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EN
The article discusses problems for native speakers and foreigners when reading literary texts during Polish language classes. Two important books are presented here (K. Koziołek, 2006; A. Janus¬ Sitarz, 2009). It also refers to publications about the importance of literature in teaching and the role of the teacher (J. Kowalikowa 2004, B. Chrząstowska 1979, 2009). The author of the article also compares the theory of A. Janus¬ Sitarz (designed for teaching Polish as a mother tongue) with J. Spiro’s concept of 6 reading types (concerning the function of literary texts in teaching Polish as a foreign language). The author concentrates on the problem of responsible reading (as described by M.P. Markowski, 2000) and on teaching being understood as an invitation to a dialogue with text. K. Koziołek, A. Janus¬ Sitarz and C. Kramsch in glottodidactics recommend this kind of dialogic approach.
EN
The paper describes the first hundred years of the history of eye tracking as a research method, dividing it into three phases of development. It starts by presenting the studies on tracing eye movements in reading in the end of the 19th century and the creation of the first eye trackers. The further part presents how the eye tracking technology was improved in the time of film recordings, ceasing to be invasive for the eyes. It also shows how in this time the main focus of research shifted to practical aspects due to the development of the behaviourist movement in experimental psychology. The third phase starts in the 1970s, when researchers turned more towards the dependence between the perception and mental processes. It was linked to the establishment of a theoretical and methodological basis for cognitive psychology.
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Kryminalne gry z czytelnikiem

84%
PL
Praca stanowi analizę najnowszej publikacji Mariusza Kraski Prosta sztuka zabijania. Figury czytania kryminału poświęconej opisowi różnych modeli oddziaływania literatury kryminalnej na czytelnika, a przede wszystkim doświadczeniu czytania dla przyjemności. Rozpatrując proces czytania jako swoistą strategiczną grę między czytelnikiem a autorem i tekstem, Kraska analizuje potencjalne scenariusze kryminalnych lektur, które prezentuje przy użyciu figur uzależnienia, uwodzenia, śledzenia i interpretacji. Tekst gdańskiego badacza to próba stworzenia kompleksowej analizy kategorii gry w kontekście gatunku powieści kryminalnej, stanowiąca nowatorskie spojrzenie na ten gatunek literatury.
EN
The paper discusses the latest publication by Mariusz Kraska entitled Prosta sztuka zabijania. Figury czytania kryminału [Simple Art of Killing. Figures in Reading Crime Fiction] in which he presents different models of impact that crime literature has on a reader, with special reference to so-called reading for pleasure. Since the reading process is considered a sort of strategic game between the reader and the author or his/her text, Kraska analyses potential scenarios of crime novels and presents them with the use of the following figures: pleasure of becoming addicted, pleasure of being seduced, pleasure of following the plot and pleasure of interpreting. The researcher from Gdańsk attempts to provide comprehensive analysis of game category in the context of crime fiction, in other words takes a novel look at this literary genre.
EN
There can be no doubt that Wolfgang Iser’s literary theory was strongly influenced by Roman Ingarden’s writings on literature. Iser often quotes from Ingarden and develops some of his key ideas. The main aim of this article is to show that even in the cases where Iser develops Ingarden’s ideas and concepts he significantly changes their meaning and function. This tendency is not arbitrary but rather mirrors the difference of aims between the two theories. In this article, the author tries to show how Ingarden’s theory revolves around his consideration of the differences between the real and purely intentional object. Here, the literary work serves as an example of the purely intentional object. By contrast, Iser’s work revolves around his opposition to any theory which emphasizes the essential meaning of a work of literature without considering the reading process itself. This attention to the reading process is the main aim of Iser’s theory. The article develops the thesis that the two opposing definitions of the literary work arise from this essential difference, which in turn explains the dissimilarity, in terms of both meaning and function, between such seemingly similar concepts as Ingarden’s ‘places of indeterminacy’ (die Unbestimmtheitstellen) and Iser’s ‘blanks’ (die Leerstellen).
Rozprawy Społeczne
|
2019
|
vol. 13
|
issue 3
96-111
EN
The article is understood as a voice in the discussion over the place of (texts) of culture in teaching (German as) a foreign language at academic level. Its aim is to present the issue of incorporating autobiographical literature in the glottodidactic process and to show its historical and cultural potential used in linguistic education, and in particular in shaping of broadly understood textual competences of philological students.
PL
Artykuł rozumiany jest jako głos w dyskusji nad miejscem (tekstów) kultury w nauczaniu języka (niemieckiego, jako) obcego na poziomie akademickim. Jego celem jest przedstawienie problematyki włączania literatury wspomnieniowej do procesu glottodydaktycznego oraz ukazanie jej potencjału historycznego-kulturowego wykorzystanego w edukacji językowej, a w szczególności w kształtowaniu szeroko rozumianej kompetencji tekstowej studentów studiów filologicznych.
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