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1
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Męskości w soczewce. Neotelewizyjne konstruowanie tożsamości w programie MTV Ex na plaży Polska

100%
Barłowski D.
Śląskie Studia Polonistyczne
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2020
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vol. 15
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issue 1
EN
The article presents an analysis of an MTV’s show Ex on the Beach Poland, which focuses on male characters who exhibit masculinity “patterns” promoted (“constructed”) by the reality show in question. First off, the show’s “format” is presented, including its specificity in the context of reality show genre development in relation to the theory of paleo- and neo-television. The article’s subsequent sections analyse the characters appearing in the second series of Ex on the Beach Poland. In the end, the conclusions are presented that pertain most of all to entirety of commercial side of promoting particular “patterns” of masculinity.
2
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The Condition of Polish Autobiographical Documentaries – More Similar to a Reality Show?

94%
Fiołek-Lubczyńska B., Barczyk-Sitkowska A., The University of Lodz F. o. P., bogumilafl@gmail.com, agabarczyk@gmail.com
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
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vol. 35
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issue 5
EN
The autobiographical documentary has a number of elements which resemble those of a reality show. Such documentaries can be considered to be young directors’ responses to this TV genre and its celebration of voyeurism. The purpose of this article is to outline the similarities and differences between these two genres. The article consists of four parts: the first discusses the essence of the autobiographical documentary, the second focuses on the reality show, the third analyses the movie Moje dwadzieścia okrążeń by Łukasz Konopa, and the fourth is a summary of the considerations made in the text.
3
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Kondycja polskiego dokumentu autobiograficznego – zwrot w kierunku reality show?

94%
Fiołek-Lubczyńska B., Barczyk A., Uniwersytet Łódzki W. F., Bogumiła Fiołek-Lubczyńska – zajmuje się dokumentem filmowym i reportażem telewizyjnym p. h. n. f. d. A. F. W. r. o. w. f. k. d. p. F., bogumilafl@gmail.com; agabarczyk@gmail.com
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2014
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vol. 23
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issue 1
EN
The autobiographical documentary has a number of elements that resemble those of a reality show. Such documentaries can be considered a response by young directors to this TV genre and its celebration of voyeurism. The purpose of this article is to outline the similarities and differences between these two genres. The article consists of four parts: the first discusses the essence of the autobiographical documentary, the second focuses on the reality show, the third analyses the movie Moje dwadzieścia okrążeń by Łukasz Konopa, and the fourth is a summary of the considerations made in the text.
4
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The Condition of Polish Autobiographical Documentaries – More Similar to a Reality Show?

94%
Fiołek-Lubczyńska B., Barczyk-Sitkowska A.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
|
2016
|
vol. 35
|
issue 5
177-184
EN
The autobiographical documentary has a number of elements which resemble those of a reality show. Such documentaries can be considered to be young directors’ responses to this TV genre and its celebration of voyeurism. The purpose of this article is to outline the similarities and differences between these two genres. The article consists of four parts: the first discusses the essence of the autobiographical documentary, the second focuses on the reality show, the third analyses the movie Moje dwadzieścia okrążeń by Łukasz Konopa, and the fourth is a summary of the considerations made in the text.
5
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Polityka a reality show

83%
Klepka R.
Kwartalnik Naukowy OAP UW "e-Politikon"
|
2013
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issue 5
29-46
PL
Przedmiotem artykułu jest próba wskazania przyczyn, w wyniku których polityka staje się podobna do reality show. Autor dowodzi, że wielką rolę w demokracji odgrywa zaangażowanie społeczne. Następnie wskazuje trzy główne źródła zmian w sposobie postrzegania polityki: spadek aktywności obywatelskiej i zainteresowania polityką, ewolucję mediów oraz zmianę sposobu działania polityków. W dalszej części scharakteryzowano istotę reality show i wskazano analogię pomiędzy nim a polityką.
EN
The paper presents the causes which make the politics become similar to a reality show. The author demonstrates that social engagement is one of the most important issues in democracy. Then he points to three main sources of changes in the perception of politics: decline in civic participation and interest in politics, the evolution of the media and change of the behavior of politicians. In the following part the reality show has been presented and the analogy between it and the politics has been shown.
6
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Estetyzacja codzienności w programie poradniczym dotyczącym wyglądu Chcę być piękna – perspektywa krytyczna

67%
Koronkiewicz K.
Ogrody Nauk i Sztuk
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2014
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issue 4
664-677
PL
Człowiek niemalże od zawsze poddawał ciało różnym reżimom, mającym uczynić je bardziej atrakcyjnym. Wszechobecne dążenie do piękna jest zjawiskiem socjologicznym, którego nie można bagatelizować. Jego natarczywa obecność w środkach masowego przekazu stała się bodźcem do przeprowadzenia analizy reality show Chcę być piękna. Artykuł przedstawia model kobiecości propagowany przez telewizję. Ukazuje jaki przekaz socjalizacyjny udostępniany jest młodym, stosunkowo mało krytycznym odbiorcom. Prezentuje zależność między modyfi kowaniem wizerunku a świadomym konstruowaniem tożsamości.
EN
The man almost always submited the body of various regimes, aimed to make it more attractive. Ubiquitous pursuit of beauty is a sociological phenomenon that can not be underestimated. It’s insistent presence in the media became the impetus for the analysis of the reality show I want to be beautiful. This article presents a model of femininity propagated by television. It shows what socialization message is distributed to a young, relatively little critical audience. It presents the relationship between alteration of image and conscious construction of identity.
7
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Modern Media Phenomenon

60%
Prijatelj E.
The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II
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2011
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vol. 1
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issue 2
PL
Contemporary media culture is defined by the logic of the victorious spectacle expanding to all areas of life. Post-modern capitalism has turned everyday life and culture into entertainment with the help of the spectacular. In fact, such entertainment results in a fake sense of happiness, pop mainstream, the swallowing up alternatives and therefore the creation of a passive consumer society. The media today have a unique power of overwhelming a person with information. They enable a modern person to know much, but understand little. This discussion has cast some light on very popular reality shows, the body and sports. It concludes with a reflection on modern media, which leave a person of this age with a patchwork identity.
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