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Proměna funkce posla v dramatu

100%
Kačer T.
Theatralia: Revue současného myšlení o divadelní kultuře (Theatralia: The revue of contemporary thought on theatre culture)
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2014
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vol. 17
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issue 1
286-300
EN
The present paper deals with the messenger character from the perspective of transformation of its function in drama regarding its presence and use in the history of drama where it focuses on messenger figures in Sophocles' Oedipus King and Shakespeare's Antony and Cleopatra, and in the context of contemporary mainstream British drama in the plays Arcadia by Tom Stoppard and Copenhagen by Mychael Frayn. Based on the contrasts between examples from classical and contemporary plays, the study shows that Messenger disappears as an independent character while its functions within dramatic narrative strategies remain preserved as other main dramatic characters take on this function, which had belonged to nameless Messenger figures. It also focuses on formal aspects of messengers' narratives, the 'reportage', and it shows the ways these narratives are incorporated into the drama as a whole.
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"Výbuch, který právě nastal.": zrod Hitlerovy diktatury pohledem československých reportérů

80%
Maňák V.
Česká literatura (Czech Literature)
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2023
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vol. 71
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issue 3
288-307
EN
This study focuses on Czechoslovak reportage journalism and its reflection of political events in Germany during 1933, when the political system underwent a fundamental transformation into a totalitarian dictatorship led by Adolf Hitler. The study shows and analyses the interwar form of written reportage and reflects German events through texts by three prominent Czechoslovak journalists: Franta Kocourek, Géza Včelička and Egon Erwin Kisch. The study describes their narrative strategies and shows how journalistic work was influenced by the ideological positions of these Czechoslowak reporters. Despite their differing political positions, all three of them were united in their clear criticism of the NSDAP.
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