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EN
The present article gives a statistical overview of the characters of Estonian three nation jokes throughout three periods: the Soviet period, the 1990s, and the 21st century. The following subtopics are discussed: 1) The Zipfian distribution of parameters of our joke corpus that complicates text- and type-based statistical analyses (so-called “Zipf’s curse”); 2) The general temporal dynamics of the material and changing of the frequencies of ethnic characters through the three periods of observation; 3) The correlation between the “sequential number” (position) of the character in the text and its function: changes in frequencies of different ethnic characters as “initialisers”, “follow-uppers”, and “punch line-makers” throughout the three periods; the salience of the Estonian as an ethnic figure in the 21st century; exceptional texts with more or fewer than three characters and, related to it, problems of the joke structure (syntagmatic triad versus paradigmatic-parallelistic chain, etc.).
EN
The theoretical writings of Maciej Kazimierz Sarbiewski have provided a constant focal point of scholarly interest, most often in the context of the study of problems relating to poetry’s concepts and aesthetics, the Christianization of antiquity, or the imitation of Horace. The multifaceted thought of this author, who belonged to a transitional intellectual formation in the history of European thought, can and should nonetheless likewise inspire studies in terms of the history of ideas, which place the object of knowledge at the intersection of artificially separated areas of knowledge. Sarbiewski’s treatise De acuto et arguto, devoted to his conceptist structure of the epigram, represents not only an enunciation of baroque literary theory, but also, read in dialogue with his other writings, reveals a consistent cosmological vision of reality.
PL
Twórczość teoretyczna Macieja Kazimierza Sarbiewskiego, cieszy się stałym zainteresowaniem badaczy, którzy najwięcej uwagi poświęcają problematyce koncepcji i estetyki poezji, chrystianizacji antyku czy imitacji horacjańskiej. Wieloaspektowa refleksja autora przynależącego do „przejściowej” formacji intelektualnej w dziejach europejskiej myśli zachęca jednak równie silnie do studiów z zakresu historii idei, które sytuują przedmiot poznania na styku zautonomizowanych dziedzin nauki. Traktat De acuto et arguto poświęcony konceptycznej strukturze epigramatu, stanowi nie tylko świadectwo barokowej teorii literatury, lecz również, czytany w dialogu z innymi pismami Sarbiewskiego, odsłania konsekwentną kosmologię rzeczywistości.
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