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Silent Bergman full of words

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Ingmar Bergman, in addition to producing a large number of films, also worked for the theatre and in radio. All of his activities were intertwined and influenced one another. The paper outlines Bergman's traces in radio with an emphasis on Czech radio production. It reflects the biographic readings, monodrama, dialogic plays as well as more extensive plays which, thanks to their intimate setting, the intensity of relationships among characters and meaning, correspond to the character of Bergman's late work. Relying on the analyses by Jess Kalin and radio theoreticians Martin Shingler and Cindy Wieringa, the authors look into the imaginativeness of Bergman's plays with a particular focus on the dimensions of silence and words.
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České rozhlasové adaptace děl Karla Čapka

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This study analyses the current production tradition of presenting Karel Čapek’s literary works in the Czechoslovak radio context. It sets out the ongoing interest in Čapek’s work on the radio, reflects key radio adaptations of Čapek’s dramas and novels in individual micro-analyses, and attempts to establish the basic production mechanisms and to identify the opportunities and pitfalls involved in adapting Čapek’s works. It also highlights Čapek’s work as one of the most inspiring subject areas of auditory/verbal creative work, and points out various dramaturgical and directorial methods of reproducing the author’s poetics on the radio. The article also includes a chronological listing of radio productions of Čapek’s work.
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