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Powieść szachowa jako powieść historyczna. Nieco przewrotna alternatywa gatunkowa

100%

Graf P.

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

2016

issue 5

47-61

The article focuses on two purposes. On the one hand, it constitutes an attempt to redefine the genre of historical novel in the circumstances in which the attempts made so far have turned out to be insufficient. The new definition shifts the centre of gravity from structural features (which are impossible to be determined following the experience of the narrativization of history) to the poetics of reception. On the other hand, the article also has its interpretative purpose which entails complicating the results of the analysis through the scrutiny of the chess novel that multiplies the historicity of the literary work and triggers more questions to be raised. Thus, the article aims at an alternative description of historical prose as an important literary experience of today’s world.

Artykuł realizuje dwa cele. Pierwszym z nich jest ponowne zdefiniowanie gatunkowe powieści historycznej w sytuacji, w której dotychczasowe próby opisania tej formy okazują się niewystarczające. Nowa definicja przenosi punkt ciężkości z cech strukturalnych (niemożliwych do ustalenia po doświadczeniu narratywizacji historii) na poetykę odbioru. Cel drugi, interpretacyjny, polega na skomplikowaniu uczynionych rozpoznań poprzez analizę powieści szachowej, która multiplikuje historyczność utworu i zmusza do postawienia innych pytań. Tym samym artykuł zmierza do alternatywnego opisu ważnego dziś doświadczenia literackiego, jakim jest proza historyczna.

Na marginesach lektur - Konwencje „wyczerpane” acz „wyćwiczone” (w twórczości epigońskiej) — na przykładzie zbioru opowiadań „Gniazda szlacheckie” Michała Synoradzkiego

89%

Dałek E.

Prace Polonistyczne

2015

vol. LXX

263-282

Hoping to revalue the literary profile of Michał Synoradzki, a writer familiar to, though underestimated both by his contemporaries and a new generation of readers, the author of the article focuses on the most representative collection of stories in his career, namely Gniazda szlacheckie (Nobility Nests from 1914). A multi-faceted analysis of the text concentrates on an interesting, but still lacking sufficiently exploited intellectual potential, problem of epigonism. Basing on Synoradzki’s literary work, the author of the article by rejecting the commonly accepted, yet inaccurate and definitely pejorative definition of epigonism, attempts to prove that epigonism does not necessarily involve lack of talent, graphomania, or kitsch aesthetics. An epigone may turn out to be a skilful and clever writer; therefore, one should not judge his work as flat indolent or lacking any technical skill. It happens that an epigone writer does not reproduce mechanically clichéd stereotypes, but, paradoxically, creates them autocratically (originally?), thus believing that this is the only way to pursue aesthetic postulates of the epoch. The author claims that it is the case of Synoradzki, who, in his correspondence, journalistic writings and reviews classified himself as the follower of Jozef I. Kraszewski’s documentary prose, and who, praised by his mentor and urged to continue practicing his literary skills, pursued eagerly his credo. Synoradzki’s case contributes to the proof of the thesis that epigones may arouse readers’ curiosity as they intensify the aesthetic evolution and revolution. Imitating a fixed scheme conceived in specific conditions, they involuntarily discredit it and show, as it were, its distorted image thus provoking and stimulating the necessity of innovative, original (individual and creative) solutions. Studying literature diachronically, we tend to focus mainly on great and outstanding works. Hence, we have the impression that the process of literary history is built upon „from masterpiece to masterpiece” principle although it is not quite so. Epigones intensify the necessity of gradual changes, their role in literary development is important, if not crucial. Their literary „training cycles” rooted in conventionalised stylistics push the literature towards new, creatively untapped areas which, in fact, are fully explored by their contemporaries and successors. Nevertheless, epigones become „late winners”, as it is indicated by etymology of the key word itself.

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1 Czytanie Literatury. Łódzkie Studia Literaturoznawcze

1 Prace Polonistyczne

1 2016

1 2015

1 Dałek E.

1 Graf P.

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Powieść szachowa jako powieść historyczna. Nieco przewrotna alternatywa gatunkowa

Na marginesach lektur - Konwencje „wyczerpane” acz „wyćwiczone” (w twórczości epigońskiej) — na przykładzie zbioru opowiadań „Gniazda szlacheckie” Michała Synoradzkiego