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Sprachwissenschaftliche Forschung in Polen und Deutschland nach der Wende

100%
Mac A.
Linguistische Treffen in Wrocław
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2021
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issue 20
423-430
EN
The article outlines the current situation of German studies and in particular the development of linguistic research in Poland over the past 30 years. Referring to the basis of several studies from an anthology to be introduced, both research traditions and current fields of investigation are considered and reflections for future inquiries are made. The papers address various aspects of linguistic research on the basis of diverse text types. Argumentative action and the means of textual exposition in German and Polish political speeches are examined. Bilingual communication discourses in press texts and the typographical design of the text type congratulations are analysed in German-Polish comparison. One study deals with the results of German linguistics for DaF didactics in Poland, while two others are concerned about grammatical questions: the first with the modal verb sollen in reportative function in interrogative sentences, the second takes a close look at Polish and German phrases with temporal meaning in procedural law in order to uncover essential interlingual differences which may cause translational problems and errors. Two articles give an overview of the development and present the current state of research in the field of contrastive linguistics and linguistic discourse research in Polish and German studies in Poland. Another two contributions have historical references. One concerns the German language use by Volga Germans in the 1920s and 1930s. The other examines how the claim of language history as text type history, formulated in the 1970s and 1980s, was implemented within the German and Polish research community. The range of topics is supplemented by linguistic treatises from three neighbouring countries – Germany, Slovakia and Ukraine. At last but by no means of less interest, the self-biographies of two renowned German scholars and at the same time linguists, namely Prof. Ulla Fix and Prof. Hans-Werner Eroms, also deserve special attention.
2
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Badania nad stresem doświadczanym przez lekarzy

75%
Chmielewska-Banaszak D., Giemza-Urbanowicz W.
Psychologiczne Zeszyty Naukowe
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2018
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issue 2
125-144
PL
Artykuł jest efektem prowadzonych od kilku lat badań własnych nad stresem zawodowym lekarzy. Doświadczenia wynikające ze studiowania literatury przedmiotu stały się impulsem do powstania niniejszego tekstu. W artykule krytycznie omawiane są dwa obszary badawcze stresu doświadczanego przez lekarzy: wypalenie zawodowe i stres zawodowy. W konkluzjach autorki wskazują przyczyny utrudnień w tworzeniu syntez i metaanaliz badań nad stresem wynikającym z pracy lekarza.
EN
The paper is a result of own researches of occupational stress of physicians. Experiences connected with a study of subject literature played also an important role during writing. Paper focuses on two domains relating to physicians’ stress: occupational burnout and occupational stress. In conclusions we point out some difficulties in creating synthesis and meta-analyzes during researches of stress being a result of physicians profession.
3
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On Contemporary Issues in the Sociology of Art: Introduction

63%
Wejbert-Wąsiewicz E., Porczyński D., Rozalska A.
Przegląd Socjologii Jakościowej
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2021
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vol. 17
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issue 3
6-26
PL
We wstępie do niniejszego wydania „Przeglądu Socjologii Jakościowej” podejmujemy próbę scharakteryzowania współczesnego pola socjologii sztuki w Polsce. Punkt wyjścia stanowią cztery generacje socjologii sztuki zdefiniowane przez Nathalie Heinich oraz identyfikacja czterech podstawowych elementów: dzieła sztuki oraz jego recepcji, artysty i procesu twórczego, odbiorców oraz ram społeczno-instytucjonalnych. Podejmujemy się próby zakreślenia ram czasowych subdyscypliny, wskazując jako jej początki w kraju prace Stanisława Ossowskiego (socjologia sztuki sensu largo), Floriana Znanieckiego (socjologia artysty). Definiujemy także specyficzny status socjologii sztuki w Polsce jako subdyscypliny socjologii kultury oraz jej wzajemne relacje z innymi naukami. Analizujemy wyodrębnianie się środowisk naukowych, pojawianie się i zanikanie specjalności badawczych w ciągu ponad 80 lat. Dodatkowo wskazujemy białe plamy oraz obszary tematyczne i perspektywy, które dopiero się rozwijają. Zdajemy sobie sprawę, że w ramach jednego tekstu trudno jest wyczerpać problem historii i statusu socjologii sztuki w Polsce, stąd naszym celem jest raczej wskazanie wątków, perspektyw i idei w celu rozpoczęcia dyskusji na ten temat.
EN
In the introduction to this issue of Przegląd Socjologii Jakościowej, we undertake an attempt to characterize the contemporary field of the sociology of art in Poland. For the point of departure, we took four generations of the sociology of art as defined by Nathalie Heinich as well as the identification of the following four elements: an artwork and its reception, an artist and a creative process, an audience, and a social-institutional framework. We try to draw the timeline of this sub-discipline by means of indicating works of Stanisław Ossowski (the sociology of art sensu largo) and Florian Znaniecki (the sociology of artist) as its beginning in the country. We also define the unique status of art sociology in Poland as a sub-discipline of the sociology of culture, as well as its mutual relations with different sciences. We analyze the emergence of scientific communities and the appearance and disappearance of research specializations during the period of over 80 years. Additionally, we indicate missing pages as well as thematic fields and perspectives that are still developing. We are aware of the fact that it is difficult to exhaust the problem of the history and status of art sociology in Poland within one article, which is why our objective is, rather, to indicate problems, perspectives, and ideas that can begin the discussion on the topic.
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