmyślania przemyskie is the result of many choices made by its author. Constantly, there mingle here the choices of sources, the fictional, theological and stylistic choices. The selection of lexemes or the construction of sentences may be determined by the chosen source or just the opposite – made despite the chosen source. In some excerpts of Rozmyślania przemyskie it is evident that the fictional choice and the choice of the language of description are quite different things. The author of Rozmyślania przemyskie, by choosing for the construction of the text the version of one of the four Evangelists may choose another as far as fictional events are concerned (who asks Peter questions, how many times the cock crows, where is Peter, does he sit or stand, etc.), and still another with regard to the manner of recounting the events. This puts in a quite different light the problem of compilation mechanisms and the ways of achieving coherence of a text.
3

Doswiadczenie czy wyobrazenie? O Mannowskim kontekscie Ocalenia Edwarda Zebrowskiego

58%
Szpulak A.
Kwartalnik Filmowy
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2011
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issue 75-76
110-121
EN
The article is structured around the notion of the poetics of realism in Edward Zebrowski’s film Salvation and in Thomas Mann’s book Magic Mountain. The author tries to describe the relation between the reality of hospital or sanatorium life present in those works to such poetics. Szpulak analyses: auto-reflection of the works’ authors, the process of creation of reflected worlds, the creation of the protagonists, shaping of time and elements of autobiography. The analysis shows that the realism in the work of the Polish director is present in a more consistent way, being the basis of the narrative convention. However realism is not present in the work for its own sake, rather it serves the greater meaning contained in either book or film.
4
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SZKIC DO OBRAZU WYOBRAŹNI TWÓRCZEJ

51%
Jałowczyk K.
Ars inter Culturas
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2014
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issue 3
199-213
EN
Imagination is one of the most important characteristics of human mind. The language of imagination is created by ideas and mental images. The activity of imagination is ex- pressed by various notions such as fantasy, intuition, invention, narration, inspiration, stimulus, and dream. Imagination functions and develops autonomously in relation to the outside world. It is not subordinate to strict discipline and altered states of consciousness. It creates its own rules, goes beyond time and forges a creative identity of the human being.
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